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How Dry I Am
"The Near Future" is a song written by Irving Berlin and performed in the ''Ziegfeld Follies of 1919''. It is better known for the small part of its lyric that took on a life of its own: "How Dry I Am". Origins The origins of the song and its components are somewhat obscure, as are the factors that differentiate "The Near Future" from "How Dry I Am." Melody The origin of the melody predates Berlin's song. The distinctive four-note motif was used by Ludwig van Beethoven in his Sonata, Op. 10 No. 3, published in 1798. The motive is also used in ''Oh Happy Day, ''the earliest known printing of which is in ''The Wesleyan Sacred Harp'' from Boston in 1855 (although the words to ''Oh Happy Da''y can be traced even further back to 1755). This melody is in turn attributed to English composer Edward F. Rimbault. The notes' positions in the major scale are 5 < 1 < 2 < 3 as numbered diatonically and 8 < 1 < 3 < 5 as numbered chromatically (''e.g.'', G < C < D < E in C major, C < F < G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Party's Over (1956 Song)
"The Party's Over" is a popular song composed by Jule Styne with lyrics by Betty Comden and Adolph Green. It was introduced in the 1956 musical comedy '' Bells Are Ringing'' by Judy Holliday. In the 1960 film version, Judy Holliday again performed the song. According to the web-site SecondHandSongs, there have been almost 100 covers of The Party's Over. including versions by Nat King Cole, Smoking Popes, Bobby Darin and Doris Day. Other notable versions *Lonnie Donegan reached the British charts in 1961, peaking at the No. 9 position during a 12-week stay. *Shirley Bassey recorded the song for her first Columbia album " The Fabulous Shirley Bassey" (1959). *Gene Ammons recorded it for Prestige Records Late Hour Special (1961). *Robie Lester released a version as a single on the Interlude label in 1966. *Lesley Gore included a version of the song on her 1963 debut album, ''I'll Cry If I Want To''. *Leslie Odom Jr. ended his debut album ''Leslie Odom Jr. (album)'' (2016) with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appalachian Spring
''Appalachian Spring'' is a musical composition by Aaron Copland that was premiered in 1944 and has achieved widespread and enduring popularity as an orchestral suite. The music, scored for a thirteen-member chamber orchestra, was created upon commission of the choreographer and dancer Martha Graham with funds from the Coolidge Foundation. It was premiered on Monday, October 30, 1944, at the Library of Congress in Washington D.C., with Martha Graham dancing the lead role. The set was designed by the American sculptor Isamu Noguchi. Copland was awarded the 1945 Pulitzer Prize for Music for his achievement. Music In 1942, Martha Graham and Elizabeth Sprague Coolidge commissioned Copland to write a ballet with "an American theme". Copland did the bulk of the work in 1943–44, and the work was premiered at the Library of Congress on October 30, 1944, with Graham dancing the lead role. In 1945, Copland was commissioned by conductor Artur Rodziński to rearrange the ballet as an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid'' and ''Rodeo'', his ''Fanfare for the Common Man'' and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores. After some initial studies with composer Rubin Goldmark, Copland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (Mendelssohn)
At two separate times, Felix Mendelssohn composed music for William Shakespeare's play ''A Midsummer Night's Dream'' (in German ''Ein Sommernachtstraum''). First in 1826, near the start of his career, he wrote a concert overture ( Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing overture. The incidental music includes the famous "Wedding March". Overture The overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was finished on 6 August 1826).''Grove's Dictionary of Music and Musicians'', 5th ed., 1954 Contemporary music scholar George Grove called it "the greatest marvel of early maturity that the world has ever seen in music". It was written as a concert overture, not associated with any performance of the play. The overture was written after Mendelssohn had read a German translation of the play in 1826. The translation was by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturne
A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '' nocturne'' 'of the night') was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ''notturno'', such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four lightly echoing separated ensembles of paired horns with strings, and his ''Serenata Notturna'', K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00pm, the latter closer to 11:00 pm. In its form as a single-movement character piece usually written for solo piano, the noctur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death And Transfiguration
''Death and Transfiguration'' (german: Tod und Verklärung, link=no), Op. 24, is a tone poem for orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 November 1889. The work is dedicated to the composer's friend Friedrich Rosch. The music depicts the death of an artist. At Strauss's request, this was described in a poem by his friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven". Performance history Strauss conducted the premiere on 21 June 1890 at the Eisenach Festival (on the same programme as the premiere of his '' Burleske in D minor'' for piano and orchestra). He also conducted this work for his first appearance in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggione Sonata
The Sonata for Arpeggione and Piano in A minor, D. 821, was written by Franz Schubert in Vienna in November 1824. The sonata is the only substantial composition for the arpeggione (which was essentially a bowed guitar) extant today. The sonata was composed in November 1824, about a month after he had returned to Vienna from his second stay in Zseliz. It has been adapted to other string instruments, especially the cello. History The piece was probably commissioned by Schubert's friend Vincenz Schuster, who was a virtuoso of the arpeggione, an instrument which had been invented only the previous year. By the time the sonata was published posthumously in 1871, the enthusiasm for the novelty of the arpeggione had long since vanished, together with the instrument itself.see also: AQUINO, F. Avellar de. "Six-Stringed Virtuoso". The Strad Magazine, Harrow, Middlesex, UK, v. 109, n. 1297, p. 500-507, 1998. (on the Arpeggione and Schubert's Sonata) Movements The work consists of three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
