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Hogwash (album)
''Hogwash'' is a 1972 album recorded by The Groundhogs, originally released by United Artists Records in 1972, catalogue number UAG 29419. The most recent CD reissue is that of 2008 by BGO Records, catalogue number BGOCD787. Music The sound of ''Hogwash'' has been classified as progressive rock, and it draws from elements of psychedelic music, space rock and blues. Tony McPhee was one of the earliest rock guitarists to experiment with guitar controlled synthesis and Oberheim/Maestro ring modulators. On this album he used a Hagstrom guitar synthesizer, a simple controller for an ARP 2600. The Hagstrom was monophonic and had resistors soldered on at each fret to create a monophonic control voltage bus and trigger gate. This allowed the guitar sound to be doubled, (but not bent by string pulls) and also required the analog synth to hold its tuning over the entire range. The album closes with a tribute to John Lee Hooker. Track listing All tracks composed by Tony McPhee # "I L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Groundhogs
Groundhogs are an English blues and rock band founded in late 1963, that toured extensively in the 1960s, achieved prominence in the early 1970s, and continued sporadically into the 21st century. Tony McPhee (guitar and vocals) is the sole constant member of the group, which has gone through many personnel changes, but usually records and performs as a power trio. Career The band was originally formed as the Dollar Bills in New Cross, London, in 1962 by brothers Pete and John Cruickshank (born in 1943 and 1945 respectively in Calcutta, West Bengal, India). Tony McPhee (born 22 March 1944), the lead guitarist in the instrumental group the Seneschals, joined the group later that year. McPhee steered them towards the blues and renamed them after a John Lee Hooker song, "Groundhog's Blues". At John Cruickshank's suggestion, they became John Lee's Groundhogs when they backed Hooker on his 1964 UK tour. They later supplemented Little Walter, Jimmy Reed and Champion Jack Dupree when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Space Rock
Space rock is a music genre characterized by loose and lengthy song structures centered on instrumental textures that typically produce a hypnotic, otherworldly sound. It may feature distorted and reverberation-laden guitars, minimal drumming, languid vocals, synthesizers and lyrical themes of outer space and science fiction. The genre emerged in late 1960s psychedelia and progressive rock bands such as Pink Floyd, Hawkwind, and Gong who explored a "cosmic" sound. Similar sounds were pursued in the early 1970s West German ''kosmische Musik'' ("cosmic music") scene. Later, the style was taken up in the mid-1980s by Spacemen 3, whose "drone-heavy" sound was avowedly inspired by and intended to accommodate drug use. By the 1990s, space rock developed into shoegazing, stoner rock and post-rock with bands such as the Verve, Flying Saucer Attack, and Orange Goblin. History Origins: 1950s-1960s Humanity's entry into outer space provided ample subject matter for rock and roll and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Artists Records
United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1959, United Artists released ''Forest of the Amazons,'' a cantata by Brazilian composer Heitor Villa-Lobos adapted from the music he composed for MGM's ''Green Mansions'', with the composer conducting the Symphony of the Air. Brazilian soprano Bidu Sayão was the featured soloist on the unusual recording, which was released on both LP and reel-to-reel tape. United Artists releases included soundtracks and cover versions from the James Bond movies, ''It's a Mad, Mad, Mad, Mad World'' (1963), '' A Hard Day's Night'' starring the Beatles (1964), ''The Greatest Story Ever Told'' (1965), '' A Funny Thing Happened on the Way to the Forum'' (1966), '' Fiddler on the Roof'' (1971), and '' Man of La Mancha'' (1972). The soundtrack album of United Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony McPhee
Anthony Charles McPhee (born 23 March 1944) is an English guitarist, and founder of the blues rock band Groundhogs. An early version of this band backed Champion Jack Dupree and John Lee Hooker on UK concerts in the mid-1960s. He is often credited as 'Tony (T.S.) McPhee'. He was given this name by the producer Mike Vernon who suggested adding 'T.S.' to his name when McPhee released a duet single with Champion Jack Dupree in 1966 called "Get Your Head Happy!," in order to make it look more like an official blues name. It stands for Tough Shit. The Groundhogs evolved into a blues-rock trio that produced three UK Top 10 hits in the UK Albums Chart in the early 1970s. Although they have continued to play in various line-ups to the present day, McPhee officially retired from the band in 2015. Solo album ''The Two Sides of Tony (T.S.) McPhee'' was released in 1973. Side A of this record is blues rock and Side B is a single psychedelic art rock electronic composition in four movemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Will Save The World?
''Who Will Save the World? The Mighty Groundhogs'' is a 1972 album recorded by The Groundhogs, originally released by United Artists Records in 1972, catalogue number UAS-5570. The most recent CD reissue is that of 2003 by EMI Records, catalogue number 07243-584815-2-5. The sleeve artwork takes the form of a comic book featuring the Groundhogs depicted as superheroes, drawn by comic book artist Neal Adams. In the story they fight the personified evils of Over-Population, Pollution, War, "Pig Business" and "Sacred Cow" (Religion), and the Junkie Monkey. Each of the band members takes on a different evil thwarting them to begin with only to have them spin off and wreak havoc on another portion of the globe. The lyrics of each song deal with these themes and despite the comic-book nature of the cover, the lyrics are quite serious being politically and socially motivated. This was the first Groundhogs album to venture beyond the guitar, bass, drums instrumentation with McPhee utilisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solid (Groundhogs Album)
''Solid'' is a 1974 album recorded by the Groundhogs, originally released by WWA Records. It was arranged, composed, engineered and produced by band member Tony McPhee. It entered the UK album charts in July 1974 reaching number 31 but remained in the charts for only one week. Track listing All tracks composed by Tony McPhee # "Light My Light" - 6:23 # "Free from All Alarm" - 5:14 # "Sins of the Father" - 5:29 # "Sad Go Round" - 2:55 # "Corn Cob" - 5:36 # "Plea Sing, Plea Song" - 3:00 # "Snow Storm" - 3:28 # "Joker's Grave" - 8:41 Personnel ;The Groundhogs *Tony McPhee – guitars, vocals *Peter Cruikshank – bass *Ken Pustelnik, Clive Brooks – drums ;Technical *Martin Birch - engineer *Gered Mankowitz - photography Reception *Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clive Brooks
Clive Colin Brooks (28 December 1949 – 5 May 2017) was a drummer, best known for his work in the English progressive rock band Egg. Biography Uriel/Egg Clive Colin Brooks was born in Bow, East London. Answering a ''Melody Maker'' ad in early 1968, he joined Uriel, a blues-rock group formed by City of London School pupils Dave Stewart (keyboards), Mont Campbell (bass and lead vocals) and Steve Hillage (guitar and vocals). (The band re-grouped later under the name Arzachel and released one album in 1969.) With Hillage's departure in mid-1968, the remaining three continued as a trio and became Egg in January 1969. The band signed with Decca and released two albums on the label, splitting up in July 1972 (although they came back together to record a final album, ''The Civil Surface'' in 1974). Egg's members first played together in Uriel, a Hendrix / Cream / blues / psychedelic group formed by school friends Steve Hillage (guitar), Mont Campbell and Dave Stewart. The line-up was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
