Horace-Scope
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Horace-Scope
''Horace-Scope'' is an album by jazz pianist Horace Silver released on the Blue Note label in 1960 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks. Reception Steve Huey, reviewing for AllMusic, described the album as "full of soulful grooves and well-honed group interplay" and ultimately an "eminently satisfying effort".Huey, S. Allmusic Reviewaccessed 17 November 2009. Track listing :''All compositions by Horace Silver except as indicated'' # "Strollin'" - 4:59 # "Where You At?" - 5:37 # "Without You" ( Don Newey) - 4:50 # "Horace-Scope" - 4:43 # "Yeah!" - 6:28 # "Me and My Baby" - 5:58 # "Nica's Dream" - 6:48 :''Recorded July 8 (tracks 1-3) & July 9 (tracks 4-7), 1960.'' Personnel *Horace Silver - piano *Blue Mitchell - trumpet *Junior Cook - tenor saxophone * Gene Taylor - bass *Roy Brooks - drums Production * Alfred Lion - production * Reid Miles - design * Rudy Van Gelder - engineering * Francis Wolff - photography ...
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Nica's Dream
"Nica's Dream" is a jazz standard composed by Horace Silver in 1954. It is one of many songs written in tribute to jazz patroness Pannonica de Koenigswarter. The song was first recorded by the Jazz Messengers in 1956, and has since been recorded by many other artists. It features jazz melodic minor harmony with prominent minor-major 7th chords. Its first studio recording by Silver was on the ''Horace-Scope ''Horace-Scope'' is an album by jazz pianist Horace Silver released on the Blue Note Records, Blue Note label in 1960 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor (bassist), Gene Taylor, and Roy Brooks. Recepti ...'' album. Thomas Owens describes the composition – "The trumpet melody, one of the great themes in jazz literature, is a 64-measure song in aaba form. The accompaniment for the a sections is in a Latin style based on ..one of Silver's favorite patterns. In the bridge the accompaniment alternates between backbeat chordal punctuati ...
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Roy Brooks
Roy Brooks (March 9, 1938 – November 15, 2005) was an American jazz drummer. Biography Early life Brooks was born in Detroit and drummed since childhood, his earliest experiences of music coming through his mother, who sang in church. He was an outstanding varsity basketball player as a teenager and was offered a scholarship to the Detroit Institute of Technology; he attended the school for three semesters and then dropped out to tour with Yusef Lateef.Roy Brooksat Allmusic Career After time with Lateef and Barry Harris, he played with Beans Bowles and with the Four Tops in Las Vegas.Leonard Feather and Ira Gitler, ''The Biographical Encyclopedia of Jazz''. Oxford, 1999, p. 82. He played with Horace Silver from 1959 to 1964, including on the album ''Song for My Father''; in 1963 he released his first album as a leader. Following this he freelanced in New York City through the 1960s and early 1970s, playing with Lateef again (1967–70), Sonny Stitt, Lee Morgan, Dexter Gordon, ...
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Gene Taylor (bassist)
Calvin Eugene "Gene" Taylor (March 19, 1929 – December 22, 2001), was an American jazz double bassist. He was born in Toledo, Ohio, and began his career in Detroit, Michigan. Taylor worked with Horace Silver from 1958 until 1963. He then joined Blue Mitchell's quintet, with whom he recorded and performed until 1965. From 1966 until 1968, he toured and recorded with Nina Simone. Simone recorded the song "Why? (The King of Love is Dead)", which Taylor wrote following the assassination of Martin Luther King Jr. Taylor began teaching music in New York public schools. Taylor worked with Judy Collins from 1968 until 1976, and made numerous television appearances accompanying Simone and Collins. He died on December 22, 2001, in Sarasota, Florida, where he had been living since 1990. Discography As sideman * Roland Alexander: '' Pleasure Bent'' (New Jazz, 1961) * Junior Cook: ''Junior's Cookin''' (Jazzland, 1961) * Barry Harris: '' Barry Harris Plays Tadd Dameron'' (Xanadu Records ...
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Blowin' The Blues Away
''Blowin' the Blues Away'' is an album by jazz pianist Horace Silver, released on the Blue Note label in 1959, featuring performances by Silver with Blue Mitchell, Junior Cook, Eugene Taylor, and Louis Hayes. Recording dates and location The title track and "Baghdad Blues" were recorded on August 29, 1959; "The St. Vitus Dance" and "Melancholy Mood" were recorded on September 13, 1959; all other tracks were recorded on August 30, 1959, at the Van Gelder Studio in Englewood Cliffs, New Jersey. Reception The Allmusic review by Steve Huey awarded the album 4½ stars and states: "''Blowin' the Blues Away'' is one of Horace Silver's all-time Blue Note classics... one of Silver's finest albums, and it's virtually impossible to dislike."Huey, S. Allmusic Review Retrieved November 16, 2009. The ninth edition of the ''Penguin Guide to Jazz Recordings'' places the album among its suggested "Core Collection" of essential recordings, saying that it exemplifies Silver's "virtues as pianist, ...
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Doin' The Thing
''Doin' the Thing'' is a live album by jazz pianist Horace Silver, released on the Blue Note label in 1961. It was the only live album released featuring the "classic" Horace Silver Quintet. The album was recorded at the Village Gate nightclub in New York City and features performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks. Reception The AllMusic review by Scott Yanow awarded the album 4½ stars and states: "This live set finds pianist/composer Horace Silver and his most acclaimed quintet stretching out". The ''All About Jazz'' review of the CD rerelease by Hrayr Attarian called the album "especially unique, not only because of its quality, but because it is the only live recording of his most famous quintet. Recorded in 1961, this CD has the power to transport one back in time to the smoky room at Village Gate where one feels the raw energy of the live performance".Attarian, HReview: Doin' the Thing at the Village Gate ''All About Jazz'', Oct ...
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Junior Cook
Herman "Junior" Cook (July 22, 1934 – February 3, 1992) was an American hard bop tenor saxophone player. Biography Cook was born in Pensacola, Florida. After playing with Dizzy Gillespie in 1958, Cook was a member of the Horace Silver Quintet (1958–1964); when Silver left the group in the hands of Blue Mitchell Cook stayed in the quintet for five more years (1964–1969). Later associations included Freddie Hubbard, Elvin Jones, George Coleman, Louis Hayes (1975–1976), Bill Hardman (1979–1989), and the McCoy Tyner big band. In addition to many appearances as a sideman, Junior Cook recorded as a leader for Jazzland (1961), Catalyst (1977), Muse, and SteepleChase. He also taught at Berklee School of Music for a year during the 1970s. In the early 1990s, Cook was playing with Clifford Jordan, and also leading his own group. He died in February 1992 in his apartment in New York City, aged 57. Discography As leader/co-leader * '' Junior's Cookin''' ( Jazzland, 196 ...
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Blue Mitchell
Richard Allen "Blue" Mitchell (March 13, 1930 – May 21, 1979) was an American trumpeter and composer who worked in jazz, rhythm and blues, soul, rock and funk. He recorded albums as leader and sideman for Riverside, Mainstream Records, and Blue Note. Early life Mitchell was born and raised in Miami, Florida, United States. He began playing trumpet in high school, with the nickname "Blue". Career After high school, he played in the rhythm & blues ensembles of Paul Williams, Earl Bostic, and Chuck Willis. He returned to Miami and was heard by Cannonball Adderley, with whom he recorded for Riverside Records in New York in 1958. Mitchell then joined the Horace Silver Quintet, playing with tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Roy Brooks. Mitchell stayed with Silver's group until the band's break-up in 1964, after which Mitchell formed a group with members from the Silver quintet, substituting the young pianist Chick Corea for Silver and replacing B ...
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Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ...
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Reid Miles
Reid Miles (July 4, 1927 – February 2, 1993) was an American graphic designer and photographer best known for his work for Blue Note Records in the 1950s and 1960s. Biography Reid Miles was born in Chicago, Illinois, on July 4, 1927 but, following the Stock Market Crash and the separation of his parents, moved with his mother to Long Beach, California, in 1929.The Cover Art Of Blue Note Records by Graham Marsh and Glyn Callingham After high school Miles joined the Navy and, following his discharge, moved to Los Angeles to enroll at Chouinard Art Institute. After working in New York City in the early 1950s for John Hermansader and ''Esquire'' magazineRichard Cook ''Blue Note Records The Biography'', and Margaret Hockaday's advertising firm, Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs. Miles designed over five hundred covers, frequently ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock and Grant Green. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's ''A Love Supreme'', Miles Davis's ''Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's ''Saxophone Colossus'', and Horace Silver's ''Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen, ran a women's clothing store in Passaic. His interest in microphones and electronics ca ...
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Graphic Design
Graphic design is a profession, academic discipline and applied art whose activity consists in projecting visual communications intended to transmit specific messages to social groups, with specific objectives. Graphic design is an interdisciplinary branch of design and of the fine arts. Its practice involves creativity, innovation and lateral thinking using manual or digital tools, where it is usual to use text and graphics to communicate visually. The role of the graphic designer in the communication process is that of encoder or interpreter of the message. They work on the interpretation, ordering, and presentation of visual messages. Usually, graphic design uses the aesthetics of typography and the compositional arrangement of the text, ornamentation, and imagery to convey ideas, feelings, and attitudes beyond what language alone expresses. The design work can be based on a customer's demand, a demand that ends up being established linguistically, either orally or in writin ...
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