Hold (musical Term)
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Hold (musical Term)
A fermata (; "from ''fermare'', to stay, or stop"; also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a Musical note, note or a Rest (music), rest) is a symbol of musical notation indicating that the Note (music), note should be prolonged beyond the normal duration (music), duration its note value would indicate.''The Harvard Dictionary of Music'', p. 310 Exactly how much longer it is held is up to the discretion of the performer or conductor, but twice as long is common. It is usually printed above but can be occasionally below (when it is upside down) the note to be extended. When a fermata is placed over a bar (music), bar or double-bar, it is used to indicate the end of a phrase or section of a work. In a concerto, it indicates the point at which the soloist is to play a cadenza. A fermata can occur at the end of a piece (or movement (music), movement) or in the middle of a piece. It can be followed by either a brief r ...
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Urlinie In G With Fermata
In Schenkerian analysis#Ursatz, Schenkerian analysis, the fundamental structure (german: Ursatz) describes the structure of a tonal music, tonal work as it occurs at the most remote (or "Background (Schenker), background") structural level, level and in the most abstract form. A basic elaboration of the tonic (music), tonic triad (music), triad, it consists of the #Fundamental line, fundamental line accompanied by the bass arpeggiation. Hence the fundamental structure, like the fundamental line itself, takes one of three forms, according to which tonic triad pitch is the primary tone. The example hereby shows a fundamental structure in C major, with the fundamental line descending from degree (music), scale degree : The Urlinie offers the unfolding (music), unfurling (''Auswicklung'') of a basic triad, it presents tonality on horizontal paths. The tonal system, too, flows into these as well, a system intended to bring purposeful order into the world of chord (music), chords through ...
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