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History Of Tango
Tango, a distinctive tango dance and the corresponding musical style of tango music, began in the working-class port neighborhoods of Buenos Aires (Argentina) and Montevideo (Uruguay); on both sides of the Rio de la Plata. Etymology There are numbers of theories about the origin of the word "tango". One of the more popular in recent years has been that it came from the Niger–Congo languages of Africa. Another theory is that the word "tango", already in common use in Andalusia to describe a style of music, lent its name to a completely different style of music in Argentina and Uruguay. Origin The Tango derives from the Cuban habanera, the Argentine milonga and Uruguayan candombe, and is said to contain elements from the African community in Buenos Aires, influenced both by ancient African rhythms and the music from Europe. These African rhythms are thought to come from the candombe, which was characterized by energetic, "jerky" movements. Conversely, the milonga was a fusi ...
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Immigrant
Immigration is the international movement of people to a destination country of which they are not natives or where they do not possess citizenship in order to settle as permanent residents or naturalized citizens. Commuters, tourists, and other short-term stays in a destination country do not fall under the definition of immigration or migration; seasonal labour immigration is sometimes included, however. As for economic effects, research suggests that migration is beneficial both to the receiving and sending countries. Research, with few exceptions, finds that immigration on average has positive economic effects on the native population, but is mixed as to whether low-skilled immigration adversely affects low-skilled natives. Studies show that the elimination of barriers to migration would have profound effects on world GDP, with estimates of gains ranging between 67 and 147 percent for the scenarios in which 37 to 53 percent of the developing countries' workers migr ...
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Gerardo Matos Rodríguez
Gerardo Hernán Matos Rodríguez (March 28, 1897 – April 25, 1948), also known as Becho, was a Uruguayan musician, composer and journalist. Becho was not attributed to this Uruguayan musician. The term Becho is given to another Uruguayan violinist. A song is written about him and sung by Alfredo Zitarrosa: Carlos Julio Eizmendi Uruguayan Violinist. Background and early career Gerardo Hernán Matos Rodríguez was born in Montevideo, the son of the owner of the ''Moulin Rouge'', a popular local cabaret. He studied architecture, but did not complete the course. He began composing as a young student in 1917, and his first known work was " La Cumparsita", which he wrote on the piano of the Federación de Estudiantes of Urugua. It became one of the most recognizable tango pieces, though Matos was initially too shy to play the piece himself and it became well known through the performance of others. He travelled widely throughout Europe and stayed in Paris for a time, as well as worki ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Roberto Firpo
Roberto Firpo (May 10, 1884June 14, 1969) was an Argentine tango pianist, composer, and leader. Firpo was among the first innovators of the classic tango music genre. He was the establisher of the piano in the tango orchestra. Firpo was born in the Flores district of Buenos Aires, where his father owned a grocery store. Firpo left school at 15 to work with his father and then several other companies, he eventually saved 200 Pesos (around US$100, at the time) to buy his first piano. Around 1903 he began to have lessons with one of the greats of the period, Alfredo Bevilacqua. In 1907 he began composing and performing. In 1913, at the age of 29, he formed his first orchestra that played the hits "Argañaraz", "Sentimiento criollo", "De pura cepa", and "Marejada" that year. In 1914 classic tango "Alma de bohemio" materialized and presented; one of his most admired work until today. During his career Firpo played in most of the famous Buenos Aires tango venues such as the Arm ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensi ...
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Samba (ballroom)
The international ballroom version of samba is a lively, rhythmical dance with elements from Brazilian samba. It differs considerably from the original samba styles of Brazil; in particular, it differs from Samba de Gafieira, a partner type of Samba in that country. Technique As a ballroom dance, the samba is a partner dance. Ballroom samba, even more than other ballroom dances, is very disconnected from the origins and evolution of the music and dance that gives it its name. Most steps are danced with a slight downward bouncing or dropping action. This action is created through the bending and straightening of the knees, with bending occurring on the beats of 1 and 2, and the straightening occurring between. However, unlike the bouncing of, e.g., Polka, there is no considerable bobbing. Also, Samba has a specific hip action, different from that in other ballroom Latin dances (Rumba and Cha-Cha-Cha). The ballroom samba is danced to music in or time. It uses several differ ...
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Foxtrot (dance)
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blue ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750 ...
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Bandoneon
The bandoneon (or bandonion, es, bandoneón) is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, the bandoneon is held between the hands, and by pulling and pushing actions force air through bellows and then routing air through particular reeds as by pressing the instrument's buttons. Bandoneons have a different sound from accordions, because bandoneons do not usually have the register switches that are common on accordions. Nevertheless, the tone of the bandoneon can be changed a great deal using varied bellows pressure and overblowing, thus creating potential for expressive playing and diverse timbres. History The Bandonion, so named by the German instrument dealer Heinrich Band (1821–1860), was originally intended as an instrument for religious and popular music of the day, in contrast to its predecessor, German concertina (), which had predominantly ...
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