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Horacee Arnold
Horace Emmanuel Arnold, or Horacee Arnold (born September 25, 1937) is an American jazz drummer. He was born in Wayland, Kentucky. Career Arnold first began playing drums in 1957 in Los Angeles while he was in the United States Coast Guard. In 1959, he began performing as "Horacee" when he joined a big band led by David Baker (composer), David Baker; he also played with Roland Kirk and Charles Mingus that year. In 1960 he became the drummer in a trio with Cecil McBee and Kirk Lightsey. In the 1960s, he worked in jazz with pianist and composer Hasaan Ibn Ali and Henry Grimes, and in 1964 with the Bud Powell Trio at Birdland (jazz club), Birdland). He worked in dance as part of the Alvin Ailey American Dance company on a tour of Asia. Later in the 1960s, he played with Hugh Masekela and Miriam Makeba; following this he studied composition under Heiner Stadler, Hy Gubenick, and classical guitar with Ralph Towner. In 1967 he founded his own ensemble, the Here and Now Company, with Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Paterson College
William Paterson University, officially William Paterson University of New Jersey (WPUNJ), is a public university in Wayne, New Jersey. It is part of New Jersey's public system of higher education. Founded in 1855 and was named after American judge William Paterson, William Paterson is the third-oldest public institution in New Jersey. William Paterson offers undergraduate, graduate, and doctoral degrees through its five academic colleges. During the fall 2021 semester, 5,838 undergraduate students and 3,100 graduate students were enrolled. History William Paterson University was founded in 1855 as the Paterson City Normal School. For more than a century, training teachers for New Jersey schools was its exclusive mission. NJ Commission on Higher Education accepted the college's petition to become William Paterson University of New Jersey(WPUNJ)University History Dr. Richard J. Helldobler, former interim president of Northeastern Illinois University in Chicago, Illinois, becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Waits
Frederick "Freddie" Douglas Waits (April 27, 1943 – November 18, 1989) was a hard bop and post-bop drummer. Waits never officially recorded as leader, but was a prominent member and composer in Max Roach's M'Boom percussion ensemble. He worked as sideman with such pianists as McCoy Tyner, Kenny Barron, Andrew Hill, Gene Harris, Billy Taylor and Joe Zawinul. In 1967, Waits recorded with Freddie Hubbard. He was a member of the last Lee Morgan Quintet, an association ended by Morgan's murder in 1972. In the late 1970s, Waits formed ''Colloquium III'' with fellow drummers Horace Arnold and Billy Hart. In the 1980s he became a music faculty member of Rutgers University. He died of pneumonia and kidney failure in New York in 1989. His son is the drummer Nasheet Waits. Discography As sideman With Roy Ayers *''Daddy Bug'' (Atlantic, 1969) With Kenny Barron *''You Had Better Listen'' (Atlantic, 1967) with Jimmy Owens *''Sunset to Dawn'' (Muse, 1973) *'' Autumn in New York'' (Uptown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Hart
Billy Hart (born November 29, 1940) is an American jazz drummer and educator. He is known internationally for his work with Herbie Hancock's "Mwandishi" band in the early 1970s, as well with Shirley Horn, Stan Getz, and Quest, among others. Biography Hart was born in Washington, D.C. He grew up in close proximity of the Spotlite Club, where he first heard the music of Lee Morgan, Ahmad Jamal, and Miles Davis, among others. Early on in his career he performed with Otis Redding and Sam and Dave, then with Buck Hill. Although he studied mechanical engineering at Howard University, he left school early to tour with Shirley Horn, whom Hart credits with accelerating his musical development. He was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–68). Following Montgomery's death in 1968, Hart moved to New York City, where he recorded with McCoy Tyner, Wayne Shorter, Joe Zawinul, and Pharoah Sanders (playing on his famed record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Harper
Billy Harper (born January 17, 1943) is an American jazz saxophonist, "one of a generation of John Coltrane, Coltrane-influenced tenor saxophonists" with a distinctively stern, hard-as-nails sound on his instrument.Chris KelseyBilly Harper Biography ''AllMusic'' Biography He was born in Houston, Texas, United States. In 1965, Harper earned a Bachelor of Music degree from the University of North Texas College of Music, University of North Texas. Harper has played with some of jazz's greatest drummers; he served with Art Blakey's The Jazz Messengers, Messengers for two years (1968–1970); he played very briefly with Elvin Jones (1970), he played with the Thad Jones/ Mel Lewis Orchestra in the 1970s, and was a member of Max Roach's quartet from 1971–1978. In 1979, Harper formed his own group, touring with it and documenting its music on the recording ''Billy Harper Quintet in Europe'', and he was featured as a soloist on a 1983 recording, ''Such Great Friends'', with virtuoso, v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archie Shepp
Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He studied piano, clarinet and alto saxophone before narrowing his focus to tenor saxophone. He occasionally plays soprano saxophone as well. He studied drama at Goddard College from 1955 to 1959. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, '' Archie Shepp - Bill Dixon Quartet'', was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane's admiration for Shepp led to recordings for Impulse! Records, the first of which was ''Four for Trane'' in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Return To Forever
Return to Forever was an American jazz fusion band that was founded by pianist Chick Corea in 1972. The band has had many members, with the only consistent bandmate of Corea's being bassist Stanley Clarke. Along with Weather Report, The Headhunters, and Mahavishnu Orchestra, Return to Forever is often cited as one of the core groups of the jazz-fusion movement of the 1970s. Several musicians, including Clarke, Flora Purim, Airto Moreira and Al Di Meola, came to prominence through their performances on Return to Forever albums. After playing on Miles Davis's jazz-fusion albums ''In a Silent Way'' (1969) and '' Bitches Brew'' (1970), Corea formed an avant-garde jazz band called Circle with Dave Holland, Anthony Braxton and Barry Altschul. In 1972, after converting to Scientology, Corea decided he wanted to communicate better with his audience. This meant performing a more accessible style of music than avant-garde jazz. Return to Forever first disbanded in 1977 after five years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robin Kenyatta
Robin Kenyatta (March 6, 1942 – October 26, 2004) was an American jazz alto saxophonist. Early life Born Robert Prince Haynes in Moncks Corner, South Carolina, Kenyatta grew up in New York City and began playing the saxophone at age 14. He was mostly self-taught, learning alto, tenor, and soprano saxophones and flute, but received encouragement and help from professional musicians such as John Handy. Career Kenyatta joined the United States Army in 1962 and played in a military band for two years. Upon being discharged, he returned to New York and adopted the name Kenyatta as a tribute to Jomo Kenyatta, the Kenyan anti-colonial activist, and began pursuing a career as a professional musician. In 1964, Bill Dixon heard Kenyatta and invited him to participate in the October Revolution in Jazz. On December 28 of that year, Kenyatta played as a member of the Bill Dixon Quintet as part of the ''Four Days in December'' concert series at Judson Hall, substituting for Giuseppi Logan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Farrell
Joseph Carl Firrantello (December 16, 1937 – January 10, 1986), known as Joe Farrell, was an American jazz multi-instrumentalist who primarily performed as a saxophonist and flutist. He is best known for a series of albums under his own name on the CTI record label and for playing in the initial incarnation of Chick Corea's Return to Forever. Early life and education Farrell was born in Chicago Heights, Illinois. As a child, Farrell began playing the flute and clarinet. After graduating from the University of Illinois at Urbana–Champaign in 1959, he moved to New York City to work as a freelance musician. Career He joined the Ralph Marterie Band in 1957 and later played with Maynard Ferguson and The Thad Jones/ Mel Lewis Orchestra. He also recorded with Charles Mingus, Andrew Hill, Jaki Byard, Players Association and Elvin Jones. After the death of John Coltrane, Elvin Jones formed a pianoless trio with Jimmy Garrison and Farrell, recording two albums for Blue Note in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
