Hold Me, Thrill Me, Kiss Me (Gloria Estefan Album)
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Hold Me, Thrill Me, Kiss Me (Gloria Estefan Album)
''Hold Me, Thrill Me, Kiss Me'' is the fifth studio solo album and first cover album released by American singer Gloria Estefan, but is the 17th overall, released in October 1994. Content The album features cover versions of songs which had a special meaning to Estefan, including songs from classic artists such as Carole King, Elton John, Neil Sedaka, Ray, Goodman & Brown, The Moments, Vicki Sue Robinson, Blood, Sweat & Tears, Classics IV, The Classics IV, among others. Critical reception ''Music & Media'' wrote, "Caramba, coveritis has hit the Estefan estate. For every mood there's a song, but mainly for the late night wine-and-dine atmosphere. 'Don't Let The Sun Catch You Crying' feels like the kind of moonlit drama, the original singers Gerry & The Pace Makers intended it to be. The European bonus track 'Don't Let The Sun Go Down On Me' by you know who, only intensifies the romance which is in the air. Sometimes the tempo goes up like on the Blood, Sweat & Tears song 'You've M ...
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Gloria Estefan
Gloria Estefan (; born Gloria María Milagrosa Fajardo García; born 1 September 1957) is a Cuban-American singer, actress, and businesswoman. Estefan is a seven-time Grammy Award winner, a Presidential Medal of Freedom recipient, and has been named one of the Top 100 greatest artists of all time by both VH1 and ''Billboard''. Estefan's record sales exceed 75 million worldwide, making her the second best selling female latin artist in history and one of the best-selling female singers of all-time. A contralto, Estefan started her career as lead singer of Miami Latin Boys, which was later renamed Miami Sound Machine. She and Miami Sound Machine earned worldwide success with their 1985 single " Conga", which became Estefan's signature song and led to Miami Sound Machine winning the 15th annual Tokyo Music Festival's grand prix in 1986. In 1988, she and Miami Sound Machine achieved their first number-one hit with " Anything for You". Estefan is credited with breaking down barri ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Don't Let The Sun Catch You Crying
"Don't Let the Sun Catch You Crying" is a song written by Gerry Marsden, Freddie Marsden, Les Chadwick and Les Maguire, the members of British beat group Gerry and the Pacemakers. It was first recorded and issued as a single by Louise Cordet in February 1964. Shortly after Cordet's version failed to chart, the song was recorded by Gerry and The Pacemakers themselves in April 1964. The Gerry and The Pacemakers recording became an international hit, and remains one of their best known singles. History The song was given first to Louise Cordet, a singer who had previously toured with the group as well as with The Beatles. Her version was produced by Tony Meehan and released on Decca Records in February 1964. The group then decided to issue their own version. The record, like the group's earlier releases, was produced by George Martin. It was released in April 1964 as Gerry and the Pacemakers' fifth single in Britain, and spent 11 weeks on the United Kingdom's ''Record Retaile ...
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Traces (song)
"Traces" is a 1968 song by the American rock band Classics IV. Released as a single in January 1969, the cut served as the title track off the album of the same name. Written by Buddy Buie, J. R. Cobb, and Emory Gordy Jr., the song peaked at No. 2 on 29 March 1969 on the Hot 100, as well as No. 2 on the Easy Listening music charts, making it the highest-charting single by the Classics IV. The song is noted for its use of an oboe, heard in the introduction, as well as a string section. "Traces" received the honor of being listed in BMI's ''Top 100 Songs of the Century'' at No. 32. Chart history Cover versions *Jane Morgan, on her 1969 LP of the same name, as well as releasing it as a single that same year. *"Traces" is the opening track on Bert Kaempfert & His Orchestra's album ''Traces of Love'' (1969). *The Lettermen recorded it as a part of a medley, which also featured the song "Memories" (1969). * Mel Torme (1969), on the album ''Rains Drops Keep Falling on my Hea ...
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Robert Knight (musician)
Robert Knight (born Robert Henry Peebles; April 24, 1940 – November 5, 2017) was an American singer, best known for his 1967 recording of the song " Everlasting Love". Career Robert Peebles was born in Franklin, Tennessee, United States, in 1940 according to family and official records, though some sources give the year 1945. As Robert Knight, he made his professional vocal debut with the Paramounts, a quintet consisting of school friends. Signed to Dot Records in 1960, they recorded "Free Me" in 1961, a US R&B hit single that outsold a rival version by Johnny Preston. After this initial success, their subsequent releases flopped, resulting in a breakup of the group. They also broke their recording contract with Dot and were prevented from recording for years. Knight attended Tennessee State University, where he studied chemistry and sang with the Fairlanes, a vocal trio. In 1967, after Knight was seen performing with the Fairlanes in Nashville at a Vanderbilt Universit ...
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The Rascals
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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How Can I Be Sure
"How Can I Be Sure" is a popular song written by Felix Cavaliere and Eddie Brigati, and originally recorded by the Young Rascals for their 1967 album ''Groovin''' with a single release in August 1967 affording the group their fourth Top 10 hit peaking at #4. "How Can I Be Sure" reached #4 on the Hot 100 in ''Billboard'' in October 1967, ranking as the most successful (Young) Rascals' hit featuring a lead vocal by Eddie Brigati. The single's B-side, "I'm So Happy Now" (also included on the ''Groovin'' album), was written and sung by Rascals guitarist Gene Cornish. Featuring a unique guitar phase-out ending, it was the first Cornish-penned song to appear on a Rascals single. Background Of a rock-oriented band such as the (Young) Rascals introducing a traditional pop-style song such as "How Can I Be Sure" Cavaliere has stated: "The only reason we were brave enough to do that was hatthe Beatles did ' Michelle' and ' Yesterday'." (Cavaliere had an especial awareness of the Beatles, ha ...
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Karen Chandler
Eva Nadauld (September 1, 1923 – November 3, 2010), known professionally as Eve Young early in her career, and later as Karen Chandler, was an American singer of popular music during the 1940s, 1950s and 1960s, best known for her 1952 hit, "Hold Me, Thrill Me, Kiss Me". Early life, and singing career as Eve Young Born on September 1, 1923, in Rexburg, Idaho, she began her singing career under the name Eve Young while still a student at Brigham Young University. It is possible that the university's name influenced her choice of stage name. However, Young was her mother's maiden name; the Young family was well known for their musical talents and were called the "Singin' Swingin' Youngs". She made her national debut on Benny Goodman's NBC radio showcase on July 8, 1946, singing "I Don't Know Why", and became the Goodman Orchestra's featured vocalist for the remainder of that year, enjoying success as his vocalist on "A Gal in Calico". By early 1947, she joined the cast of the te ...
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Classics IV
The Classics IV is an American band formed in Jacksonville, Florida, United States, in 1965. The band, founded by Dennis Yost, is known mainly for the hits "Spooky," " Stormy," and "Traces," released 1967 to 1969, which have become cover standards. Career 1965-1966: Early Days The group began as The Classics, a Jacksonville cover band consisting of guitarist J. R. Cobb, bassist Walter Eaton, keyboardist Joe Wilson, sax player Greg Carroll, and drummer Dennis Yost, who had previously been a member of The Echoes. The name "The Classics" came from the Classic drum set Yost owned. He was known in the Georgia/Florida area as the "stand-up drummer" because he played standing up. The Classics played Ventures covers, as well as instrumental versions of "Misty" and " Summertime." People started requesting vocals, so Dennis would say "I can sing that," and that was the beginning of the group's new direction. The group was discovered performing in Daytona Beach by talent agent Alan Diggs ...
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Blood, Sweat & Tears
Blood, Sweat & Tears (also known as "BS&T") is a jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. In addition to original music, the group has performed popular songs by Laura Nyro, James Taylor, Carole King, the Band, the Rolling Stones, Billie Holiday and many others. The group has also adapted music from Erik Satie, Thelonious Monk and Sergei Prokofiev into their arrangements. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles. Their sound has merged rock, pop and R&B/soul music with big band jazz. The group's self-titled second album spent seven weeks atop the U.S. charts, spun off three Top 5 hit singles, and won the Grammy Award for Album of the Year in 1970. Their follow-up album, ''Blood, Sweat & Tears 3'', also reached number one in the U.S. The group was inspired by the "brass-rock" of the Buckinghams and their producer, James William ...
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Vicki Sue Robinson
Vicki Sue Robinson (May 31, 1954 – April 27, 2000) was an American theatre and film actress, and singer, closely associated with the disco era of late 1970s pop music; she is most famous for her 1976 hit, "Turn the Beat Around". Early life Born in Harlem, New York, to African American Shakespearean actor Bill Robinson and his European American wife Marianne, a folk singer, Vicki Sue Robinson was reared in Philadelphia, Pennsylvania, for most of her early years, returning with her family to New York City when she was ten. Career She gave her first public performance in 1960 at the age of six, when she accompanied her mother on stage at the Philadelphia Folk Festival. Ten years later, at the age of 16, while a student at the New Lincoln School, Robinson made her professional performing debut when she joined the Broadway cast of the musical ''Hair''. Robinson remained with ''Hair'' for six weeks before moving to a new Broadway production, ''Soon'', whose cast included Peter Allen ...
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Ray, Goodman & Brown
Ray, Goodman & Brown is an American R&B vocal group. The group originated as The Moments, who formed in the mid-1960s and whose greatest successes came in the 1970s with hits including "Love on a Two-Way Street", "Sexy Mama", and "Look at Me (I'm in Love)". In 1978, they changed their name to Ray, Goodman & Brown and had further hits, including " Special Lady". The original Moments Early years The original members of the Moments were Eric Olfus Sr., Richard Gross (often incorrectly listed as "Richard Horsley"), and John Morgan. The Moments formed in Washington, D.C. during the mid-1960s. In 1965, at Washington D.C.'s Howard University, the Mizell Brothers and Freddie Perren (along with schoolmate Toby Jackson) founded Hog Records and signed the harmony group as the Moments. The Moments recorded "Baby I Want You" and "Pray for Me" for Hog. The lineup consisted of Olfus, Gross, and Morgan. Mark Greene joined after the single's release. The group then signed with the newly establ ...
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