Horn Concerto No. 1 (Strauss)
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Horn Concerto No. 1 (Strauss)
In 1882–3 Richard Strauss wrote his Horn Concerto No. 1 in E-flat major, Op. 11, in two versions, one for piano accompaniment and one with an orchestra. (The horn part is the same.) The horn concerto has become the most frequently performed horn concerto written in the 19th century.The premiere with piano accompaniment was given in 1883 at Munich. The premiere with orchestral accompaniment in 1885 at Meiningen. Strauss later wrote a second horn concerto in 1942, towards the end of his life. ::;''The opening theme'' \relative c'' \layout Composition history At the age of 18 whilst a philosophy student at Munich University, having recently completed his Violin Concerto and Cello Sonata, Strauss wrote his first horn concerto. His father Franz Strauss was one of the leading horn players of his day, and the fact that Richard grew up with the sound of the horn in his house led to his exploration of the great potential of the horn as both a solo and orchestral instrument. He had ...
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ...
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Marie Luise Neunecker (born 17 July 1955) is a German horn player and professor at the Hochschule für Musik "Hanns Eisler". Professional career Neunecker was born in Erbes-Büdesheim. She studied musicology and German studies. She completed her horn studies with at the Hochschule für Musik Köln. In 1978 she started her career at the Opern- und Schauspielhaus Frankfurt as second horn. In 1979 she was appointed principal horn with the Bamberg Symphony, and from 1981 to 1989 she held the same position with the hr-Sinfonieorchester. She has appeared as a soloist with various orchestras worldwide, and is also active as a chamber music player. In 1986 she won first prize at the Concert Artists Guild international competition in New York. In 1988 she was appointed professor at the Frankfurt Academy of Music and Performing Arts, and in 2004 she was appointed professor of horn at the Hochschule für Musik "Hanns Eisler". Volker David Kirchner dedicated his ''Orfeo'' for baritone ...
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Hermann Baumann (born 1 August 1934) is a German horn player. Biography After starting his musical career as a singer and jazz drummer he switched to horn at the age of 17. He studied with Fritz Huth at the Hochschule für Musik Würzburg and then played principal horn in various orchestras for 12 years, including the Dortmunder Philharmoniker and the Stuttgart Radio Symphony Orchestra. His career as a soloist started in 1964 when he won first prize in the prestigious ARD International Music Competition in Munich. Since then he has played on many solo and chamber albums, including ''Virtuoso Horn'', released in 2004. He has done pioneering work in Baroque music and also in the revival of performance on the natural horn of the classical period.Hermann Baumann
Kendall Betts Horn Camp, New Hampshire, 2009 In 1999, the
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The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades. From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemp ...
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