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Holliday With Mulligan
''Holliday with Mulligan'' is an album by American singer Judy Holliday with jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded in 1961 which were first released on the DRG label in 1980.Dugelay, G & Hallqvist, KGerry Mulligan Discography accessed February 29, 2016 Reception Scott Yanow, writing for AllMusic, stated: "Baritone-saxophonist Gerry Mulligan and actress Judy Holliday were an 'item' around the time of this recording. Their one meeting on record features Holliday doing some effective singing on eleven songs, mostly lesser-known standards plus four songs co-written by the two leaders. Unfortunately Mulligan's Concert Jazz Band is largely wasted, being restricted to anonymous accompaniment of Holliday, making this CD of greater historical value than of interest to jazz listeners". Track listing # "What's the Rush" (Mulligan, Holliday) – 3:26 # "Loving You" (Mulligan, Holliday) – 2:13 # " Lazy" (Irving Berlin) – 2:27 # "It Must Be Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judy Holliday
Judy Holliday (born Judith Tuvim, June 21, 1921 – June 7, 1965) was an American actress, comedian and singer.Obituary ''Variety'', June 9, 1965, p. 71. She began her career as part of a nightclub act before working in Broadway plays and musicals. Her success as Billie Dawn in the 1946 stage production of '' Born Yesterday'' led to her being cast in the 1950 film version for which she won an Academy Award for Best Actress and a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy. She was known for her performance on Broadway in the musical '' Bells Are Ringing,'' winning a Tony Award for Best Performance by a Leading Actress in a Musical and reprising her role in the 1960 film adaptation. In 1952, Holliday was called to testify before the Senate Internal Security Subcommittee to answer claims she was associated with communism. Early life Holliday was born Judith Tuvim (she took her stage name from ''yom tovim'', which is Hebrew for "holidays") in New Yor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Edens
Roger Edens (November 9, 1905 – July 13, 1970) was a Hollywood composer, arranger and associate producer, and is considered one of the major creative figures in Arthur Freed's musical film production unit at Metro-Goldwyn-Mayer during the "golden era of Hollywood". Early career and work with Judy Garland Edens was born in Hillsboro, Texas. His parents were of Scots-Irish ancestry. He was a piano accompanist for ballroom dancers before becoming a musical conductor on Broadway. He went to Hollywood in 1932 along with his protégée Ethel Merman, writing and arranging material for her films at Paramount. In 1935 he joined MGM as a musical supervisor and occasional composer and arranger, notably of music for Judy Garland. He also appeared on screen opposite Eleanor Powell in a cameo in '' Broadway Melody of 1936''. Arthur Freed, producer of musicals at MGM, was impressed by Edens and soon made him integral to his production team, which was rapidly growing and featured many of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunther Schuller
Gunther Alexander Schuller (November 22, 1925June 21, 2015) was an American composer, conductor, horn player, author, historian, educator, publisher, and jazz musician. Biography and works Early years Schuller was born in Queens, New York City, the son of German parents Elsie (Bernartz) and Arthur E. Schuller, a violinist with the New York Philharmonic. He studied at the Saint Thomas Choir School and became an accomplished French horn player and flute player. At age 15, he was already playing horn professionally with the American Ballet Theatre (1943) followed by an appointment as principal hornist with the Cincinnati Symphony Orchestra (1943–45), and then the Metropolitan Opera Orchestra in New York, where he stayed until 1959. During his youth, he attended the Precollege Division at the Manhattan School of Music, later going on to teach at the school. But, already a high school dropout because he wanted to play professionally, Schuller never obtained a degree from any in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valve Trombone
A valve is a device or natural object that regulates, directs or controls the flow of a fluid (gases, liquids, fluidized solids, or slurries) by opening, closing, or partially obstructing various passageways. Valves are technically fittings, but are usually discussed as a separate category. In an open valve, fluid flows in a direction from higher pressure to lower pressure. The word is derived from the Latin ''valva'', the moving part of a door, in turn from ''volvere'', to turn, roll. The simplest, and very ancient, valve is simply a freely hinged flap which swings down to obstruct fluid (gas or liquid) flow in one direction, but is pushed up by the flow itself when the flow is moving in the opposite direction. This is called a check valve, as it prevents or "checks" the flow in one direction. Modern control valves may regulate pressure or flow downstream and operate on sophisticated automation systems. Valves have many uses, including controlling water for irrigation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Brookmeyer
Robert Edward "Bob" Brookmeyer (December 19, 1929 – December 15, 2011) was an American jazz valve trombonist, pianist, arranger, and composer. Born in Kansas City, Missouri, Brookmeyer first gained widespread public attention as a member of Gerry Mulligan's quartet from 1954 to 1957. He later worked with Jimmy Giuffre, before rejoining Mulligan's Concert Jazz Band. He garnered 8 Grammy Award nominations during his lifetime. Biography Brookmeyer was born on December 19, 1929 Kansas City, Missouri. He was the only child of Elmer Edward Brookmeyer and Mayme Seifert. Brookmeyer began playing professionally in his teens. He attended the Kansas City Conservatory of Music, but did not graduate. He played piano in big bands led by Tex Beneke and Ray McKinley, but concentrated on valve trombone from when he moved to the Claude Thornhill orchestra in the early 1950s. He was part of small groups led by Stan Getz, Jimmy Giuffre, and Gerry Mulligan in the 1950s. During the 1950s and 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick Travis
Nick Travis (b. Nov. 16, 1925, Philadelphia, Pennsylvania - d. Oct. 7, 1964, New York City) was an American jazz trumpeter. Travis started playing professionally at age 15, playing in the early 1940s with Johnny McGhee, Vido Musso (1942), Mitchell Ayres, and Woody Herman (1942–44). In 1944 he joined the military; after his service he played with Ray McKinley (1946–50, intermittent), Benny Goodman (1948–49), Gene Krupa, Ina Ray Hutton, Tommy Dorsey, Tex Beneke, Herman once more (1950–51), Jerry Gray, Bob Chester, Elliot Lawrence, and Jimmy Dorsey (1952–53). From 1953-56 he was a soloist in the Sauter-Finegan Orchestra. After this he became a session musician for NBC, but played with Gerry Mulligan (1960–62) and Thelonious Monk (1963, at Lincoln Center). Most of Travis's work was in big bands, but he also played in small ensembles with Al Cohn (1953) and Zoot Sims (1956). He led one session for Victor Records in 1954. In 1964, Travis died at age 38 as a result of co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Bishop
Joe Bishop (November 27, 1907 – May 12, 1976) was an American jazz multi-instrumentalist and composer. Early life and education Bishop was born in Monticello, Arkansas. He learned piano, trumpet, and tuba when he was young, and also played flugelhorn and mellophone. He attended Hendrix College and played professionally with the Louisiana Ramblers in 1927, including in Mexico. Career Bishop played with Mart Britt, Al Katz, and Austin Wylie before joining Isham Jones's band for five years. He was a founding member of Woody Herman's band in the 1930s, but he contracted tuberculosis in 1940 and had to leave the group. He was rehired by Herman as a staff arranger later in the 1940s, and his arrangements and compositions were recorded frequently by Herman, appearing on some 50 of Herman's albums. As a performer, Bishop played with Cow Cow Davenport and Jimmy Gordon's Vip Vop Band, but retired from studio work due to his health in the 1950s. He quit music and opened a store ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Jenkins
Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald. Biography Career Gordon Jenkins was born in Webster Groves, Missouri. He began his career writing arrangements for a radio Station in St. Louis. He was hired by Isham Jones, the director of a dance band known for its ensemble playing, which gave Jenkins the opportunity to develop his skills in melodic scoring. He also conducted ''The Show Is On'' on Broadway. After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others. In 1938, Jenkins moved to Hollywood and worked for Paramount Picture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create "Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
