How To Make A Monster (2001 Film)
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How To Make A Monster (2001 Film)
''How to Make a Monster'' is a 2001 film starring Steven Culp and Clea DuVall. It is the third release in the ''Creature Features'' series of film remakes produced by Stan Winston. Julie Strain made a cameo appearance in the film as herself. ''How to Make a Monster'' debuted on October 14, 2001, on Cinemax. In 2005, it was nominated for a Hollywood Makeup Artist Award and Hair Stylist Guild Award. Plot Following a disastrous video game test, Clayton Software fires the development team and replaces them with weapons expert Hardcore, game artificial intelligence designer Sol, and sound effects creator Bug. Company CEO Faye Clayton promises $1 million to whoever makes the scariest game, sparking a rivalry amongst the trio. Three weeks later, the programmers try out their game and computer network-integrated motion capture suit with help from company intern Laura Wheeler. However, lightning strikes the building, causing a blackout and wiping their data. Knowing someone has to stay ...
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George Huang (director)
George Jay Huang is an American film director, writer, producer, and educator. He is best known for writing and directing the 1994 film ''Swimming with Sharks.'' In addition to working on his own films, he also contributes work to other independent filmmakers, including Robert Rodríguez. Early life The son of Taiwanese immigrants, George Huang grew up with an avid love of motion pictures. After high school, he originally enrolled at the University of California, Berkeley to pursue a degree in business, but during this time he interned at Lucasfilm. After undergrad, he enrolled in a producing program at the University of Southern California. Career After graduating from USC, Huang began working from the bottom-up as an executive assistant at Columbia Pictures. In 1992, Columbia acquired the distribution rights to the film ''El Mariachi'' by Robert Rodríguez. As the film was being prepared for release, Rodriguez struck up a friendship with the young studio assistant with whom h ...
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Personal Digital Assistant
A personal digital assistant (PDA), also known as a handheld PC, is a variety mobile device which functions as a personal information manager. PDAs have been mostly displaced by the widespread adoption of highly capable smartphones, in particular those based on iOS and Android. A PDA has an electronic visual display. Most models also have audio capabilities, allowing usage as a portable media player, and also enabling many of them to be used as telephones. Nearly all modern PDAs can access the Internet, intranets or extranets via Wi-Fi or Wireless WANs, letting them include a web browser. Sometimes, instead of buttons, PDAs employ touchscreen technology. The first PDA, the Organiser, was released in 1984 by Psion, followed by Psion's Series 3, in 1991. The latter began to resemble the more familiar PDA style, including a full keyboard. The term ''PDA'' was first used on January 7, 1992 by Apple Inc. CEO John Sculley at the Consumer Electronics Show in Las Vegas, Nevad ...
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Remakes Of American Films
A remake is a film, television series, video game, song or similar form of entertainment that is based upon and retells the story of an earlier production in the same medium—e.g., a "new version of an existing film". A remake tells the same story as the original but uses a different cast, and may alter the theme or change the story's setting. A similar but not synonymous term is reimagining, which indicates a greater discrepancy between, for example, a movie and the movie it is based on. Film A film remake uses an earlier movie as its main source material, rather than returning to the earlier movie's source material. 2001's ''Ocean's Eleven'' is a remake of 1960's ''Ocean's 11'', while 1989's ''Batman'' is a re-interpretation of the comic book source material which also inspired 1966's ''Batman''. In 1998, Gus Van Sant produced an almost shot-for-shot remake of Alfred Hitchcock's 1960 film '' Psycho''. With the exception of shot-for-shot remakes, most remakes make signi ...
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2001 Science Fiction Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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2001 Television Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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