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Horsehead Amphora
The Horsehead Amphora is a specific type of amphora, produced in Athens from about 600 BC onwards. They are vessels with a very pronounced belly, decorated with black figure horseheads on both sides. In a single case, one side depicts a woman's head. In contrast to earlier belly amphorae, the painters did not apply a separate frieze on the neck. The decoration was painted within reserved rectangular panels; the remaining vase of the body was painted black. More than 100 such amphorae are known; they were painted by a variety of artists, including ones of mediocre quality. The amphorae appear to have had a specific meaning or purpose, remains elusive to modern scholarship. Some scholars have suggested that they were grave vases, but not a single specimen was found in a grave context. Should that interpretation be correct, the horses may be connected with Hades, or be symbols of Poseidon in an unusual role as god of the underworld. A further possibility is that the vases served as v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John D
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of Hellenic Studies
''The Journal of Hellenic Studies'' is an annual peer-reviewed academic journal covering research in Hellenic studies. It also publishes reviews of recent books of importance to Hellenic studies. It was established in 1880 and is published by Cambridge University Press on behalf of the Society for the Promotion of Hellenic Studies. The editor-in-chief is Lin Foxhall (University of Liverpool). Editors The following persons have been editors-in-chief of the journal: *Percy Gardner Percy Gardner, (24 November 184617 July 1937) was an English classical archaeologist and numismatist. He was Disney Professor of Archaeology at the University of Cambridge from 1879 to 1887. He was Lincoln Professor of Classical Archaeology and A ..., 1879-1895 * Ernest Arthur Gardner, 1897-1932 *Roger Brock, 2011-2016 *Douglas Cairns, 2016-2021 References External links * * Hathi Trust''Journal of Hellenic Studies'' 1880- Classics journals Publications established in 1880 English-language jou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horses Amphora
The Horse Amphora is the name given to a Melian pithamphora in the National Archaeological Museum, Athens with the inventory number 913. It is dated to around 660 BC. The Horse Amphora is the oldest known Melian Amphora and is among the largest examples of the type. The amphora is 88 centimetres high, the lid is not preserved. The name of the vessel derives from its main image, which shows two slim, graceful, long-legged horses standing beside each other. The two are separated by a palmette. While their bodies are shown as silhouettes, the heads are depicted in outline. The empty space was filled with various motifs, including zigzags which recall earlier images of Group Ad, though the drawings are far more detailed than those of the Ad Group. Along with the zigzags, there are also double- volutes and leaf- rosettes. Out-turned double-volutes are found on the neck which are filled with cross-hatching. The two ornamental bands of the vessel's body are decorated with simpler doubl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painter Of The Aachen Horsehead
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panathenaic Prize Amphorae
Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games. Some were and high. This oil came from the sacred grove of Athena at Akademia. The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with consistent symbols, in a standard form using the black figure technique, and continued to be so, long after the black figure style had fallen out of fashion. Some Panathenaic amphorae depicted Athena Promachos, goddess of war, advancing between columns brandishing a spear and wearing the '' aegis'', and next to her the inscription ''"(one) of the prizes from Athens"''. On the back of the vase was a representation of the event for which it was an award. Sometimes roosters are depicted perched on top of the columns. The significance of the roosters remains a mystery. Later amphorae also had that year's archon's name written on it making finds of tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Votive
A votive offering or votive deposit is one or more objects displayed or deposited, without the intention of recovery or use, in a sacred place for religious purposes. Such items are a feature of modern and ancient societies and are generally made in order to gain favor with supernatural forces. While some offerings were apparently made in anticipation of the achievement of a particular wish, in Western cultures from which documentary evidence survives it was more typical to wait until the wish has been fulfilled before making the offering, for which the more specific term ex-voto may be used. Other offerings were very likely regarded just as gifts to the deity, not linked to any particular need. In Buddhism, votive offering such as construction of stupas was a prevalent practice in Ancient India, an example of which can be observed in the ruins of the ancient Vikramshila University and other contemporary structures. Votive offerings have been described in historical Roman era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphora
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erika Simon
Erika Simon (27 June 1927 – 15 February 2019) was a German scholar of classical archaeology and professor emeritus of the University of Würzburg. She was elected to the American Philosophical Society in 2002. Simon died in February 2019 at the age of 91.Tonio Hölscher: ''Die Antike als offene Zone. Brückenbauerin: Zum Tod der Archäologin Erika Simon.'' In: Frankfurter Allgemeine Zeitung, 20. Februar 2019 (Druckausgabe) Selected writings * 1968 ''Ara Pacis Augustae'' * 1969 ''The Gods of the Greek ''(Hirmer, Munich) * 1983 ''Festivals of Attica: an Archaeological Commentary'' * 2006 ''The Religion of the Etruscans'' (co-editor with Nancy Thomson de Grummond Nancy Thomson de Grummond (born 26 August 1940) is the M. Lynette Thompson Professor of Classics and Distinguished Research Professor at Florida State University.http://classics.fsu.edu/People/Faculty/Nancy-de-Grummond Florida State University we ...) References Further reading ;Writings in her honor * ''Laudatio fü ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. Persons having social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be taken a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
