Home Boy (Sister Out)
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Home Boy (Sister Out)
''Home Boy (Sister Out)'' is an album by jazz trumpeter Don Cherry released on the Barclay label in 1985. The album was re-issued, by We Want Sounds, in June 2018. Background In 2018, We Want Sounds described the album: Recorded at Studio Caroline, a hotbed for the African diaspora in Paris during the 80s, and produced by French-Chilean musician and producer Ramuntcho Matta (his father is Chilean painter Roberto Matta and half-brother is cult New York artist Gordon Matta-Clark), ''Home Boy, Sister Out'' is one of Don Cherry's most original albums. Matta is one of the true architects of that 1980s Paris sound mixing music from all over the Planet with the street vibe of the French capital. He had spent his formative years in Paris and then switched to New York, where he lived between 1978 and 1980, interacting with the cream of the Downtown scene, including Laurie Anderson, Meredith Monk, Peter Gordon, Arto Lindsay, The Talking Heads and many more. Returning to France, Matta s ...
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Don Cherry (trumpeter)
Donald Eugene Cherry (November 18, 1936 – October 19, 1995) was an American jazz trumpeter. Cherry had a long association with free jazz saxophonist Ornette Coleman, which began in the late 1950s. He also performed alongside musicians such as John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler. In the 1970s, Cherry became a pioneer in world fusion music, drawing on traditional African, Middle Eastern, and Hindustani music. He was a member of the ECM group Codona, along with percussionist Naná Vasconcelos and sitar and tabla player Collin Walcott. AllMusic called him "one of the most influential jazz musicians of the late 20th century." Early life Cherry was born in Oklahoma City, Oklahoma, to a mother of Choctaw descent and an African-American father. His mother and grandmother played piano and his father played trumpet. His father owned Oklahoma City's Cherry Blossom Club, which hosted performances by Charlie Christian an ...
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Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a job ...
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Barclay (record Label) Albums
Barclay may refer to: People * Barclay (surname) * Clan Barclay Places * Barclay, Kansas * Barclay, Maryland, a town in Queen Anne's County * Barclay, Baltimore, Maryland, a neighborhood * Barclay, Nevada, a town in Lincoln County * Barclay, Texas Business * Barclay (record label), a French record label * Barclay (cigarette), an American brand of cigarettes * Barclays, a United Kingdom based bank * Barclay Manufacturing Company (1922–1971), a toy manufacturer * Barclay Mowlem, former Australian construction company * Andrew Barclay Sons & Company, a Scottish locomotive builder * Jack Barclay Bentley, a Bentley dealership * Barclay, a brand of liquor owned by Barton Brands Education * The Barclay School, a secondary school in Stevenage, UK * Barclay College, a college in Haviland, Kansas Other uses * Operation Barclay, a World War II operation * The Barclays, A golf tournament in New York City area See also * Barclayville Barclayville is the capital and most popu ...
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Conch
Conch () is a common name of a number of different medium-to-large-sized sea snails. Conch shells typically have a high spire and a noticeable siphonal canal (in other words, the shell comes to a noticeable point at both ends). In North America, a conch is often identified as a queen conch, indigenous to the waters of the Gulf of Mexico and Caribbean. Queen conches are valued for seafood and are also used as fish bait. The group of conches that are sometimes referred to as "true conches" are marine gastropod molluscs in the family Strombidae, specifically in the genus ''Strombus'' and other closely related genera. For example, ''Lobatus gigas'', the queen conch, and ''Laevistrombus canarium'', the dog conch, are true conches. Many other species are also often called "conch", but are not at all closely related to the family Strombidae, including ''Melongena'' species (family Melongenidae) and the horse conch ''Triplofusus papillosus'' (family Fasciolariidae). Species comm ...
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Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ...
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Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ...
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Jannick Top
Jannick "Janik" Top is a French bass player and composer, born in Marseille. Top plays the electric bass and the cello. In the 1970s, he was a lead member of the influential zeuhl band Magma, along with Christian Vander and Didier Lockwood. From 1977 to 1980, he played in the popular electronic project Space. Since then, he has worked with many other musicians, including session work for Michel Berger, France Gall, Richard Cocciante, Bonnie Tyler, Eurythmics, Ray Charles, Céline Dion as well as live playing and musical direction for shows, including Johnny Hallyday and Starmania. In association with Serge Perathoner, keyboardist, he has also done a variety of film and advertisement music. See also * Magma * ''Mëkanïk Dëstruktïẁ Kömmandöh ''Mekanïk Destruktïẁ Kommandöh'', also abbreviated as ''MDK'', is the third studio album by French rock band Magma, released on 6 May 1973. The album marks a shift away from the jazz style of the band's first two albums, en ...
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Melodica
The melodica is a handheld free-reed instrument similar to a pump organ or harmonica. It features a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. The keyboard usually covers two or three octaves. Melodicas are small, lightweight, and portable, and many are designed for children to play. They are popular in music education programs, especially in Asia. The modern form of the instrument was invented by Hohner in the late 1950s, though similar instruments have been known in Italy since the 19th century. Description The mouthpiece can be a short rigid or semi-flexible plastic piece or a long flexible plastic tube (designed to allow the player to either hold the keyboard so the keys can be seen or lay the keyboard horizontally on a flat surface for two-handed playing). A foot pump can also be used as an alternative to breathing into the instrument. Melodica keyboards typically ascend from a low F note. ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Pocket Trumpet
250px, Pocket trumpet in B-flat, with a standard size bell and medium-large bore The pocket trumpet is a B♭ trumpet that is constructed with the tubing wound into a much smaller coil than a standard trumpet, generally with a smaller diameter bell. It is not a standard instrument in a concert band or orchestra and is generally regarded as a novelty. It has been used by soloists in jazz (Don Cherry played the similar pocket cornet) or other ensembles to add flair and variety. History The concept of reducing the brass instrument size without reducing the resonating tube length can be seen in several 19th century models of cornet. ''Pocket cornets'' have been constructed since the 1870s. Pocket trumpets are sometimes played as auxiliary instruments by soloists in jazz and dixieland bands, as well as for some specific studio recording demands. Don Cherry's work with the Ornette Coleman quartet is probably the best known example of pocket trumpet playing. Design and properties ...
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