Homage To Duke
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Homage To Duke
''Homage to Duke'' is an album by American pianist Dave Grusin released in 1993, recorded for GRP Records, and is Grusin's interpretation of Duke Ellington's music. The album was well received. In addition to Mood Indigo winning the 1994 Grammy Award for Best Instrumental Arrangement, Scott Yanow of AllMusic praised this effort as "a respectful and well-conceived tribute".Yanow, AllMusic review/ref> The Orchestral Album reached No. 2 on ''Billboard'''s Jazz chart. Track listing #"Cotton Tail" (Duke Ellington) - 4:10 #"Things Ain't What They Used to Be" (Mercer Ellington, Ted Persons) - 6:45 #"Satin Doll" (Duke Ellington, Billy Strayhorn, Irving Mills)- 5:22 #"Mood Indigo" (Duke Ellington, Barney Bigard, Irving Mills) - 5:20 #"Just Squeeze Me (But Please Don't Tease Me)" (Duke Ellington, Lee Gaines) - 4:56 #" Caravan" (Juan Tizol) - 6:16 #" East St. Louis Toodle-Oo" (Duke Ellington, Bubber Miley) - 4:26 #" C-Jam Blues" (Duke Ellington) - 5:45 #"Sophisticated Lady" (Duke Ellington ...
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Dave Grusin
Robert David "Dave" Grusin (born June 26, 1934) is an American composer, arranger, producer, jazz pianist, and band leader. He has composed many scores for feature films and television, and has won numerous awards for his soundtrack and record work, including an Academy Awards, Academy Award and 10 Grammy Awards. In 1978, Grusin founded GRP Records with Larry Rosen (producer), Larry Rosen, and was an early pioneer of digital recording. Early life Grusin was born in Littleton, Colorado, to Henri and Rosabelle (née de Poyster) Grusin. His mother was a pianist and his father was a violinist from Riga, Latvia. Grusin has one Jewish parent. Grusin studied music at the University of Colorado at Boulder and received his degree in 1956. Grusin's teachers included Cecil Effinger and Wayne Scott, pianist, arranger and professor of jazz. Career Grusin produced his first single in 1962, "Subways Are for Sleeping", and his first film score, for ''Divorce American Style'', in 1967. Other sc ...
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Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ...
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Tommy Johnson (tubist)
John Thomas Johnson (January 7, 1935 - October 16, 2006) was an American orchestral tuba player. He performed on more than 2,000 film soundtracks, most notably John Williams' ''Jaws'' score, in which he played a high-register tuba solo as the melodic theme for the shark. Biography Early life He was born in Los Angeles, California to tailor Thomas Johnson and his wife Alma, the youngest of five siblings. Johnson had a musical upbringing as his father was a baritone soloist in the choir at the Angelus Temple in Echo Park. He attended the University of Southern California Thornton School of Music, studying under Robert Marsteller. He received a bachelor's degree in music in 1956. He played on his first film in 1958, the score for ''Al Capone''. He went on to become Hollywood's "first-call" tuba player, playing for television commercials and television series, such as ''The Flintstones''. In addition to ''Jaws'', his films included, ''The Godfather'', the '' Indiana Jones'' ser ...
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George Bohanon
George Roland Bohanon, Jr. (born August 7, 1937) is a jazz trombonist and session musician from Detroit, Michigan. In the early 1960s, he participated in Detroit's Workshop Jazz ensemble, with Johnny Griffith (musician), Johnny Griffith, Paula Greer, Dave Hamilton (musician), David Hamilton, Lefty Edwards and Herbie Williams. After appearing on several Motown recordings, together with leading musicians such as Hank Cosby, of the Funk Brothers, he went to live in California. In 1962, he replaced Garnett Brown in the Chico Hamilton Quintet. In 1963 and 1964, he recorded two albums for Motown's unsuccessful jazz Workshop label. In 1971, he was a member of the Ernie Wilkins Orchestra, playing alongside fellow trombonist Benny Powell, that backed Sarah Vaughan on her ''A Time in My Life'' album, recorded in Los Angeles. Between 1984 and 1993, he played in orchestras backing Frank Sinatra. Discography As leader * ''Boss: Bossa Nova'' (Workshop Jazz, 1963) * ''Blue Phase'' (Geobo Musi ...
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Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ...
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Take The "A" Train
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. History The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers, Authors and Publishers (ASCAP). When ASCAP raised its licensing fees for broadcast use, many ASCAP members, including Ellington, could no longer play their compositions over radio, as most music was played live on radio at the time. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP's competitor BMI, to "write a whole new book for the band," Mercer recalled. "'A' Train" was one of many tunes written by Strayhorn, and was picked to replace "Sepia Panorama" as the band's signature song. Mercer recalled that he found the composition in a trash can after Strayhorn discarded a draft of it because it sounded too much like a Fletcher Henderson arrangement. The song was first recorded ...
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Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ...
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Sophisticated Lady
"Sophisticated Lady" is a jazz standard, composed as an instrumental in 1932 by Duke Ellington. Background Additional credit is given to publisher Irving Mills whose words were added to the song by Mitchell Parish. The words met with approval from Ellington, who described them as "wonderful—but not entirely fitted to my original conception". That original conception was inspired by three of Ellington's grade school teachers. "They taught all winter and toured Europe in the summer. To me that spelled sophistication." Lawrence Brown, the trombone player in Ellington's band at the time, claimed that he was responsible for the main hook in the A section of the tune. Ellington paid him $15 for his contribution, but he was never officially credited. Duke Ellington and His Orchestra introduced "Sophisticated Lady" in 1933 with an instrumental recording of the song that featured solos by Toby Hardwick on alto sax, Barney Bigard on clarinet, Lawrence Brown on trombone and Ellingto ...
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C-Jam Blues
"C Jam Blues" is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus. Background As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C. A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear. It was also known as "Duke's Place", with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts. Recordings *Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is ''Jam Session''. *Western Swing band ...
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Bubber Miley
Bubber is a nickname and surname which may refer to: People: * Bubber or Bubba Brooks (1922-2002), American jazz tenor saxophonist * James Bubber Epps (born 1943), American politician * Clarence James Bubber Jonnard (1897-1977), American Major League Baseball catcher * James "Bubber" Miley (1903-1932), American jazz trumpet and cornet player * Charles M. Murphy (coach) (1913-1999), American football, basketball and baseball player and Middle Tennessee State University head coach * Riva Bubber, Indian television actress * Bubber or Niels Christian Meyer, Danish television host Fictional characters: * Charlie "Bubber" Reeves, a main character in the 1966 film '' The Chase'', played by Robert Redford * John Bubber, a main character in the 1992 film ''Hero'', played by Andy Garcia See also * Bubba In American usage, "Bubba" is a term of endearment mainly given to boys. Being formed from the word "brother", it often indicates that someone is a "little brother". Etymology and histo ...
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East St
East or Orient is one of the four cardinal directions or points of the compass. It is the opposite direction from west and is the direction from which the Sun rises on the Earth. Etymology As in other languages, the word is formed from the fact that east is the direction where the Sun rises: ''east'' comes from Middle English ''est'', from Old English ''ēast'', which itself comes from the Proto-Germanic *''aus-to-'' or *''austra-'' "east, toward the sunrise", from Proto-Indo-European *aus- "to shine," or "dawn", cognate with Old High German ''*ōstar'' "to the east", Latin ''aurora'' 'dawn', and Greek ''ēōs'' 'dawn, east'. Examples of the same formation in other languages include Latin oriens 'east, sunrise' from orior 'to rise, to originate', Greek ανατολή anatolé 'east' from ἀνατέλλω 'to rise' and Hebrew מִזְרָח mizraḥ 'east' from זָרַח zaraḥ 'to rise, to shine'. ''Ēostre'', a Germanic goddess of dawn, might have been a personificatio ...
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Juan Tizol
Juan Tizol Martínez (22 January 1900 – 23 April 1984) was a Puerto Rican jazz trombonist and composer. He is best known as a member of Duke Ellington's big band, and as the writer of the jazz standards " Caravan", "Pyramid", and " Perdido". Biography Tizol was born in Vega Baja, Puerto Rico. Music was a large part of his life from an early age. His first instrument was the violin, but he soon switched to valve trombone, the instrument he played throughout his career. His musical training came mostly from his uncle Manuel Tizol, who was the director of the municipal band and the symphony in San Juan. Throughout his youth, Tizol played in his uncle's band and also gained experience by playing in local operas, ballets and dance bands. In 1920, Tizol joined a band that was traveling to the United States to work in Washington, D.C. The group eventually made it to Washington (traveling as stowaways) and established residence at the Howard Theater, where they played for tour ...
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