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Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle '' Das Marienleben'' (1923), '' Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio '' When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kammermusik (Hindemith)
(''Chamber Music'') is the title for eight chamber music compositions by Paul Hindemith. He wrote them, each in several movements, during the 1920s. They are grouped in three opus numbers: Op. 24, Op. 36 and Op. 46. Six of these works, ''Kammermusik'' Nos. 2–7, are not what is normally considered chamber music – music for a few players with equally important parts such as a wind quintet – but rather concertos for a soloist and chamber orchestra. They are concertos for piano, cello, violin, viola, viola d'amore and organ. The works, for different ensembles, were premiered at different locations and times. The composer was the soloist in the premiere of the viola concertos, while his brother Rudolf Hindemith was the soloist in the premiere of the cello concerto. is reminiscent of Bach's ''Brandenburg Concertos'', also concertos for different solo and orchestra instruments, and in a neo-Bachian spirit of structure, polyphony and stability of motion. Backgroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amar Quartet
The Amar Quartet, also known as the Amar-Hindemith Quartet, was a musical ensemble founded by the composer Paul Hindemith in 1921 in Germany and was active in both classical and modern repertoire until disbanding in 1933. It made several recordings and many broadcasts. Personnel First violin * Licco Amar (1921–1933) Second violin * Walter Caspar (1921–1933) Viola * Paul Hindemith (1921–1929) * Erich Kraack (1929–1933) Cello * Rudolf Hindemith (1921) * Maurits Frank (1922–1924) * Rudolf Hindemith (1924–1927) * Maurits Frank (1927–1933) Origins From c. 1914 Paul Hindemith, a graduate of Hoch Conservatory at Frankfurt am Main, had taken the second violin desk in the Rebner Quartet of Frankfurt, led by his violin teacher Adolf Rebner. He continued to play in quartets during the war while in military service, and after the war took up the viola and asked to be moved to that desk. He had written string quartets in 1915 (op 2) and 1918 (op 10), and in 1920 p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When Lilacs Last In The Dooryard Bloom'd (Hindemith)
''When Lilacs Last in the Dooryard Bloom'd: A Requiem for those we love'' (An American Requiem) is a 1946 oratorio by composer Paul Hindemith, based on the poem of the same name by Walt Whitman. It is the first musical work to include the entirety of Whitman's 1865 poem. Conductor Robert Shaw and the Robert Shaw Chorale commissioned the work after the 1945 death of President Franklin D. Roosevelt. It received its world premiere on May 14, 1946, at New York City Center, with the Collegiate Chorale conducted by Shaw and soloists Mona Paulee, contralto, and George Burnson, baritone. Paulee performed the work again with bass-baritone Chester Watson and the CBS Symphony Orchestra for the work's first recorded broadcast on CBS Radio on June 30, 1946. David Neumeyer and others regard the ''Lilacs'' Requiem as Hindemith's "only profoundly American work." Paul Hume said, "I doubt if we shall ever mourn Abraham Lincoln's untimely death more eloquently than in the words of Walt Whitman se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Metamorphosis Of Themes By Carl Maria Von Weber
''Symphonic Metamorphosis of Themes by Carl Maria von Weber'' is an orchestral work written by German composer Paul Hindemith in America in 1943. History The idea of composing a work based on Carl Maria von Weber's music was first put to Hindemith in 1940 by the choreographer and dancer Léonide Massine, who suggested that he should arrange music by Weber for a ballet. When Hindemith made a piano arrangement in March 1940 of the two pieces that would become movements 1 and 3 of the ''Metamorphosis'' (which in a letter of April 12, 1940 he described as "lightly coloured and made a bit sharper"), Massine expressed a preference for more strict arrangements of Weber. This was one reason the project fell through. After studying Weber's music, Hindemith watched one of Massine's ballets and disliked it, and so wrote the ''Symphonic Metamorphosis'' instead. The Andantino and Marsch were completed on June 8 and June 13, 1943, respectively, and the manuscript of the complete orchestr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Paul Hindemith
This is a list of the works of the German composer Paul Hindemith (1895–1963). Operas Oratorio *''Das Unaufhörliche'' (1931) *'' When Lilacs Last in the Dooryard Bloom'd: (A Requiem for those we love)'', for mezzo-soprano and baritone soloists, chorus, and orchestra, based on the poem by Walt Whitman (1946) Ballets *''Der Dämon'', Op. 28 (1922) *'' Triadisches Ballett'', with Oskar Schlemmer (1923) *'' Nobilissima Visione'', with Léonide Massine (1938) *'' The Four Temperaments'' (scored for piano and strings) (1940) *'' Hérodiade'' (1944) Orchestral Concertante Vocal *Lustige Lieder in Aargauer Mundart (Merry Songs in the Aargau Dialect), Op. 5, for high voice and piano (1914–16) *Drei Gesänge, Op. 9, for soprano and large orchestra (1917) *Melancholie, Op. 13, 4 lieder for mezzo-soprano and string quartet, based on poems by Christian Morgenstern (1919) *Hymns by Walt Whitman (3), for baritone and piano, Op. 14 (1919) *Acht Gesänge, Op. 18, for soprano voic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathis Der Maler (opera)
''Mathis der Maler'' (''Matthias the Painter'' is an opera by Paul Hindemith. The work's protagonist, Matthias Grünewald, was a historical figure who flourished during the Reformation, and whose art, in particular the Isenheim Altarpiece, inspired many creative figures in the early 20th century. Hindemith completed the opera, writing his own libretto, in 1935. By that time, however, the rise of Nazism prevented Hindemith from securing a performance in Germany. The story, set during the German Peasants' War (1524-25), concerns Matthias's struggle for artistic freedom of expression in the repressive climate of his day, which mirrored Hindemith's own struggle as the Nazis attained power and repressed dissent. The opera's obvious political message did not escape the regime. Performance history The opera was first performed at the Opernhaus Zürich on 28 May 1938, conducted by Robert Denzler. On 14 October 1956, a rebuilt Schauspiel Köln in Cologne opened with a gala performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When Lilacs Last In The Dooryard Bloom'd
"When Lilacs Last in the Dooryard Bloom'd" is a long poem written by American poet Walt Whitman (1819–1892) as an elegy to President Abraham Lincoln. It was written in the summer of 1865 during a period of profound national mourning in the aftermath of the president's assassination on 14 April of that year. The poem, written in free verse in 206 lines, uses many of the literary techniques associated with the pastoral elegy. Despite being an expression to the fallen president, Whitman neither mentions Lincoln by name nor discusses the circumstances of his death in the poem. Instead, he uses a series of rural and natural imagery including the symbols of the lilacs, a drooping star in the western sky (Venus), and the hermit thrush, and he employs the traditional progression of the pastoral elegy in moving from grief toward an acceptance and knowledge of death. The poem also addresses the pity of war through imagery vaguely referencing the American Civil War (1861–1865), which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Marienleben
' (''The Life of Mary'') is a song cycle by German composer Paul Hindemith. The cycle, written for piano and soprano, sets to music a collection of 15 poems by Rainer Maria Rilke that tells the story of the life of Mary. Thirteen years after its 1923 premiere in Frankfurt, Hindemith began extensively revising and reworking the piece, eventually producing a second version which premiered in Hanover in 1948. Hindemith also orchestrated six of the songs: four in 1938 and two more in 1948. Structure The work consists of fifteen movements: # ''Geburt Mariä'' (Birth of Mary) # ''Die Darstellung'' ( The Presentation) # ''Mariä Verkündigung'' ( Annunciation to Mary) # ''Mariä Heimsuchung'' (Visitation of Mary) # ''Argwohn Josephs'' (Joseph's Suspicion) # ''Verkündigung über den Hirten'' ( Annunciation to the shepherds) # ''Geburt Christi'' ( Birth of Christ) # ''Rast auf der Flucht in Ägypten'' (Rest on the Flight into Egypt) # ''Von der Hochzeit'' (Of the wedding) # ''Vor de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family (violin, cello, double bass) *List of violists , articles= , sound sample = The viola ( , also , ) is a string instrument that is bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Schwanendreher
Paul Hindemith's ''Der Schwanendreher'' (literally, "The Swan Turner") is a concerto for viola and orchestra. ''Der Schwanendreher'' occupies a place at the core of the viola concerto repertoire, along with the concertos by Walton and Bartók. It was composed in 1935 and premiered by the composer himself at a performance in Amsterdam on 14 November 1935. Each movement is based on a separate medieval German folk song, thus, it is sometimes referred to as the "Concerto from Old Folk Songs". This composition draws its title from the final movement's folk song base, "Aren't you the swan turner?" The orchestra calls for 2 flutes (one doubling on piccolo), oboe, 2 clarinets, 2 bassoons, 3 horns, trumpet, trombone, timpani, harp, and a string section of 4 cellos and 3 double basses. This orchestration is interesting due to its lack of violins and violas which benefits the composition by making it easier for the solo viola to be heard. The movements are: #"Zwischen Berg und tiefem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoch Conservatory
Dr. Hoch's Konservatorium – Musikakademie was founded in Frankfurt am Main on 22 September 1878. Through the generosity of Frankfurter Joseph Hoch, who bequeathed the Conservatory one million German gold marks in his testament, a school for music and the arts was established for all age groups. Instrumental to the foundation, prosperity and success of the conservatory was its director Joachim Raff who did most of the work including setting the entire curriculum and hiring all its faculty. It has played an important role in the history of music in Frankfurt. Clara Schumann taught piano, as one of distinguished teachers in the late 19th century, gaining international renown for the conservatory. In the 1890s, about 25% of the students came from other countries: 46 were from England and 23 from the United States. In the 1920s, under director Bernhard Sekles, the conservatory was far ahead of its time: Sekles initiated the world's first Jazz Studies (directed by Mátyás Sei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donaueschingen Festival
The Donaueschingen Festival (german: Donaueschinger Musiktage, links=no) is a festival for new music that takes place every October in the small town of Donaueschingen in south-western Germany. Founded in 1921, it is considered the oldest festival for contemporary classical music in the world, and among the best-known and most prestigious. History In 1913, the ''Donaueschingen Society of Friends of Music'' was founded under the auspices of the House of Fürstenberg. The idea soon arose to establish a small festival for presenting young and promising artists. A committee of distinguished musicians, among them Ferruccio Busoni, Joseph Haas, Hans Pfitzner, Arthur Nikisch and Richard Strauss, met in 1921 to discuss possible formats for the event. The first concert was presented just a few months later. On 31 July 1921 the ''Donaueschingen Chamber Music Performances for the advancement of contemporary music'' (''Donaueschinger Kammermusikaufführungen zur Förderung zeitgenössischer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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