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Holy Wars (album)
''Holy Wars'' is the fourth studio album by American post-punk band Tuxedomoon, released in 1985 by Cramboy. "In a Manner of Speaking" is probably the band's most known song, after being covered by Martin Gore on his 1989 E.P. ''Counterfeit e.p.'' and by Nouvelle Vague on their 2004 eponymous debut album. Track listing Personnel Adapted from the ''Holy Wars'' liner notes. ;Tuxedomoon * Steven Brown – lead vocals (2, 4–6, 8, 9), organ (1–4, 7–9), synthesizer (1, 3, 7–9), electric piano (1–3), alto saxophone (1, 7, 8), clarinet (4), keyboards (6), soprano saxophone (7), tape (7), piano (9), drum programming (9), clapping (9) * Peter Dachert (as Peter Principle) – bass guitar (1–4, 6–8), tape (2), drum programming (2–4, 6–9), synthesizer (3, 7), guitar (5, 6, 8, 9), cymbal (6), clapping (9) * Luc Van Lieshout – trumpet (1–3, 7–9), harmonica (1, 3, 7–9), organ (4), melodica (6), recorder (6), clapping (9) * Winston Tong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuxedomoon
Tuxedomoon is an experimental music, experimental, post-punk, New wave music, new wave band from San Francisco, California, United States. The band formed in the late 1970s at the beginning of the punk rock movement. Pulling influence from punk and electronic music, the group, originally consisting of Steven Brown (born Steven Allan Brown on August 23, 1952, in Chicago, Illinois) and Blaine L. Reininger, used electronic violins, guitars, screaming vocals and synthesizers to develop a unique "cabaret no-wave" sound. Bassist Peter Principle (Peter Dachert, 1954–2017) joined the band and in 1979 they released the single "No Tears", which remains a post-punk cult classic. That year they signed to Ralph Records and released their first album, ''Half-Mute''. Eventually, Reininger left the group, and Tuxedomoon relocated to Europe, signing to Crammed Discs and releasing ''Holy Wars (album), Holy Wars'' in 1985. The band separated in the early 1990s, only to reunite later that decade. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blaine L
Blaine may refer to: People *Blaine (given name) * Blaine (surname) * Blaine (cartoonist), Canadian political cartoonist Places in the United States * Blaine, Georgia, an unincorporated community * Blaine, Idaho, an unincorporated community * Blaine, Illinois, an unincorporated community * Blaine, Indiana, an unincorporated community * Blaine, Kansas, an unincorporated community * Blaine, Kentucky, a city * Blaine, Maine, a town ** Blaine (CDP), Maine, a census-designated place within the town * Blaine, an unincorporated community in Grant Township, St. Clair County, Michigan * Blaine, Minnesota, a city * Blaine, Mississippi, an unincorporated community * Blaine, Missouri, an unincorporated community * Menoken, North Dakota, a census-designated place originally named Blaine * Blaine, Ohio, an unincorporated community * Blaine, Tennessee, a city * Blaine, Washington, a city ** Blaine Air Force Station, a now closed radar station * Blaine, West Virginia, an unincorporat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Faucon
Bernard Faucon (born September 12, 1950) is a French photographer and writer. He first established a career in art photography and has exhibited widely around the world. Biography Faucon was born in Apt, in Provence, southern France. He attended the '' lycée'' in Apt, then studied at the Sorbonne, graduating in Philosophy in 1973. Until 1977 he worked as a fine art painter, and thereafter discovered photography. His photographic work expresses a love of youth and dreamy beauty, using saturated colour, natural settings, rooms, and often tableaux of mannequins. His major photographic series are, in date-order: ''Les Grandes Vacances'' (1977–1981); ''Evolution probable du Temps'' (1981–1984); ''Les Chambres d'amour'' (1987–1989); ''Les Idoles et les Sacrifices'' (1989–1991); ''Les écritures'' (1991–1993); and ''La Fin de L'image'' (1993–1995). Faucon has won numerous awards from his work, including the Grand Prix National (1989) and the Prix Leonard de Vinci (1991 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whistle
A whistle is an instrument which produces sound from a stream of gas, most commonly air. It may be mouth-operated, or powered by air pressure, steam, or other means. Whistles vary in size from a small slide whistle or nose flute type to a large multi-piped church organ. Whistles have been around since early humans first carved out a gourd or branch and found they could make sound with it. In prehistoric Egypt, small shells were used as whistles. Many present day wind instruments are inheritors of these early whistles. With the rise of more mechanical power, other forms of whistles have been developed. One characteristic of a whistle is that it creates a pure, or nearly pure, tone. The conversion of flow energy to sound comes from an interaction between a solid material and a fluid stream. The forces in some whistles are sufficient to set the solid material in motion. Classic examples are Aeolian tones that result in galloping power lines, or the Tacoma Narrows Bridge (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Geduldig
Tuxedomoon is an experimental, post-punk, new wave band from San Francisco, California, United States. The band formed in the late 1970s at the beginning of the punk rock movement. Pulling influence from punk and electronic music, the group, originally consisting of Steven Brown (born Steven Allan Brown on August 23, 1952, in Chicago, Illinois) and Blaine L. Reininger, used electronic violins, guitars, screaming vocals and synthesizers to develop a unique "cabaret no-wave" sound. Bassist Peter Principle (Peter Dachert, 1954–2017) joined the band and in 1979 they released the single "No Tears", which remains a post-punk cult classic. That year they signed to Ralph Records and released their first album, ''Half-Mute''. Eventually, Reininger left the group, and Tuxedomoon relocated to Europe, signing to Crammed Discs and releasing ''Holy Wars'' in 1985. The band separated in the early 1990s, only to reunite later that decade. They all have remained together since releasing the albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoken Word
Spoken word refers to an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a late 20th century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound. History Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to commit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodica
The melodica is a handheld free-reed instrument similar to a pump organ or harmonica. It features a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. The keyboard usually covers two or three octaves. Melodicas are small, lightweight, and portable, and many are designed for children to play. They are popular in music education programs, especially in Asia. The modern form of the instrument was invented by Hohner in the late 1950s, though similar instruments have been known in Italy since the 19th century. Description The mouthpiece can be a short rigid or semi-flexible plastic piece or a long flexible plastic tube (designed to allow the player to either hold the keyboard so the keys can be seen or lay the keyboard horizontally on a flat surface for two-handed playing). A foot pump can also be used as an alternative to breathing into the instrument. Melodica keyboards typically ascend from a low F note. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
