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Honeybuns
''Honeybuns'' is the seventh album by American pianist and arranger Duke Pearson featuring performances by Pearson's nonet recorded in 1965 and released on the Atlantic label in 1966.Duke Pearson discography accessed September 8, 2010 Reception The review by Scott Yanow awarded the album 3 stars stating "Pearson performs music in a style that would have fit in quite well on ... This is not an essential date, but it is nice to have ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Pearson
Columbus Calvin "Duke" Pearson Jr. (August 17, 1932 – August 4, 1980) was an American jazz pianist and composer. ''Allmusic'' describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer." Early life Pearson was born Columbus Calvin Pearson Jr. in Atlanta, Georgia, United States, to Columbus Calvin and Emily Pearson. The moniker "Duke" was given to him by his uncle, who was a great admirer of Duke Ellington. Before he was six, his mother started giving him piano lessons. He studied the instrument until he was twelve, Gitler, Ira (1959). Original liner notes to ''Profile''. when he took an interest in brass instruments: mellophone, baritone horn and ultimately trumpet. He was so fond of the trumpet that through high school and college he neglected the piano. He attended Clark College while also playing trumpet in groups in the Atlanta area. While in the U.S. Army, during his 1953–54 draft, he continued to play trump ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Coles
John Coles (July 3, 1926 – December 21, 1997) was an American jazz trumpeter. Early life Coles was born in Trenton, New Jersey on July 3, 1926. He grew up in Philadelphia and was self-taught on trumpet. Later life and career Coles spent his early career playing with R&B groups, including those of Eddie Vinson (1948–1951), Bull Moose Jackson (1952), and Earl Bostic (1955–1956). He was with James Moody (saxophonist), James Moody from 1956 to 1958, and played with Gil Evans's orchestra between 1958 and 1964, including for the album ''Out of the Cool''. After this he spent time with Charles Mingus in his sextet which also included Eric Dolphy, Clifford Jordan, Jaki Byard, and Dannie Richmond. Following this he played with Herbie Hancock (1968–1969), Ray Charles (1969–1971), Duke Ellington (1971–1974), Art Blakey (1976), Dameronia, Mingus Dynasty, and the Count Basie Orchestra under the direction of Thad Jones (1985–1986). In 1985 Coles settled in the San Francisco Bay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepper Adams
Park Frederick "Pepper" Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band. Biography Early life Pepper Adams was born in Highland Park, Michigan, to father Park Adams II, who worked as the manager of a furniture store, and mother Cleo Marie Coyle. Both of his parents were college graduates, with each spending some time at the University of Michigan. Due to the onset of the Great Depression, Adams' parents separated to allow his father to find work without geographic dependence. In the fall of 1931, Adams moved with his mother to his extended family's farm near Columbia City, Indiana, where food and support were more readily available. In 1933 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Coleman
George Edward Coleman (born March 8, 1935) is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master. Early life Coleman was born in Memphis, Tennessee. He was taught how to play the alto saxophone in his teens by his older brother Lucian Adams, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford, and Charles Lloyd. Later life and career After working with Ray Charles, Coleman started working with B.B. King in 1953, at which point he switched to tenor saxophone. In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach's quintet (1958–1959). Coleman recorded with organist Jimmy Smith on his album ''House Party'' (1957), along with Lee Morgan, Curtis Fuller, Kenny Burrell, and Donald Bailey. Moving to New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Spaulding
James Ralph Spaulding Jr. (born July 30, 1937) is an American jazz saxophonist and flutist. Born in Indianapolis, Indiana, United states, Spaulding attended the Chicago Cosmopolitan School of Music. Between 1957 and 1961, he was a member of Sun Ra's band. In the 1960s, he worked as a studio musician at Blue Note Records, recording with Wayne Shorter, Horace Silver, and Stanley Turrentine. He was also a member of Freddie Hubbard's quintet and the World Saxophone Quartet. He went on to work with some post-bop musicians such as Max Roach, Randy Weston and Woody Shaw. Under the leadership of Mercer Ellington, in the 1970s, Spaulding played in the Duke Ellington Orchestra. In the 1980s, Spaulding worked with Ricky Ford and, as part of an octet, with David Murray. Discography As leader * 1976: ''James Spaulding Plays the Legacy of Duke Ellington'' ( Storyville) * 1988: '' Gotstabe a Better Way!'' (Muse) * 1988: ''Brilliant Corners'' (Muse) * 1991: '' Songs of Courage'' (Muse) * 1993 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Spann
Leslie Spann Jr. (May 23, 1932 – January 24, 1989) was an American jazz guitarist and flautist. As a sideman he recorded with Nat Adderley, Benny Bailey, Bill Coleman, Eddie "Lockjaw" Davis, Curtis Fuller, Red Garland, Benny Goodman, Sam Jones, Abbey Lincoln, Charles Mingus, Duke Pearson, Jerome Richardson, Charlie Shavers, Sonny Stitt, Billy Taylor, Randy Weston, and Ben Webster. As a leader he recorded only once, the album ''Gemini'' in 1961. Career Les Spann was born in Pine Bluff, Arkansas, United States. From 1950 to 1957, he studied music at Tennessee State University. At the end of that time he worked with Phineas Newborn Jr. and in 1958 with Ronnell Bright. The following year, he joined a quintet in New York City led by Dizzy Gillespie, performing solos on flute and guitar and appearing on two of Gillespie's albums for Verve Records. After a year with Gillespie, he went to Europe as a member of Quincy Jones's big band. Two more albums followed, this time with Spann jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garnett Brown
Garnett Brown (January 31, 1936 – October 9, 2021) was a jazz trombonist who worked with The Crusaders, Herbie Hancock, Lionel Hampton, Earth Wind and Fire and others. Born in Memphis, Tennessee, he graduated from the University of Arkansas at Pine Bluff and later studied film scoring and electronic music at UCLA. In 1974 he won the ''Down Beat'' Reader's poll for trombonist, and appears on the classic 1976 recording '' Bobby Bland and B.B. King Together Again...Live''. He did some work in film and television composition due to his training in the field. In 1989 he was the conductor and orchestrator for ''Harlem Nights''. Coincident with Kenny Burrell joining UCLA as Director of Jazz Studies in 1996, Brown co-led UCLA Jazz Ensemble I with John Clayton. Married Anna Brown with two children Ariana Brown and Miranda Brown-Muir and three grandchildren Luca Muir, Francesca Muir and Alessandra Muir. At the time of his death, he was retired and had been diagnosed with dementia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Cranshaw
Melbourne Robert Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album '' The Bridge''. Cranshaw died at the age of 83 on November 2, 2016, in Manhattan, New York, from Stage IV cancer. Discography As sideman With Pepper Adams *''Pepper Adams Plays the Compositions of Charlie Mingus'' (Workshop Jazz, 1964) With Nat Adderley *'' Little Big Horn!'' ( Riverside, 1963) *''Sayin' Somethin''' (Atlantic, 1966) With Eric Alexander *'' Second Impression'' (HighNote, 2016) With Mose Allison *'' Hello There, Universe'' (Atlantic, 1970) With Gene Ammons *'' Gene Ammons and Friends at Montreux'' (Prestige, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prairie Dog (album)
''Prairie Dog'' is the eighth album by American pianist and arranger Duke Pearson, and his second for the Atlantic label, recorded in 1966.Duke Pearson discography accessed September 8, 2010 Reception The review by Thom Jurek awarded the album 3½ stars stating "this is Pearson in full soul-jazz mode, driven deeply by the blues, with an all-star band... This is as fine as any date Pearson released for Atlantic, and grooves all the way through, seamlessly".Jurek, T. accessed September 8, 2010[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wahoo!
''Wahoo!'' is an album by American pianist and arranger Duke Pearson, featuring performances recorded in 1964 and released on the Blue Note label in 1964.Duke Pearson discography accessed March 17, 2017 Reception The review by Stephen Thomas Erlewine calls the album "A truly wonderful advanced hard bop date, ''Wahoo'' captures pianist Duke Pearson at his most adventurous and creative... one of the finest sophisticated hard bop dates Blue Note released in the mid-'60s".Track listing All compositions by Duke Pearson, except where noted. # "Amanda" – 9:26 # "Bedouin" – 9:30 # "Farewell Machelle" – ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Yanow
Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author.Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' He wrote for many jazz and arts magazines, including ''JazzTimes'', ''Jazziz'', ''Down Beat'', ''Cadence'', ''CODA'' and the ''Los Angeles Jazz Scene''. In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's Life Through The Eyes Of A Jazz Journalist), over 900 liner notes for CDs and over 20,000 reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the ''All Music Guide to Jazz''. He continues to write for ''Downbeat, Jazziz'', the ''Los Angeles Jazz Scene'', "Syncopated Times," "Jazz Artistry Now," the ''J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
