History Of The Punk Subculture
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History Of The Punk Subculture
The history of the punk subculture involves the history of punk rock, the history of various punk ideologies, punk fashion, punk visual art, punk literature, dance, and punk film. Since emerging in the United States, the United Kingdom and Australia in the mid-1970s, the punk subculture has spread around the globe and evolved into a number of different forms. The history of punk plays an important part in the history of subcultures in the 20th century. Antecedents and influences Several precursors to the punk subculture had varying degrees of influence on that culture. Art and philosophy A number of philosophical and artistic movements were influences on and precursors to the punk movement. The most overt is anarchism, especially its artistic inceptions. The cultural critique and strategies for revolutionary action offered by the Situationist International in the 1950s and 1960s were an influence on the vanguard of the British punk movement, particularly the Sex Pistol ...
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Jamie Reid
Jamie Reid (born 16 January 1947 in London, United Kingdom) is an English artist and anarchist. Career His work, featuring letters cut from newspaper headlines in the style of a ransom note, came close to defining the image of punk rock, particularly in the UK. His best known works include the Sex Pistols album ''Never Mind the Bollocks, Here's the Sex Pistols'' and the singles "Anarchy in the UK", "God Save The Queen" (based on a Cecil Beaton photograph of Queen Elizabeth II, with an added safety pin through her nose and swastikas in her eyes, described by Sean O'Hagan of ''The Observer'' as "the single most iconic image of the punk era"),Heard, Chris (2004)Art and style of punk's shocking past, BBC, 7 October 2004. Retrieved 2 February 2010O'Hagan, Sean (2007)Art anarchy in the UK, ''The Observer'', 3 June 2007. Retrieved 2 February 2010Donald, Ann (1998) "The angry revolt into style; Punk's explosion still reverberates in the world of graphic design. Ann Donald catches the ...
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Richard Hell
Richard Lester Meyers (born October 2, 1949), better known by his stage name Richard Hell, is an American singer, songwriter, bass guitarist and writer. Hell was in several important early punk rock bands, including Neon Boys, Television and The Heartbreakers, after which he formed Richard Hell & the Voidoids. Their 1977 album '' Blank Generation'' influenced many other punk bands. Its title track was named "One of the 500 Songs That Shaped Rock" by music writers in the Rock and Roll Hall of Fame listing and is ranked as one of the all-time Top 10 punk songs by a 2006 poll of original British punk figures, as reported in the ''Rough Guide to Punk''. Since the late 1980s, Hell has devoted himself primarily to writing, publishing two novels and several other books. He was the film critic for ''BlackBook'' magazine from 2004 to 2006. Biography Early life and career Richard Lester Meyers was born in Lexington, Kentucky in 1949. His father, a secular Jew, was an experimental psy ...
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Arthur Rimbaud
Jean Nicolas Arthur Rimbaud (, ; 20 October 1854 – 10 November 1891) was a French poet known for his transgressive and surreal themes and for his influence on modern literature and arts, prefiguring surrealism. Born in Charleville, he started writing at a very young age and excelled as a student, but abandoned his formal education in his teenage years to run away to Paris amidst the Franco-Prussian War. During his late adolescence and early adulthood, he produced the bulk of his literary output. Rimbaud completely stopped writing literature at age 20 after assembling his last major work, ''Illuminations''. Rimbaud was a libertine and a restless soul, having engaged in a hectic, sometimes violent romantic relationship with fellow poet Paul Verlaine, which lasted nearly two years. After his retirement as a writer, he traveled extensively on three continents as a merchant and explorer until his death from cancer just after his thirty-seventh birthday. As a poet, Rimbaud is wel ...
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Postmodernism
Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticism toward the "meta-narrative, grand narratives" of modernism, opposition to epistemological, epistemic certainty or stability of meaning (semiotics), meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the instrumental conditionality, conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-reference, self-referentiality, epistemological relativism, moral relativism, pluralism (philosophy), pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity (philosophy), identity, hierar ...
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The Factory
The Factory was Andy Warhol's studio in New York City, which had four locations between 1963 and 1987. The Factory became famed for its parties in the 1960s. It was the hip hangout spot for artists, musicians, celebrities and Warhol's superstars. The original Factory was often referred to as the Silver Factory. In the studio, Warhol's workers would make silkscreens and lithographs under his direction. History Due to the mess his work was causing at home, Warhol wanted to find a studio where he could paint. A friend of his found an old unoccupied firehouse on East 87th Street where Warhol began working in January 1963. No one was eager to go there, so the rent was $150 a month. A few months later, Warhol was informed that the building would have to be vacated soon, and in November he found another loft on the fifth floor at 231 East 47th Street in Midtown Manhattan, which would become the first Factory. In 1963, artist Ray Johnson took Warhol to a "haircutting party" at Bi ...
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Andy Warhol
Andy Warhol (; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings '' Campbell's Soup Cans'' (1962) and ''Marilyn Diptych'' (1962), the experimental films ''Empire'' (1964) and ''Chelsea Girls'' (1966), and the multimedia events known as the '' Exploding Plastic Inevitable'' (1966–67). Born and raised in Pittsburgh, Warhol initially pursued a successful career as a commercial illustrator. After exhibiting his work in several galleries in the late 1950s, he began to receive recognition as an influential and controversial artist. His New York studio, ...
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Minimalism
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, an ...
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Futurism (art)
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of thei ...
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Fine Art
In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. Historically, the five main fine arts were painting, sculpture, architecture, music, and poetry, with p ...
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Dadaism
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artist Richard Huelsenbeck slid a paper knife (letter-opener) at ...
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