Horoscope (ballet)
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Horoscope (ballet)
''Horoscope'' is a ballet created in 1937 by Frederick Ashton with scenery by Sophie Fedorovitch and music by Constant Lambert.Frederick Ashton and His Ballets
It is based on themes, and is reminiscent of 's '''' in its musical exploration of the mystical.


Background

Lambert had a strong interest in astrology and the programme note for the premiere by him how the zodiac determines the course of the ballet.
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Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until her retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade'' (1931), '' Symphonic Varia ...
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Francis Toye
John Francis Toye (27 January 1883 – 13 October 1964) was an English music critic, teacher, writer and educational administrator. After early efforts as a composer and novelist, and service in naval intelligence in World War I, he became music critic of ''The Morning Post'' from 1925 to 1937, which he combined with teaching singing and working as managing director of the Restaurant Boulestin in London. In 1939 Toye was appointed director of the British Institute of Florence, but the outbreak of World War II forced him to leave Italy in 1940. During the war, he served as director of the Sociedade Brasileira de Cultura Inglesa, Rio de Janeiro. Toye returned to the institute in Florence in 1946. He retired in 1958 but continued to live in Florence for the rest of his life. Toye published novels, a play, autobiographies, essays and some works of music, but the book generally regarded as his most important was ''Giuseppe Verdi: His Life and Music'', published in 1931, which rema ...
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Orchestra Of Opera North
The Orchestra of Opera North (or English Northern Philharmonia as recording name) is the orchestra that plays for the Opera North. It was founded as the English Northern Philharmonia, and changed its name during the period when Steven Sloane was Opera North's Music Director. Since the Royal Scottish National Orchestra ceased to play for Scottish Opera, the OON is the only orchestra in Britain which performs throughout the year in concert halls as well as opera houses. The orchestra made a number of recordings for Naxos Records under former Opera North Music Directors Paul Daniel Paul Daniel (born 5 July 1958) is an English conductor. Biography Early life Daniel was born in Birmingham. As a boy, he sang in the choir of Coventry Cathedral, where he received musical training; then studied music at King's College, Cambri ... and David Lloyd-Jones. ReferencesOrchestra page on the Opera North site
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Robert Irving (conductor)
Robert Augustine Irving, DFC*, (28 August 191313 September 1991) was a British conductor whose reputation was mainly as a ballet conductor. Born in Winchester, England, the son of mountaineer and author R. L. G. Irving, he was educated at Winchester College and New College, Oxford, graduating with a degree in music. He studied with Malcolm Sargent and Constant Lambert at the Royal College of Music from 1934 to 1936. During World War II, he served with the Royal Air Force, and was awarded the Distinguished Flying Cross (DFC) and bar. He then became assistant conductor with the BBC Scottish Symphony Orchestra, and was conductor and musical director of Sadler's Wells Ballet from 1949 to 1958, working closely with Sir Frederick Ashton on several ballets. Having assisted Ashton in choosing music for his ''Picnic at Tintagel'' for New York City Ballet in 1952, Irving helped the choreographer to surmount musical problems in the last act of his '' Sylvia'' in September the same y ...
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London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ...
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Philharmonia Orchestra
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades. From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemp ...
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Royal Liverpool Philharmonic
Royal Liverpool Philharmonic is a music organisation based in Liverpool, England, that manages a professional symphony orchestra, a concert venue, and extensive programmes of learning through music. Its orchestra, the Royal Liverpool Philharmonic Orchestra, is the UK's oldest continuing professional symphony orchestra. In addition to the orchestra, the organisation administers the Royal Liverpool Philharmonic Choir, the Liverpool Philharmonic Youth Company and other choirs and ensembles. It is involved in educational and community projects in Liverpool and its surrounding region. It is based in the Philharmonic Hall, Liverpool, Liverpool Philharmonic Hall, an Art Deco concert hall built in the late 1930s. History 19th century The organisation has its origins in a group of music amateurs in the early 19th century. They had met during the 1830s in St Martin's Church under the leadership of William Sudlow, a stockbroker and organist; their main interest was choral music.Spiegl, ...
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Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ...
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Palindrome
A palindrome is a word, number, phrase, or other sequence of symbols that reads the same backwards as forwards, such as the words ''madam'' or ''racecar'', the date and time ''11/11/11 11:11,'' and the sentence: "A man, a plan, a canal – Panama". The 19-letter Finnish word ''saippuakivikauppias'' (a soapstone vendor), is the longest single-word palindrome in everyday use, while the 12-letter term ''tattarrattat'' (from James Joyce in ''Ulysses'') is the longest in English. The word ''palindrome'' was introduced by English poet and writer Henry Peacham in 1638.Henry Peacham, ''The Truth of our Times Revealed out of One Mans Experience'', 1638p. 123/ref> The concept of a palindrome can be dated to the 3rd-century BCE, although no examples survive; the first physical examples can be dated to the 1st-century CE with the Latin acrostic word square, the Sator Square (contains both word and sentence palindromes), and the 4th-century Greek Byzantine sentence palindrome ''nipson ano ...
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William Walton
Sir William Turner Walton (29 March 19028 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include ''Façade'', the cantata ''Belshazzar's Feast'', the Viola Concerto, the First Symphony, and the British coronation marches ''Crown Imperial'' and '' Orb and Sceptre''. Born in Oldham, Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, ''Façade'', which at first brought him notoriety as a modernist, but later became a popular ballet score. In middle age, Walton left Britain and set up home with his young wife Susana on the Italian island of Ischia. By this time, he had ceased to be regarded as a moderni ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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The Wise Virgins
''The Wise Virgins'' is a one-act ballet based on the biblical Parable of the Ten Virgins.Vaughan D. ''Frederick Ashton and his Ballets.'' A & C Black Ltd, London, 1977. It was created in 1940 with choreography by Frederick Ashton, to a score of music by Johann Sebastian Bach orchestrated by William Walton. History The music of the ballet was the first to be decided. Some years before, at an evening gathering in Cambridge with Boris Ord and Constant Lambert (Music Director of the Sadler’s Wells Ballet), the two musicians played some Bach at the piano. One of the pieces was "Sheep may safely graze" which comes from a secular cantata about hunting, ''Was mir behagt, ist nur die muntre Jagd'', BWV 208. Ashton, wanting to use this music and believing it to be a religious subject, chose the parable of the wise and foolish virgins from the Gospel of Matthew 25:1-13.Kavanagh J. ''Secret Muses: The Life of Frederick Ashton.'' Faber & Faber Ltd, London, 1996, pp. 260-3. According to ...
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