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Huapango
is a family of Mexican music styles. The word likely derives from the Nahuatl word that literally means 'on top of the wood', alluding to a wooden platform on which dancers perform dance steps. It is interpreted in different forms, the most common being the classic interpreted by a trio of musicians (); the interpreted by a group (); and the , which can be performed by a large group of musicians. () The classical brings together a violin, a and a . The classical is characterized by a complex rhythmic structure mixing duple and triple metres which reflect the intricate steps of the dance. When the players sing (in a duet, in a falsetto tone), the violin stops, and the (the rhythm provided by heels hitting the floor) softens. The is danced by men and women as couples. A very popular is , in which two singers alternate pert and funny repartées. Huapango arribeño or son arribeño is a style of music played in the "zona media" region (part of San Luis Potosi, Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagueña Salerosa
— also known as — is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times by recording artists. The song is that of a man telling a woman (from Málaga, Spain) how beautiful she is, and how he would love to be her man, but that he understands her rejecting him for being too poor. is attributed to Elpidio Ramírez and Pedro Galindo, published by Peer International in 1947 (monitored by BMI), although Mexican composer Nicandro Castillo questions the validity of that authorship. As he mentions: : The issue is controversial because ... composerdon Nicandro Castillo wrote that several tunes from la Huasteca which in decades past were known as , composed by Elpidio Ramírez, Roque Ramírez and Pedro Galindo, were actually anonymous songs, as was the case of and , which like or , were in the public domain, written "long before the construction of the Cathedral of Huejutla". Many have recorded and played this song, in part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariachi
Mariachi (, , ) is a genre of regional Mexican music that dates back to at least the 18th century, evolving over time in the countryside of various regions of western Mexico. The usual mariachi group today consists of as many as eight violins, two trumpets and at least one guitar, including a high-pitched vihuela and an acoustic bass guitar called a guitarrón, and all players taking turns singing lead and doing backup vocals. From the 19th to 20th century, migrations from rural areas into Guadalajara, along with the Mexican government's cultural promotion gradually re-labeled it as ''son'' style, with its alternative name of ''mariachi'' becoming used for the 'urban' form. Modifications of the music include influences from other music such as polkas and waltzes, the addition of trumpets and the use of charro outfits by mariachi musicians. The musical style began to take on national prominence in the first half of the 20th century, with its promotion at presidential ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Dance Of Mexico
Folk dance of Mexico, commonly known as baile folklorico or Mexican ballet folk dance, is a term used to collectively describe traditional Mexican folk dances. Ballet folklórico is not just one type of dance, it encompasses each region's traditional dance that has been influenced by their local folklore and has been entwined with ballet characteristics to be made into a theatrical production. Each dance represents a different region in Mexico illustrated through their different zapateado, footwork, having differing stomps or heel toe points, and choreography that imitates animals from their region such as horses, iguanas, and vultures. History Mexico's modern folk dance tradition is a blending of elements from its Indigenous, African, and European heritage. Before the arrival of the Spanish, indigenous dance developed with strong ties to the religious practices. For the Aztecs, there were two levels of dance, one for the common people, often related to the agricultural cycle and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Pablo Moncayo
José Pablo Moncayo García (June 29, 1912 – June 16, 1958) was a Mexican pianist, percussionist, music teacher, composer and conductor. "As composer, José Pablo Moncayo represents one of the most important legacies of the Mexican nationalism in art music, after Silvestre Revueltas and Carlos Chávez." He produced some of the masterworks that best symbolize the essence of the national aspirations and contradictions of Mexico in the 20th century. Biography Born in Guadalajara, Jalisco, José Pablo Moncayo was introduced to music by his elder brother Francisco. Eduardo Hernández Moncada is reported as the first teacher of José Pablo Moncayo in 1926, when the teenager was fourteen years old. According to Aurelio Tello, Hernández Moncada suggested his pupil Moncayo study at the National Conservatory.Torres-Chibras 2002, 86. Tello reports that Moncayo was admitted to the conservatory in 1929; meanwhile, in order to finance his studies, he worked as a jazz pianist. Accord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regional Styles Of Mexican Music
Regional styles of Mexican music vary greatly from state to state. Norteño, banda, duranguense, Son mexicano and other Mexican country music genres are often known as regional Mexican music because each state produces different musical sounds and lyrics. Baja California : Baja California has a characteristic style derived from the huapango norteño, known as calabaceado. Calabaceado is a type dance that was created in the 1940s based in the fact that "norteño music" and typical cowboy cultures were being mixed and this dance shows the mixture of both styles. Other norteño forms are also popular, such as Vals Norteño, Chotis, Mazurka and mariachi. Chiapas : Chiapas has produced many marimba bands and artists, such as Marimbas de Chiapas. Chiapas has its own "son" tradition (son chiapaneco), often played on the marimba. Mexican waltzes are also particularly popular here. Chihuahua : Chihuahua norteño is unique in that it uses the saxophone in addition to the tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zapateado (Mexico)
The zapateado is a group of dance styles of Mexico, characterized by a lively rhythm punctuated by the striking of the dancer's shoes, akin to tap dance. The name derives from the Spanish word '' zapato'' for "shoe": ''zapatear'' means to strike with a shoe. It is widely used in sones, huapangos and chilenas. The term is also used to refer to percussive footwork in some Spanish/Latin dances that involve elaborate shoe clicking and tapping and to the percussion music produced by shoe striking. See also * Zapateado (Spain) Zapateado is a style of dance and traditional music of Andalusian origins in metre , with lively movement, marked on two beats, the second being very stressed. The dance shows a gracious tapping. Humanists of 16th century affirmed that zapateado d ... References *David Ewen, ''Encyclopedia of Concert Music''. New York: Hill and Wang, 1959. Dance in Mexico Uses of shoes {{dance-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Jarocho
Son jarocho ("Veracruz Sound") is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico. It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term '' jarocho'', a colloquial term for people or things from the port city of Veracruz. Characteristics It represents a fusion of indigenous (primarily Huastecan), Spanish, and African musical elements, reflecting the population which evolved in the region from Spanish colonial times. Lyrics include humorous verses and subjects such as love, nature, sailors, and cattle breeding that still reflect life in colonial and 19th century Mexico. Verses are often shared with the wider Mexican and Hispanic Caribbean repertoire and some have even been borrowed from famous works by writers of the Spanish " Siglo de Oro". It is usually performed by an ensemble of musicians and instruments which collectively are termed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cucurrucucú Paloma
"Cucurrucucú paloma" (Spanish for ''Coo-coo dove'') is a Mexican huapango-style song written by Tomás Méndez in 1954. The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness. Over the years the song has been used in the soundtrack of several films and has gained international popularity. It initially appeared in the classic Mexican comedy ''Escuela de vagabundos'' screened in 1955, where it was sung by the star of the film, Pedro Infante. The song also gave its name to the 1965 Mexican film '' Cucurrucucú Paloma'', directed by Miguel Delgado, in which it was performed by Lola Beltrán, who starred as "Paloma Méndez". In Pedro Almodovar's film '' Talk to Her'' (2002) the piece is rendered by the Brazilian singer Caetano Veloso in an art-song style quite different from the mariachi folk-kitsch Kitsch ( ; loanword from German) is a term applied to art and design th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillermo Velázquez
Guillermo Velázquez (born 1948) is a Mexican musician from Xichú Xichú is a Mexican city (and municipality) located in the Northeast region of the state of Guanajuato. The municipality is entirely within the Sierra Gorda range and has an area of 912.20 square kilometres (3.0% of the surface of the state). It ..., best known for his folk music known as "arribeño huapango" and work with the Los Leones De La Sierra De Xichú. The rough guide to World music describes him as "probably the greatest living arribeño trovador". He is a noted organizer and contributor to festivals in Mexico. References Mexican musicians 1948 births Living people {{Mexico-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bajo Sexto
Bajo sexto (Spanish: "sixth bass") is a Mexican string instrument from the guitar family with 12 strings in six double courses. A closely related instrument is the bajo quinto (Spanish: "fifth bass") which has 10 strings in five double courses. In playing, the left hand holds the strings against frets on a fingerboard, while the right hand plucks or strums the strings. When played in older styles of music where the instrument assumes the role of a bass, the strings are usually plucked with the fingers. In modern chordal and melodic styles, a pick is frequently used. Origins and use The history of the bajo sexto is somewhat unclear. There are few written sources, and until very recently most music dictionaries and encyclopedias did not mention the instrument. A few contemporary researchers have been working from oral sources—living players and luthiers—to tracing the background of the instrument. They descend from the Spanish bandurrias and lutes that used double strings an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falsetto
''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal or modal voice. The typical tone of falsetto register or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound comparatively "b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
