Horror Film Score
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Horror Film Score
A horror film score is music used and often specially written for films in the horror genre. History Early sound film scores included little music. Universal Studios was among several studios that had a policy of no music under their dialogue, which they felt interfered with it. What little music existed in early sounds films from the studio consisted of a combination of original compositions, classical music, and published music which had been composed for use accompanying silent films. In early 1931, Paramount Pictures initiated the idea of scoring films from beginning to end with music, other studios followed, including Universal creating a fully fledged score for ''Frankenstein'' (1931). Just as Universal tended to reuse similar characters, actors and writers for their horror films, they also did so with their music, often using the same music again and again in film in their series. Film journalist and musician Stephen Thrower stated that following Bernard Herrmann's score to ...
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John Carpenter Live 2016
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope J ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Horror Films
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produc ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Flashdance
''Flashdance'' is a 1983 American romantic drama dance film directed by Adrian Lyne and starring Jennifer Beals as a passionate young dancer who aspires to become a professional ballerina (Alex), alongside Michael Nouri playing her boyfriend and the owner of the steel mill where she works by day in Pittsburgh. It was the first collaboration of producers Don Simpson and Jerry Bruckheimer, and the presentation of some sequences in the style of music videos was an influence on other 1980s films including ''Footloose'', '' Purple Rain'', and ''Top Gun'', Simpson and Bruckheimer's most famous production. It was also one of Lyne's first major film releases, building on television commercials. Alex's elaborate dance sequences were shot using body doubles (Beals's main double was the uncredited French actress Marine Jahan, while a breakdance move was doubled by the male dancer Crazy Legs). The film opened to negative reviews by professional critics, including Roger Ebert, who panned it ...
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Contamination (film)
''Contamination'' (a.k.a. ''Alien Contamination'', ''Toxic Spawn'' or ''Larvae'') is a 1980 Science fiction film, science fiction-horror film directed by Luigi Cozzi and starring Ian McCulloch (actor), Ian McCulloch. The film is about an alien cyclops creature that uses human agents to place eggs all over Earth. The eggs release a gelatinous goo that causes people to explode when they come into physical contact with the substance. The tagline on the Italian one-sheet ("...e ora tocca a voi!") translates as "...and now it's your turn!". Plot A large ship drifts into New York Harbor, seemingly abandoned. The ship is discovered to be carrying large containers of coffee, hidden inside of which are a series of football-sized green eggs. The crew sent in to explore the ghost ship find the mutilated remains of the former crew gathered in one place, and they soon discover the reason why: when disturbed, the green eggs explode, spraying a viscous liquid over everything. The liquid is tox ...
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Spasmo
''Spasmo'' is a 1974 Italian ''giallo'' film directed by Umberto Lenzi and starring Robert Hoffmann and Suzy Kendall. Plot A young couple on their nightly hormonal romp decide to go to the beach, where they first meet a mysterious man who is parked there. After asking for a light, the couple make their way to some nearby ruins, where in the midst of their passion, they discover a hanging woman. Upon investigation, it turns out to be a brutalized mannequin. The mysterious man peels off in his car before they can ask him questions. Exit couple number two, Christian and a first girlfriend, who also decide the beach is a good place for a little afternoon delight. They too come upon a woman's body - this time face down, just above the surf. However, it turns out she is a real person, who is in fact not dead. Introducing herself as Barbara and not really explaining how she got there, she quickly disappears while Christian is distracted. Despite seemingly being involved with the girl ...
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Goblin (band)
Goblin (also Back to the Goblin, New Goblin, Goblin Rebirth, the Goblin Keys, the Goblins and Claudio Simonetti's Goblin) is an Italian progressive rock band known for their film scores. They frequently collaborate with Dario Argento, most notably creating the scores for ''Profondo Rosso'' in 1975 and ''Suspiria'' in 1977. Because their collaborator Dario Argento specializes in creating horror, suspense and slasher/giallo genre movies, scores made by Goblin in these movies often had eerie and ominous tones. CD re-releases of their scores have performed well, especially in Germany and Japan. Goblin returned with a series of live concerts in Europe in 2009 and in North America in 2013. Initially recording as Cherry Five (they had done some live shows as Oliver), their early work spawned one eponymous progressive rock record, and they were then called in to compose the score for ''Profondo Rosso''. The band changed their name to Goblin, rewriting most of the score, originally writt ...
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Tubular Bells
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble.James Blades and James Holland. "Tubular bells". Grove Music Online. Oxford Music Online. Oxford University Press, accessed August 18, 2015Oxfordmusiconline.com/ref> Each bell is a metal tube, in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells. Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing ...
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The Exorcist
''The Exorcist'' is a 1973 American supernatural horror film directed by William Friedkin and written for the screen by William Peter Blatty, based on his 1971 novel of the same name. It stars Ellen Burstyn, Max von Sydow, Lee J. Cobb, Kitty Winn, Jack MacGowran (in his final film role), Jason Miller and Linda Blair. It follows the demonic possession of a young girl and her mother's attempt to rescue her through an exorcism conducted by a pair of Catholic priests. The book was a bestseller, but Blatty, who also produced, and Friedkin, his choice for director, had difficulty casting the film. Unable to hire major stars of the era, they cast relative unknowns Burstyn, Blair and Miller (author of a hit play with no film acting experience), choices vigorously opposed by Warner Brothers executives. Principal photography was also difficult. Friedkin insisted on realism, going to northern Iraq to film the prologue despite political instability in the region, relying on live special e ...
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Lucio Fulci
Lucio Fulci (; 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and Spaghetti Westerns, he garnered an international cult following for his giallo and horror films. His most notable films include the "Gates of Hell" trilogy—''City of the Living Dead'' (1980), '' The Beyond'' (1981), and ''The House by the Cemetery'' (1981)—as well as ''Massacre Time'' (1966), ''One on Top of the Other'' (1969), ''Beatrice Cenci'' (1969), ''A Lizard in a Woman's Skin'' (1971), ''Don't Torture a Duckling'' (1972), ''White Fang'' (1973), ''Four of the Apocalypse'' (1975), ''Sette note in nero'' (1977), ''Zombi 2'' (1979), '' Contraband'' (1980), ''The New York Ripper'' (1982), ''Murder Rock'' (1984), and ''A Cat in the Brain'' (1990). Although a number of films over the years were said to have been "co-produced" by Fulci, he was just allowing them ...
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Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ...
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