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Holy Trinity Church, Lavdar
Holy Trinity Church of Lavdar (), also known as the Holy Trinity Church of Tudas is a 14th century Albanian orthodox church built in the Byzantine style by the medieval Albanian noble family of Muzaka. It is located near the villages Lavdar and Tudas in the region of Opar in Korçë county, southeastern Albania. Noted for its distinguished architecture and frescoes, it was declared a Cultural Monument of Albania in 1963. Location The church is located in a remote setting in the region of Opar in Korçë county, southeastern Albania. It lies at 1220 m altitude, at the feet of ''Tudas Rock'' ( sq, Shkëmbi i Tudasit) and 500 m from the eponymous, nearest village, on the northern slope of Mt. Ostrovica (2383 m). The second nearest but larger village to the church is Lavdar, of the municipal unit of Lekas. The memoirs of Gjon Muzaka, being the earliest documented accounts of the church, mention it as the Holy Trinity Church of Lavdar, near the village Xerje. History The Holy Tri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lekas
Lekas is a village and a former municipality in the Korçë County, southeastern Albania. At the 2015 local government reform it became a subdivision of the municipality Korçë. The population at the 2011 census was 392.2011 census results The municipal unit consists of the villages Lekas, Marian, Gjonbabas, Gurmujas, Shkozan, Xerje, Tudas, Gjergjevicë, Lavdar, Brozdovec, Mazrek and Poponivë. History The origin of the |
Alexios I Komnenos
Alexios I Komnenos ( grc-gre, Ἀλέξιος Κομνηνός, 1057 – 15 August 1118; Latinized Alexius I Comnenus) was Byzantine emperor from 1081 to 1118. Although he was not the first emperor of the Komnenian dynasty, it was during his reign that the Komnenos family came to full power and initiated a hereditary succession to the throne. Inheriting a collapsing empire and faced with constant warfare during his reign against both the Seljuq Turks in Asia Minor and the Normans in the western Balkans, Alexios was able to curb the Byzantine decline and begin the military, financial, and territorial recovery known as the Komnenian restoration. His appeals to Western Europe for help against the Turks was the catalyst that sparked the First Crusade. Biography Alexios was the son of John Komnenos and Anna Dalassene,Kazhdan 1991, p. 63 and the nephew of Isaac I Komnenos (emperor 1057–1059). Alexios' father declined the throne on the abdication of Isaac, who was thu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendentives
In architecture, a pendentive is a constructional device permitting the placing of a circular dome over a square room or of an elliptical dome over a rectangular room. The pendentives, which are triangular segments of a sphere, taper to points at the bottom and spread at the top to establish the continuous circular or elliptical base needed for a dome. In masonry the pendentives thus receive the weight of the dome, concentrating it at the four corners where it can be received by the piers beneath. Prior to the pendentive's development, builders used the device of corbelling or squinches in the corners of a room. Pendentives commonly occurred in Orthodox, Renaissance, and Baroque churches, with a drum with windows often inserted between the pendentives and the dome. The first experimentation with pendentives began with Roman dome construction in the 2nd–3rd century AD, while full development of the form came in the 6th-century Eastern Roman Hagia Sophia at Constantinople. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tholobate
In architecture, a tholobate (from el, θολοβάτης, tholobates, dome pedestal) or drum is the upright part of a building on which a dome is raised. It is generally in the shape of a cylinder or a polygonal prism. In the earlier Byzantine churches, the dome rested directly on the pendentives and the windows were pierced in the dome itself; in later examples, between the pendentive and the dome an intervening circular wall was built in which the windows were pierced. This is the type which was universally employed by the architects of the Renaissance, of whose works the best-known example is St. Peter's Basilica at Rome. Other examples of churches of this type are St Paul's Cathedral in London and the churches of the Les Invalides, the Val-de-Grâce, and the Sorbonne in Paris. There are also secular buildings with tholobates: the United States Capitol dome in Washington, D.C. is set on a drum, as are numerous American state capitols. The Panthéon in Paris is another se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-in-square
A cross-in-square or crossed-dome floor plan, plan was the dominant architectural form of middle- and late-period Byzantine Empire, Byzantine church architecture, churches. It featured a square centre with an internal structure shaped like a cross, topped by a dome. The first cross-in-square churches were probably built in the late 8th century, and the form has remained in use throughout the Eastern Orthodox Church, Orthodox world unto the present day. In the West, Donato Bramante's first design (1506) for St. Peter's Basilica was a centrally planned cross-in-square under a dome and four subsidiary domes. In German, such a church is a , or ‘cross-dome church’. In French, it is an , ‘church with an inscribed figure, inscribed cross’. Architecture Architectural form A cross-in-square church is centered around a quadratic cella, naos (the ‘square’) which is divided by four columns or piers into nine bay (architecture), bays (divisions of space). The inner five divisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aisleless Church
An aisleless church (german: Saalkirche) is a single-nave church building that consists of a single hall-like room. While similar to the hall church, the aisleless church lacks aisles or passageways on either side of the nave and separated from the nave by colonnades or arcades, a row of pillars or columns. However, there is often no clear demarcation between the different building forms, and many churches, in the course of their construction history, developed from a combination of different types. Early aisleless churches were generally small because of the difficulty of spanning a large, open space without using pillars or columns. In many places, where the population made it necessary and money was available, former medieval hall churches were extended over the course of centuries until they became a hall church or basilica. Starting in the Renaissance, the development of new technologies and better building materials allowed larger spaces to be spanned. The basic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icons
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon painti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toponymy
Toponymy, toponymics, or toponomastics is the study of ''toponyms'' (proper names of places, also known as place names and geographic names), including their origins, meanings, usage and types. Toponym is the general term for a proper name of any geographical feature, and full scope of the term also includes proper names of all cosmographical features. In a more specific sense, the term ''toponymy'' refers to an inventory of toponyms, while the discipline researching such names is referred to as ''toponymics'' or ''toponomastics''. Toponymy is a branch of onomastics, the study of proper names of all kinds. A person who studies toponymy is called ''toponymist''. Etymology The term toponymy come from grc, τόπος / , 'place', and / , 'name'. The ''Oxford English Dictionary'' records ''toponymy'' (meaning "place name") first appearing in English in 1876. Since then, ''toponym'' has come to replace the term ''place-name'' in professional discourse among geographers. Toponym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamization Of Albania
The Islamization of Albania occurred as a result of the Ottoman conquest of the region beginning in 1385.. "The Ottomans first invaded Albania in 1385. A second Ottoman force was sent to Albania 1394-96, occupying the country. Given both the Ottoman disposition to tolerate religious diversity among loyal subjects and the generally bellicose traditions of the Albanians, Ottoman authorities adopted a conciliatory policy toward Albanian Christians in the early decades of occupation. Still, although conversion to Islam was not required, a Christian Albanian lord could count on winning favor if he converted. If the Ottomans did not believe that religious reasons could compel a Christian to convert to Islam, they nonetheless looked askance when a Muslim converted (or reconverted) to Christianity. This happened in 1443 when Gjergj Kastrioti (called Skenderbeg), who had been reared as a Muslim in the sultan's palace, abandoned the Islamic faith and publicly reverted to the creed of his fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albania Under The Ottoman Empire
Albania under the Ottoman Empire refers to a period in Albanian history from the Ottoman conquest in the late 15th century to the Albanian declaration of Independence and official secession from the Ottoman Empire in 1912. The Ottomans first entered Albania in 1385 upon the invitation of the Albanian noble Karl Thopia to suppress the forces of the Serbian noble Balša II during the battle of Savra. They had some previous influence in some Albanian regions after the battle of Savra in 1385 but not direct control. The Ottomans placed garrisons throughout southern Albania by 1420s and established formal jurisdiction in central Albania by 1431. Even though The Ottomans claimed rule of all Albanian lands, most Albanian ethnic territories were still governed by medieval Albanian nobility who were free of Ottoman rule. The Sanjak of Albania was established in 1420 or 1430 controlling mostly central Albania, while Ottoman rule became more consolidated in 1481, after the fall of Shkodra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siege Of Shkodra
The fourth siege of Shkodra of 1478–79 was a confrontation between the Ottoman Empire and the Venetians together with the League of Lezhe and other Albanians at Shkodra (Scutari in Italian) and its Rozafa Castle during the First Ottoman-Venetian War (1463–1479). Ottoman historian Franz Babinger called the siege "one of the most remarkable episodes in the struggle between the West and the Crescent".Babinger, Franz. ''Mehmed the Conqueror and His Time''. New Jersey: Princeton University Press, 1978. A small force of approximately 1,600 Albanian and Italian men and a much smaller number of womenBuda, Aleks. "Hyrja" published in Barleti, Marin. ''Rrethimi i Shkodrës''. Tiranë: Instituti i Historisë, 1967. faced a massive Ottoman force containing artillery cast on site and an army reported (though widely disputed) to have been as many as 350,000 in number. The campaign was so important to Mehmed II "the Conqueror" that he came personally to ensure triumph. After nineteen da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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