Hoisted By My Own Petard
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Hoisted By My Own Petard
"Hoist with his own petard" is a phrase from a speech in William Shakespeare's play '' Hamlet'' that has become proverbial. The phrase's meaning is that a bomb-maker is blown ("hoist") off the ground by his own bomb (a " petard" is a small explosive device), and indicates an ironic reversal, or poetic justice. Context The phrase occurs in '' Hamlet'' Act 3, Scene 4, as a part of one of Hamlet's speeches in the Closet Scene. Hamlet has been acting mad to throw off suspicion that he is aware that his uncle, Claudius, has murdered his father and married his mother, Queen Gertrude, in order to usurp the throne. In the Closet Scene, Polonius, at Claudius' behest, has hidden himself behind an arras in Gertrude's chambers to listen in as Gertrude scolds Hamlet for his mad antics, hoping to determine whether he is truly mad or merely pretending. On revealing his presence, Hamlet kills him thinking him to be Claudius. Hamlet then accuses Gertrude of complicity in his father's murd ...
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James I Of England
James VI and I (James Charles Stuart; 19 June 1566 – 27 March 1625) was King of Scotland as James VI from 24 July 1567 and King of England and King of Ireland, Ireland as James I from the Union of the Crowns, union of the Scottish and English crowns on 24 March 1603 until his death in 1625. The kingdoms of Kingdom of Scotland, Scotland and Kingdom of England, England were individual sovereign states, with their own parliaments, judiciaries, and laws, though both were ruled by James in personal union. James was the son of Mary, Queen of Scots, and a great-great-grandson of Henry VII of England, Henry VII, King of England and Lord of Ireland, and thus a potential successor to all three thrones. He succeeded to the Scottish throne at the age of thirteen months, after his mother was compelled to abdicate in his favour. Four different regents governed during his minority, which ended officially in 1578, though he did not gain full control of his government until 1583. In 1603, ...
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Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ...
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Middle French
Middle French (french: moyen français) is a historical division of the French language that covers the period from the 14th to the 16th century. It is a period of transition during which: * the French language became clearly distinguished from the other competing Oïl languages, which are sometimes subsumed within the concept of Old French () * the French language was imposed as the official language of the Kingdom of France in place of Latin and other Oïl and Occitan languages * the literary development of French prepared the vocabulary and grammar for the Classical French () spoken in the 17th and 18th centuries. It is the first version of French that is largely intelligible to Modern French speakers, contrary to Old French. History The most important change found in Middle French is the complete disappearance of the noun declension system (already underway for centuries). There is no longer a distinction between nominative and oblique forms of nouns, and plurals are indi ...
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Past Participle
In linguistics, a participle () (from Latin ' a "sharing, partaking") is a nonfinite verb form that has some of the characteristics and functions of both verbs and adjectives. More narrowly, ''participle'' has been defined as "a word derived from a verb and used as an adjective, as in a ''laughing face''". “Participle” is a traditional grammatical term from Greek and Latin that is widely used for corresponding verb forms in European languages and analogous forms in Sanskrit and Arabic grammar. Cross-linguistically, participles may have a range of functions apart from adjectival modification. In European and Indian languages, the past participle is used to form the passive voice. In English, participles are also associated with periphrastic verb forms (continuous and perfect) and are widely used in adverbial clauses. In non-Indo-European languages, ‘participle’ has been applied to forms that are alternatively regarded as converbs (see Sireniki Eskimo below), gerunds, ger ...
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Grigori Kozintsev
Grigori Mikhailovich Kozintsev (russian: link=no, Григорий Михайлович Козинцев; 11 May 1973) was a Soviet theatre and film director, screenwriter and pedagogue. He was named People's Artist of the USSR in 1964. In 1965 he was a member of the jury at the 4th Moscow International Film Festival. Two years later he was a member of the jury of the 5th Moscow International Film Festival. In 1971 he was the President of the Jury at the 7th Moscow International Film Festival. Biography Grigori Kozintsev was born in the family of a doctor, therapist and pediatrician Moisei Isaakovich Kozintsov (1859–1930) and his wife Anna Grigorievna Lurie was from a rabbinical family from Kyiv. His mother's sister was the gynecologist and scientist-physician Rose G. Lurie. The mother's brother was the dermatologist Alexander G. Lurie (1868–1954), a professor and chair of venereal skin diseases at the Kyiv Postgraduate Medical Institute (1919–1954). The parents were mar ...
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Hamlet (1964 Film)
''Hamlet'' ( rus, Гамлет, r=Gamlet) is a 1964 film adaptation in Russian of William Shakespeare's play of the same title, based on a translation by Boris Pasternak. It was directed by Grigori Kozintsev and , and stars Innokenty Smoktunovsky as Prince Hamlet. Background Grigori Kozintsev had been a founder member of the Russian avant-garde artist group the Factory of the Eccentric Actor (FEKS), whose ideas were closely related to Dadaism and Futurism. In 1923 he had been planning to perform ''Hamlet'' as a pantomime in the experimental manner of FEKS, but the plan was not put into effect, and Kozintsev's energies shifted into the cinema. However, he returned to the theatre in 1941 with a Leningrad production of ''King Lear''. Then, in 1954 Kozintsev directed a stage production of ''Hamlet'' at the Pushkin Theatre in Leningrad, using Boris Pasternak's translation; this was one of the first Soviet productions of the play in the post-Joseph Stalin era. Kozintsev also wrot ...
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