Hokekyō-ji (Ichikawa)
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Hokekyō-ji (Ichikawa)
is a temple of the Nichiren-shū founded during the Kamakura period in Ichikawa, Chiba Prefecture, Japan. One of Nichiren's most important writings the ''Risshō Ankoku Ron'', regarded as one of the National Treasures of Japan, is kept at the temple. Next to other documents it is being presented to the public on 3 November each year. Buildings * Shisoku-mon (Sengoku period) ( Important Cultural Property) * Hokkedō (Sengoku period) (ICP) * Five-storey pagoda (1622) (ICP) * Soshidō (1678) (ICP) Restoration of the Soshidō When the was dismantled for repairs in 1987, evidence from the fabric and forty-five wooden tablets that were found suggested that the original form had been altered in the rebuilding of 1741. It was understood that originally the building resembled the Honden-Haiden of Kibitsu Jinja and, after an inscription was founded by the master carpenter of 1678 who came from that area, the hall was remodelled on that basis. A wooden shingle roof was installed and ...
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Important Cultural Properties Of Japan
An The term is often shortened into just is an item officially classified as Tangible Cultural Property by the Japanese government's Agency for Cultural Affairs ( Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Registered Cultural Properties. Cultural Properties are classified according to their nature. It ...
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ICOMOS
The International Council on Monuments and Sites (ICOMOS; french: links=no, Conseil international des monuments et des sites) is a professional association that works for the conservation and protection of cultural heritage places around the world. Now headquartered in Charenton-le-Pont, France, ICOMOS was founded in 1965 in Warsaw as a result of the Venice Charter of 1964, and offers advice to UNESCO on World Heritage Sites. The idea behind ICOMOS dates to the Athens Conference on the restoration of historic buildings in 1931, organized by the International Museums Office. The Athens Charter of 1931 introduced the concept of international heritage. In 1964, the Second Congress of Architects and Specialists of Historic Buildings, meeting in Venice, adopted 13 resolutions. The first created the International Charter on the Conservation and Restoration of Monuments and Sites, better known as Venice Charter; the second, put forward by UNESCO, created ICOMOS to carry out this charter ...
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Japanese Sculpture
Sculpture in Japan began with the clay figure. Towards the end of the long Neolithic Jōmon period, some pottery vessels were "flame-rimmed" with extravagant extensions to the rim that can only be called sculptural, and very stylized pottery dogū figures were produced, many with the characteristic "snow-goggle" eyes. During the Kofun period of the 3rd to 6th century CE, haniwa terracotta figures of humans and animals in a simplistic style were erected outside important tombs. The arrival of Buddhism in the 6th century brought with it sophisticated traditions in sculpture, Chinese styles mediated via Korea. The 7th-century Hōryū-ji and its contents have survived more intact than any East Asian Buddhist temple of its date, with works including a ''Shaka Trinity'' of 623 in bronze, showing the historical Buddha flanked by two bodhisattvas and also the Guardian Kings of the Four Directions. Jōchō is said to be one of the greatest Buddhist sculptors not only in the Heian perio ...
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Shake (shingle)
Wood shingles are thin, tapered pieces of wood primarily used to cover roofs and walls of buildings to protect them from the weather. Historically shingles, also known as shakes, were split from straight grained, knot free ''bolts'' of wood. Today shingles are mostly made by being cut which distinguishes them from shakes, which are made by being split out of a bolt. Wooden shingle roofs were prevalent in the North American colonies (for example in the Cape-Cod-style house), while in central and southern Europe at the same time, thatch, slate and tile were the prevalent roofing materials. In rural Scandinavia, wood shingle roofs were a common roofing material until the 1950s. Wood shingles are susceptible to fire and cost more than other types of shingle so they are not as common today as in the past. Distinctive shingle patterns exist in various regions created by the size, shape, and application method. Special treatments such as swept valleys, combed ridges, decorative but ...
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Kibitsu Jinja
is a Shinto shrine in the Kibitsu neighborhood of Kita-ku, Okayama in Okayama Prefecture, Japan. It is the ''ichinomiya'' of former Bitchū Province. The main festivals of the shrine is held annually on the second Sunday of May and on October 15. Overview The Kibitsu Jinja is located in the western part of Okayama city, facing north at the northwestern foot of Mount Kibi-Nakayama (elevation 175 meters) on the border between former Bizen Province and Bitchū Province. The mountain has been worshipped as a sacred mountain from ancient times, and both the Kibitsu Jinja and Kibitsuhiko Jinja are located at its northeastern foot. Kibitsu Jinja was originally the general guardian of Kibi Province, but due to the division of Kibi Province into three provinces, it became the ''ichinomiya'' of Bitchū, and ''bunrei'' from this shrine created the ''ichinomiya'' of Bizen Province (Kibitsuhiko Jinja) and Bingo Province (Kibitsu Shrine). The Honden-Haiden, which was re-built by Ashikaga Yo ...
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Haiden (Shinto)
In Shinto shrine architecture, the is the hall of worship or oratory. It is generally placed in front of the shrine's main sanctuary ('' honden'') and often built on a larger scale than the latter. The ''haiden'' is often connected to the ''honden'' by a '' heiden'', or hall of offerings. While the ''honden'' is the place for the enshrined ''kami'' and off-limits to the general public, the ''haiden'' provides a space for ceremonies and for worshiping the ''kami''. In some cases, for example at Nara's Ōmiwa Shrine , also known as , is a Shinto shrine located in Sakurai, Nara Prefecture, Japan. The shrine is noted because it contains no sacred images or objects because it is believed to serve Mount Miwa, the mountain on which it stands. For the same re ..., the ''honden'' can be missing and be replaced by a patch of sacred ground. In that case, the ''haiden'' is the most important building of the complex. References Shinto architecture {{Shinto-stub ja:拝殿< ...
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Honden
In Shinto shrine architecture, the , also called , or sometimes as in Ise Shrine's case, is the most sacred building at a Shinto shrine, intended purely for the use of the enshrined ''kami'', usually symbolized by a mirror or sometimes by a statue.JAANUS The building is normally in the rear of the shrine and closed to the general public. In front of it usually stands the ''Haiden (Shinto), haiden'', or Public speaking, oratory. The ''haiden'' is often connected to the ''honden'' by a ''Heiden (Shinto), heiden'', or hall of offerings. Physically, the ''honden'' is the heart of the shrine complex, connected to the rest of the shrine but usually raised above it, and protected from public access by a fence called ''tamagaki''. It usually is relatively small and with a gabled roof. Its doors are usually kept closed, except at matsuri, religious festivals. Kannushi, Shinto priests themselves enter only to perform rituals. The rite of opening those doors is itself an important part of ...
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Dō (architecture)
. It is very often used in Japanese Buddhism as a suffix in the name of some of the many buildings that can be part of a Japanese temple compound. (Other endings, for example -''den'' as in ''butsuden'', exist.) The prefix can be the name of a deity associated with it (e.g. ''Yakushi-dō'', a name customarily translated as "Yakushi Hall") or express the building's function within the temple's compound (e.g. ''hon-dō'', or main hall).Hall names are capitalized only when they refer to specific examples (e.g. XX-ji's Main Hall) or include proper names of deities (e.g. Yakushi-dō). Some words ending in -''dō'' are ''Butsu-dō'', ''hō-dō'', ''hon-dō'', ''jiki-dō'', ''kaisan-dō'', ''kō-dō'', ''kon-dō'', ''kyō-dō'', ''mandara-dō'', ''miei-dō'', ''mi-dō'', ''sō-dō'', ''Yakushi-dō'' and ''zen-dō''. With some exceptions, for example the words ''hondō'', ''hokke-dō'' and ''kon-dō'', these terms do not indicate any particular structure. The suffix is used sometimes al ...
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Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ...
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Sengoku Period
The was a period in History of Japan, Japanese history of near-constant civil war and social upheaval from 1467 to 1615. The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the Feudalism, feudal system of Japan under the Ashikaga shogunate. Various samurai warlords and Japanese clans, clans fought for control over Japan in the power vacuum, while the emerged to fight against samurai rule. The Nanban trade, arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a Tributary system of China, tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea (159 ...
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