Hub-Tones
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Hub-Tones
''Hub-Tones'' is an album by trumpeter Freddie Hubbard recorded on October 10, 1962, and released on the Blue Note label as BLP 4115 and BST 84115. It contains performances by Hubbard, James Spaulding, Herbie Hancock, Reggie Workman and Clifford Jarvis. The cover artwork was designed by Reid Miles with photography by Francis Wolff. Track listing ''All compositions by Freddie Hubbard except as indicated'' #"You're My Everything" (Mort Dixon, Harry Warren, and Joe Young) – 6:33 #"Prophet Jennings" – 5:31 #"Hub-Tones" – 8:24 #"Lament for Booker" – 9:39 #"For Spee's Sake" – 8:35 ;Compact Disc bonus tracks #"You're My Everything" (Alternate Take) – 6:30 #"Hub-Tones" (Alternate Take) – 8:00 #"For Spee's Sake" (Alternate Take) – 7:54 Personnel *Freddie Hubbard – trumpet *James Spaulding – alto saxophone, flute *Herbie Hancock – piano *Reggie Workman – bass *Clifford Jarvis – drums See also The ...
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Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollin ...
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Here To Stay (Freddie Hubbard Album)
''Here to Stay'' is a studio album by American jazz trumpeter Freddie Hubbard recorded on December 27, 1962 but not released on the Blue Note Records, Blue Note label until 1976 as BN-LA 496-2. It features performances by Hubbard, Cedar Walton, Reggie Workman, Philly Joe Jones, and Wayne Shorter. Reception Norman Weinstein of ''All About Jazz'' commented "Another indication of Hubbard's well-seasoned taste on this session is revealed in using two of Cal Massey's most memorable compositions, "Father and Son" and "Assunta." Listen to the solos by Hubbard and Shorter on "Assunta" and ask yourself if they haven't slipped to a new phase of their growth, apart from Blakey's band at this juncture, that's more darkly introspective. I hope the album title is true of the recording's fate". Scott Yanow of AllMusic stated "Although that session ( four Hubbard compositions, one of Walton's songs, and Randy Weston's "Cry Me Not") is excellent, it is the full album of previously unreleased mate ...
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Shadows In The Night
''Shadows in the Night'' is the 36th studio album by Bob Dylan, released by Columbia Records on February 3, 2015. The album consists of covers of traditional pop standards made famous by Frank Sinatra, chosen by Dylan. Like most of his 21st century output, Dylan produced the album himself under the pseudonym Jack Frost. Speaking of his intention behind the album, Dylan stated: The album garnered acclaim from critics, who praised its song selections as well as Dylan and his band's performance and arrangements. The album debuted at on the UK Albums Chart, making Dylan the oldest male solo artist to chart at in the UK. At the 2016 Grammys, it was nominated for Best Traditional Pop Vocal Album. Background and recording ''Shadows in the Night'' consists of ten ballads that were recorded by Frank Sinatra in the late 1950s and early 1960s. The songs were selected from that period of Sinatra's career when he was recording thematic albums that explored emotions of separation a ...
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Reid Miles
Reid Miles (July 4, 1927 – February 2, 1993) was an American graphic designer and photographer best known for his work for Blue Note Records in the 1950s and 1960s. Biography Reid Miles was born in Chicago, Illinois, on July 4, 1927 but, following the Stock Market Crash and the separation of his parents, moved with his mother to Long Beach, California, in 1929.The Cover Art Of Blue Note Records by Graham Marsh and Glyn Callingham After high school Miles joined the Navy and, following his discharge, moved to Los Angeles to enroll at Chouinard Art Institute. After working in New York City in the early 1950s for John Hermansader and ''Esquire'' magazineRichard Cook ''Blue Note Records The Biography'', and Margaret Hockaday's advertising firm, Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs. Miles designed over five hundred covers, frequently ...
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Clifford Jarvis
Clifford Osbourne Jarvis (August 26, 1941 – November 26, 1999) was an American hard bop and free jazz drummer, who in the 1980s moved to London, England, where he spent the remainder of his career. Biography Clifford Jarvis, the son of Malcom “Shorty” Jarvis was born in Boston, Massachusetts, United States, where he studied at Berklee College of Music in the 1950s.John Fordham (jazz critic)"Clifford Jarvis" (obituary)''The Guardian'', December 1, 1999. Moving to New York City, he established himself in jazz between 1959 and 1966, by recording with bebop and hard-bop musicians including Randy Weston, Yusef Lateef, Freddie Hubbard, Barry Harris, Jackie McLean, John Patton, Chet Baker, Kenny Drew, Walter Davis, and Elmo Hope, and playing with Grant Green and Rahsaan Roland Kirk. He worked and recorded with musicians associated with free jazz, including Sun Ra (from 1962 to 1976), Pharoah Sanders, Sonny Simmons, Alice Coltrane, and Archie Shepp. During the 1980s, Ja ...
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Reggie Workman
Reginald "Reggie" Workman (born June 26, 1937 in Philadelphia, Pennsylvania) is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey. Career Early in his career, Workman worked in jazz groups led by Gigi Gryce, Donald Byrd, Duke Jordan and Booker Little. In 1961, Workman joined the John Coltrane Quartet, replacing Steve Davis (bassist), Steve Davis. He was present for the saxophonist's ''Live at the Village Vanguard'' sessions, and also recorded with a second bassist (Art Davis) on the 1961 album, ''Olé Coltrane''. Workman left Coltrane's group at the end of the year, following a European tour. In 1962, Workman joined Art Blakey's The Jazz Messengers, Jazz Messengers (replacing long-time Blakey bassist Jymie Merritt), and worked alongside Freddie Hubbard, Wayne Shorter, and Cedar Walton for most of his time in the Jazz Messengers. Workman left Blakey's group in 1964. Workman also played with James Moody (saxo ...
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James Spaulding
James Ralph Spaulding Jr. (born July 30, 1937) is an American jazz saxophonist and flutist. Born in Indianapolis, Indiana, United states, Spaulding attended the Chicago Cosmopolitan School of Music. Between 1957 and 1961, he was a member of Sun Ra's band. In the 1960s, he worked as a studio musician at Blue Note Records, recording with Wayne Shorter, Horace Silver, and Stanley Turrentine. He was also a member of Freddie Hubbard's quintet and the World Saxophone Quartet. He went on to work with some post-bop musicians such as Max Roach, Randy Weston and Woody Shaw. Under the leadership of Mercer Ellington, in the 1970s, Spaulding played in the Duke Ellington Orchestra. In the 1980s, Spaulding worked with Ricky Ford and, as part of an octet, with David Murray. Discography As leader * 1976: ''James Spaulding Plays the Legacy of Duke Ellington'' ( Storyville) * 1988: '' Gotstabe a Better Way!'' (Muse) * 1988: ''Brilliant Corners'' (Muse) * 1991: '' Songs of Courage'' (Muse) * 1993 ...
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The Artistry Of Freddie Hubbard
''The Artistry of Freddie Hubbard'' is a 1963 album by trumpeter Freddie Hubbard, his first for Impulse! It contains performances by Hubbard, Curtis Fuller, John Gilmore, Tommy Flanagan, Art Davis and Louis Hayes. Track listing All compositions by Freddie Hubbard except where noted # "Caravan" (Duke Ellington, Irving Mills, Juan Tizol) – 7:28 # "Bob's Place" – 10:03 # "Happy Times" – 4:29 # " Summertime" (George Gershwin, Ira Gershwin, Dubose Heyward) – 10:06 # "The 7th Day" – 10:34 Personnel *Freddie Hubbard – trumpet *Curtis Fuller – trombone *John Gilmore – tenor saxophone *Tommy Flanagan – piano *Art Davis – bass *Louis Hayes – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ... References {{DEFAULTSORT:Artistry of Freddie Hubbard, The 1963 ...
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Blue Note Records
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernism, modernist art direction. History Historically, Blue Note has principally been associated with the "hard bop" style of jazz (mixing bebop with other forms of music including soul music, soul, blues, rhythm and blues and gospel music, gospel), but also recorded essential albums in the avant-garde and Free Jazz, free styles of jazz. Horace Silver, Jimm ...
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The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leo ...
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Francis Wolff
Francis Wolff (April 5, 1907 – March 8, 1971) was a record company executive, photographer and record producer. Wolff's skills, as an executive and a photographer, were important contributions to the success of the Blue Note record label. Career Jakob Franz "Franny" Wolff was born in Berlin, Germany, where he became a jazz enthusiast, despite the government ban placed on this type of music after 1933. After a career as a commercial photographer in Germany, Wolff emigrated to the United States. A Jew, he left Berlin for New York in the late 1930s. In 1939 in New York his childhood friend Alfred Lion had co-founded Blue Note Records (with sleeping partner Max Margulis, who soon dropped out of any involvement in the company), and Wolff joined Lion in running the company. During Lion's war service, Wolff worked for Milt Gabler at the Commodore Music Store, and together they maintained the company's catalogue until Lion was discharged. Until Lion retired in 1967, Wolff concen ...
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Blue Note Records Albums
Blue is one of the three primary colours in the RYB colour model (traditional colour theory), as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres. Most blues contain a slight mixture of other colours; azure contains some green, while ultramarine contains some violet. The clear daytime sky and the deep sea appear blue because of an optical effect known as Rayleigh scattering. An optical effect called Tyndall effect explains blue eyes. Distant objects appear more blue because of another optical effect called aerial perspective. Blue has been an important colour in art and decoration since ancient times. The semi-precious stone lapis lazuli was used in ancient Egypt for jewellery and ornament and later, in the Renaissance, to make the pigment ultramarine, the most expensive of all pigments. In the eigh ...
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