Hours Of Mary Of Burgundy
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Hours Of Mary Of Burgundy
The Hours of Mary of Burgundy (german: Stundenbuch der Maria von Burgund)Inglis, I is a book of hours, a form of devotional book for lay-people, completed in Flanders around 1477, and now in the National Library of Austria. It was probably commissioned for Mary, the ruler of the Burgundian Netherlands and then the wealthiest woman in Europe. No records survive as to its commission. The book contains 187 folios, each measuring . It consists of the Roman Liturgy of the Hours, 24 calendar roundels, 20 full-page miniatures and 16 quarter-page format illustrations.Kren & McKendrick, 137 Its production began , and includes miniatures by several artists, of which the foremost was the unidentified but influential illuminator known as the Master of Mary of Burgundy, who provides the book with its most meticulously detailed illustrations and borders. Other miniatures, considered of an older tradition, were contributed by Simon Marmion, Willem Vrelant and Lieven van Lathem. The majority o ...
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Hours Of Mary Of Burgundy Virgin And Child
An hour (metric symbol, symbol: h; also abbreviated hr) is a unit of measurement, unit of time conventionally reckoned as of a day and scientifically reckoned between 3,599 and 3,601 seconds, depending on the speed of Earth's rotation. There are 60 minutes in an hour, and 24 hours in a day. The hour was initially established in the ancient Near East as a variable measure of of the night or daytime. Such seasonal, temporal, or unequal hours varied by season and latitude. Equal or equinoctial hours were taken as of the day as measured from noon to noon; the minor seasonal variations of this unit were eventually smoothed by making it of the mean solar day. Since this unit was not constant due to ΔT (timekeeping), long term variations in the Earth's rotation, the hour was finally separated from the Earth's rotation and defined in terms of the Second#"Atomic" second, atomic or physical second. In the modern metric system, hours are an units accepted for use with SI, accepted u ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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Pearl
A pearl is a hard, glistening object produced within the soft tissue (specifically the mantle) of a living shelled mollusk or another animal, such as fossil conulariids. Just like the shell of a mollusk, a pearl is composed of calcium carbonate (mainly aragonite or a mixture of aragonite and calcite) in minute crystalline form, which has deposited in concentric layers. The ideal pearl is perfectly round and smooth, but many other shapes, known as baroque pearls, can occur. The finest quality of natural pearls have been highly valued as gemstones and objects of beauty for many centuries. Because of this, ''pearl'' has become a metaphor for something rare, fine, admirable and valuable. The most valuable pearls occur spontaneously in the wild, but are extremely rare. These wild pearls are referred to as ''natural'' pearls. ''Cultured'' or ''farmed'' pearls from pearl oysters and freshwater mussels make up the majority of those currently sold. Imitation pearls are also widely s ...
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Emperor Maximilian I
Maximilian I (22 March 1459 – 12 January 1519) was King of the Romans from 1486 and Holy Roman Emperor from 1508 until his death. He was never crowned by the pope, as the journey to Rome was blocked by the Venetians. He proclaimed himself Elected Emperor in 1508 (Pope Julius II later recognized this) at Trent, thus breaking the long tradition of requiring a Papal coronation for the adoption of the Imperial title. Maximilian was the son of Frederick III, Holy Roman Emperor, and Eleanor of Portugal. Since his coronation as King of the Romans in 1486, he ran a double government, or ''Doppelregierung'' (with a separate court), with his father until Frederick's death in 1493. Maximilian expanded the influence of the House of Habsburg through war and his marriage in 1477 to Mary of Burgundy, the ruler of the Burgundian State, heir of Charles the Bold, though he also lost his family's original lands in today's Switzerland to the Swiss Confederacy. Through marriage of his son Phi ...
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Burgundy
Burgundy (; french: link=no, Bourgogne ) is a historical territory and former administrative region and province of east-central France. The province was once home to the Dukes of Burgundy from the early 11th until the late 15th century. The capital of Dijon was one of the great European centres of art and science, a place of tremendous wealth and power, and Western Monasticism. In early Modern Europe, Burgundy was a focal point of courtly culture that set the fashion for European royal houses and their court. The Duchy of Burgundy was a key in the transformation of the Middle Ages toward early modern Europe. Upon the 9th-century partitions of the Kingdom of Burgundy, the lands and remnants partitioned to the Kingdom of France were reduced to a ducal rank by King Robert II of France in 1004. The House of Burgundy, a cadet branch of the House of Capet, ruled over a territory that roughly conformed to the borders and territories of the modern administrative region of Burgundy. U ...
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Philip The Good
Philip III (french: Philippe le Bon; nl, Filips de Goede; 31 July 1396 – 15 June 1467) was Duke of Burgundy from 1419 until his death. He was a member of a cadet line of the Valois dynasty, to which all 15th-century kings of France belonged. During his reign, the Burgundian State reached the apex of its prosperity and prestige, and became a leading centre of the arts. Philip is known historically for his administrative reforms, his patronage of Flemish artists such as van Eyck and Franco-Flemish composers such as Gilles Binchois, and perhaps most significantly the seizure of Joan of Arc, whom Philip ransomed to the English after his soldiers captured her, resulting in her trial and eventual execution. In political affairs, he alternated between alliances with the English and the French in an attempt to improve his dynasty's powerbase. Additionally, as ruler of Flanders, Brabant, Limburg, Artois, Hainaut, Holland, Luxembourg, Zeeland, Friesland and Namur, he played an i ...
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Parchment
Parchment is a writing material made from specially prepared untanned skins of animals—primarily sheep, calves, and goats. It has been used as a writing medium for over two millennia. Vellum is a finer quality parchment made from the skins of young animals such as lambs and young calves. It may be called animal membrane by libraries and museums that wish to avoid distinguishing between ''parchment'' and the more-restricted term ''vellum'' (see below). Parchment and vellum Today the term ''parchment'' is often used in non-technical contexts to refer to any animal skin, particularly goat, sheep or cow, that has been scraped or dried under tension. The term originally referred only to the skin of sheep and, occasionally, goats. The equivalent material made from calfskin, which was of finer quality, was known as ''vellum'' (from the Old French or , and ultimately from the Latin , meaning a calf); while the finest of all was ''uterine vellum'', taken from a calf foetus or still ...
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House Of Valois-Burgundy
The House of Valois-Burgundy (french: Maison de Valois-Bourgogne, nl, Huis van Valois-Bourgondië), or the Younger House of Burgundy, was a noble French family deriving from the royal House of Valois. It is distinct from the Capetian House of Burgundy, descendants of King Robert II of France, though both houses stem from the Capetian dynasty. They ruled the Duchy of Burgundy from 1363 to 1482 and later came to rule vast lands including Artois, Flanders, Luxembourg, Hainault, the county palatine of Burgundy (Franche-Comté), and other lands through marriage, forming what is now known as the Burgundian State. The term "Valois Dukes of Burgundy" is employed to refer to the dynasty which began after King John II of France granted the French Duchy of Burgundy to his youngest son, Philip the Bold in 1363. During the Hundred Years' War, the dukes rivalled with their royal cousins uniting a great number of French and Imperial fiefs under their rule. However, their plans to establish an ...
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Margaret Of York
Margaret of York (3 May 1446 – 23 November 1503)—also by marriage known as Margaret of Burgundy—was Duchess of Burgundy as the third wife of Charles the Bold and acted as a protector of the Burgundian State after his death. She was a daughter of Richard, 3rd Duke of York, and Cecily Neville, and the sister of two kings of England, Edward IV and Richard III. She was born at Fotheringhay Castle, Northamptonshire, in the Kingdom of England, and she died at Mechelen in the Low Countries. Early life Duchess Isabella of Burgundy, the mother of Charles the Bold, was, through her blood ties and her perception of Burgundian interests, pro-English. As a granddaughter of John of Gaunt, she was consequently sympathetic to the House of Lancaster. She believed that Burgundian trade, from which the Burgundian State drew its vast wealth, depended upon friendly relations with England. For this reason she was prepared to favour any English faction which was willing to favour Burgundy. By 1 ...
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Grove Art Online
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, which also includes the online version of the ''Benezit Dictionary of Artists''. It is a large encyclopedia of art, previously a 34-volume printed encyclopedia first published by Grove in 1996 and reprinted with minor corrections in 1998. A new edition was published in 2003 by Oxford University Press. Scope Written by 6,700 experts from around the world, its 32,600 pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to ''The New York Times Book Review'' it is the "most ambitious art-publishing venture of the late 20th century". Almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Julia Margaret C ...
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Hours Of Mary Of Burgundy Christ On The Mount Of Olives
An hour (symbol A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different conc ...: h; also abbreviated hr) is a unit of measurement, unit of time conventionally reckoned as of a day and scientifically reckoned between 3,599 and 3,601 seconds, depending on the speed of Earth's rotation. There are 60 minutes in an hour, and 24 hours in a day. The hour was initially established in the ancient Near East as a variable measure of of the night or daytime. Such seasonal, temporal, or unequal hours varied by season and latitude. Equal or equinoctial hours were taken as of the day as measured from noon to noon; the minor seasonal variations of this unit were eventually smoothed by making it of the mean solar day. Since this unit was not constant due to ΔT (timekeeping), long term variations in the ...
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Battle Of Nancy
The Battle of Nancy was the final and decisive battle of the Burgundian Wars, fought outside the walls of Nancy on 5 January 1477 by Charles the Bold, Duke of Burgundy, against René II, Duke of Lorraine, and the Swiss Confederacy. René's forces won the battle, and Charles' mutilated body was found three days later. Background Charles was besieging the city of Nancy, capital of Lorraine, since 22 October 1476 following its recapture by the forces of René II earlier in the year. Despite the harsh winter conditions, Charles was determined to bring the siege to an end at all costs as he was well aware that sooner or later René would arrive with a relieving army when the weather improved. By late December René had gathered some 10,000–12,000 men from Lorraine and the Lower Union (of the Rhine); a Swiss army of 8,000–10,000 men also arrived to help out. René began his advance on Nancy early in January 1477, moving cautiously through the snow-covered landscape until the ...
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