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Homilius (1782)
Gottfried August Homilius (2 February 1714 – 2 June 1785) was a German composer, cantor (church), cantor and organist.Dennis Shrock ''Choral Repertoire'' 2009 -- Page 303 "1714–1785 Homilius was born near Dresden, where he was educated and where he served as substitute organist at the ..." He is considered one of the most important church composers of the generation following Johann Sebastian Bach, Bach's, and was the main representative of the ''sensitive style, empfindsamer'' style. Life Homilius was born in Rosenthal-Bielatal, Rosenthal, Electorate of Saxony, Saxony, the son of a Lutheran pastor, and was educated at the Annenschule (Dresden), Annenschule in Dresden. He then studied law at Leipzig University and the organ under Johann Sebastian Bach. From 1742 he was organist at the Dresden Frauenkirche, and from 1755 until his death Cantor (church)#Protestant Cantors, cantor at the Kreuzkirche, Dresden, Kreuzkirche in Dresden with the associated responsibility of mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homilius (1782)
Gottfried August Homilius (2 February 1714 – 2 June 1785) was a German composer, cantor (church), cantor and organist.Dennis Shrock ''Choral Repertoire'' 2009 -- Page 303 "1714–1785 Homilius was born near Dresden, where he was educated and where he served as substitute organist at the ..." He is considered one of the most important church composers of the generation following Johann Sebastian Bach, Bach's, and was the main representative of the ''sensitive style, empfindsamer'' style. Life Homilius was born in Rosenthal-Bielatal, Rosenthal, Electorate of Saxony, Saxony, the son of a Lutheran pastor, and was educated at the Annenschule (Dresden), Annenschule in Dresden. He then studied law at Leipzig University and the organ under Johann Sebastian Bach. From 1742 he was organist at the Dresden Frauenkirche, and from 1755 until his death Cantor (church)#Protestant Cantors, cantor at the Kreuzkirche, Dresden, Kreuzkirche in Dresden with the associated responsibility of mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Music
Church music is Christian music written for performance in church, or any musical setting of ecclesiastical liturgy, or music set to words expressing propositions of a sacred nature, such as a hymn. History Early Christian music The only record of communal song in the Gospels is the last meeting of the disciples before the Crucifixion. Outside the Gospels, there is a reference to Paul the Apostle, St. Paul encouraging the Ephesians and Colossians to use psalms, hymns and spiritual songs. Later, there is a reference in Pliny the Younger who writes to the emperor Trajan (61–113) asking for advice about how to prosecute the Christians in Bithynia, and describing their practice of gathering before sunrise and repeating antiphonally "a hymn to Christ, as to God". Antiphonal psalmody is the singing or musical playing of psalms by alternating groups of performers. The peculiar mirror structure of the Hebrew psalms makes it likely that the antiphonal method originated in the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ein Lämmlein Geht Und Trägt Die Schuld
"Ein Lämmlein geht und trägt die Schuld" (A Lambkin goes and bears the guilt) is a Lutheran Passion hymn in German by Paul Gerhardt. The hymn text was first published in Johann Crüger's ''Praxis Pietatis Melica'', starting from the lost 1647 edition. Wolfgang Dachstein's 16th-century "An Wasserflüssen Babylon" melody is commonly indicated as its hymn tune, although other settings exist. From the late 17th century Gerhardt's hymn text is used in larger vocal works such as Passion settings. With Dachstein's hymn tune it is included in the Protestant hymnal '' Evangelisches Gesangbuch''. History Paul Gerhardt's "Ein Lämmlein geht und trägt die Schuld" was first published in 1647, in a lost edition of Johann Crüger's ''Praxis Pietatis Melica''. The earliest extant print of the hymn, in the ''Praxis Pietatis Melica'' of 1648, indicates Wolfgang Dachstein's 16th-century "An Wasserflüssen Babylon" melody as its singing tune: The hymn was originally used as a communion s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uwe Wolf (musicologist)
Uwe Wolf (born 1961) is a German musicologist. He worked for the Johann Sebastian Bach Institute in Göttingen and Bach-Archiv Leipzig, where he developed the Bach Digital website. Since 2011, he has been chief editor of Carus-Verlag, editing the 2013 edition of Monteverdi's ''Vespro della Beata Vergine'', among others. Career Born in Kassel, Wolf studied musicology, and also history and auxiliary sciences of history at the University of Tübingen and Georg-August-Universität Göttingen, achieving his doctorate in 1991. He then worked as a research assistant at the Johann Sebastian Bach Institute in Göttingen to 2003. From 2004 his work was based in Leipzig, initially as scientific assistant of the project ''Bach-Repertorium'' of the Saxon Academy of Sciences and Humanities. He then worked at the Bach-Archiv Leipzig from 2005 to 2011, as director of a research department, being responsible for the new design of the , and for the digital project Bach Digital. Wolf used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carus Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert's ''Sakuntala'' and Johann Rudolf Zumsteeg Johann Rudolf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adam Hiller
Johann Adam Hiller (25 December 1728, in Wendisch-Ossig, Saxony – 16 June 1804, in Leipzig) was a German composer, conductor and writer on music, regarded as the creator of the Singspiel, an early form of German opera. In many of these operas he collaborated with the poet Christian Felix Weiße. Furthermore, Hiller was a teacher who encouraged musical education for women, his pupils including Elisabeth Mara and Corona Schröter. He was Kapellmeister of Abel Seyler's theatrical company, and became the first Kapellmeister of Leipzig Gewandhaus. Biography By the death of his father in 1734, Hiller was left dependent to a large extent on the charity of friends. He came from a musical family, and also learned the basics of music from a school master in his home town, Wendisch-Ossig. From 1740 to 1745, he was a student at the Gymnasium in Görlitz, where his fine soprano voice earned him free tuition. In 1746 he went to study at the famous Kreuzschule in Dresden. There he took key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Gottlob Türk
Daniel Gottlob Türk (10 August 1750 – 26 August 1813) was a German composer, organist, and music professor of the Classical period. Biography Born in Claußnitz, Saxony, Türk studied organ under his father and later under Johann Adam Hiller. It was Hiller who recommended Türk for his first professional position at Halle University, in Halle, Germany. On 18 April 1779 Halle University granted Türk's request to begin lecturing on music theory, making him the University's "Director of Music." This appointment made Türk the second university music director in Germany. While at Halle, Türk published his treatise ''On the Role of the Organist in Worship'' which is still occasionally reprinted. Several of Türk's dances and minuets for the piano are still popular today. He wrote 18 sonatas. His most notable contribution to the classical music canon is the ''Klavierschule,'' a teaching method for the keyboard. He also wrote a cantata, ''Die Hirten bey der Krippe zu Bethlehe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude (music)
A prelude (german: Präludium or '; la, praeludium; french: prélude; it, preludio) is a short Musical piece, piece of music, the musical form, form of which may vary from piece to piece. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic Motif (music), motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an overture, particularly to those seen in an opera or an oratorio. History The first preludes to be Musical notation, notated were Organ repertoire, organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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