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Hill–Stead Museum
Hill–Stead Museum is a Colonial Revival house and art museum set on a large estate at 35 Mountain Road in Farmington, Connecticut. It is best known for its French Impressionist masterpieces, architecture, and stately grounds. The property was designated a National Historic Landmark as a nationally significant example of Colonial Revival architecture, built in 1901 to designs that were the result of a unique collaboration between Theodate Pope Riddle, one of the United States' first female architects, and the renowned firm of McKim, Mead & White. The house was built for Riddle's father, Alfred Atmore Pope, and the art collection it houses was collected by Pope and Riddle. House and museum Hill–Stead was created on as a country estate for wealthy industrialist Alfred Atmore Pope, to the designs of his daughter Theodate Pope Riddle. Egerton Swartwout of the renowned architectural firm McKim, Mead, and White translated her design into a working site plan, and construction too ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farmington, Connecticut
Farmington is a town in Hartford County in the Farmington Valley area of central Connecticut in the United States. The population was 26,712 at the 2020 census. It sits 10 miles west of Hartford at the hub of major I-84 interchanges, 20 miles south of Bradley International Airport and two hours by car from New York City and Boston. It is home to the world headquarters of several large corporations including Otis Elevator Company and Carvel. The northwestern section of Farmington is a suburban neighborhood called Unionville. History Eighteenth and nineteenth centuries Farmington was originally inhabited by the Tunxis Indian tribe. In 1640, a community of English immigrants was established by residents of Hartford, making Farmington the oldest inland settlement west of the Connecticut River and the twelfth oldest community in the state. Settlers found the area ideal because of its rich soil, location along the floodplain of the Farmington River, and valley geography. The tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrix Farrand
Beatrix Cadwalader Farrand (née Jones; June 19, 1872 – February 28, 1959) was an American landscape gardener and landscape architect. Her career included commissions to design about 110 gardens for private residences, estates and country homes, public parks, botanic gardens, college campuses, and the White House. Only a few of her major works survive: Dumbarton Oaks in Washington, D.C., the Abby Aldrich Rockefeller Garden on Mount Desert, Maine, the restored Farm House Garden in Bar Harbor, the Peggy Rockefeller Rose Garden at the New York Botanical Garden (constructed after Farrand's death, using her original plans, and opened in 1988), and elements of the campuses of Princeton, Yale, and Occidental.Parke, Margaret. "A portrait of Beatrix Farrand", ''American Horticulturist'', April 1985, pp. 10–13. Farrand was one of the founding eleven members, and the only woman, of the American Society of Landscape Architects. Beatrix Farrand is one of the most accomplished persons, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Gardener
Landscape architecture is the design of outdoor areas, landmarks, and structures to achieve environmental, social-behavioural, or aesthetic outcomes. It involves the systematic design and general engineering of various structures for construction and human use, investigation of existing social, ecological, and soil conditions and processes in the landscape, and the design of other interventions that will produce desired outcomes. The scope of the profession is broad and can be subdivided into several sub-categories including professional or licensed landscape architects who are regulated by governmental agencies and possess the expertise to design a wide range of structures and landforms for human use; landscape design which is not a licensed profession; site planning; stormwater management; erosion control; environmental restoration; parks, recreation and urban planning; visual resource management; green infrastructure planning and provision; and private estate and residence l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ha-ha
A ha-ha (french: hâ-hâ or ), also known as a sunk fence, blind fence, ditch and fence, deer wall, or foss, is a recessed landscape design element that creates a vertical barrier (particularly on one side) while preserving an uninterrupted view of the landscape beyond from the other side. The design can include a turfed incline that slopes downward to a sharply vertical face (typically a masonry retaining wall). Ha-has are used in landscape design to prevent access to a garden by, for example, grazing livestock, without obstructing views. In security design, the element is used to deter vehicular access to a site while minimizing visual obstruction. The name "ha-ha" is thought to have stemmed from the reaction of the son of Louis XIV of France whose governess prevented him from approaching the drop for fear of injury. When he approached, he said "Ha Ha, this is what I'm supposed to be afraid of?" and since then more people started referring to "saut de loup" as "Ha Ha"; alter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warren H
A warren is a network of wild rodent or lagomorph, typically rabbit burrows. Domestic warrens are artificial, enclosed establishment of animal husbandry dedicated to the raising of rabbits for meat and fur. The term evolved from the medieval Anglo-Norman concept of free warren, which had been, essentially, the equivalent of a hunting license for a given woodland. Architecture of the domestic warren The cunicularia of the monasteries may have more closely resembled hutches or pens, than the open enclosures with specialized structures which the domestic warren eventually became. Such an enclosure or ''close'' was called a ''cony-garth'', or sometimes ''conegar'', ''coneygree'' or "bury" (from "burrow"). Moat and pale To keep the rabbits from escaping, domestic warrens were usually provided with a fairly substantive moat, or ditch filled with water. Rabbits generally do not swim and avoid water. A ''pale'', or fence, was provided to exclude predators. Pillow mounds The most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Architect
A landscape architect is a person who is educated in the field of landscape architecture. The practice of landscape architecture includes: site analysis, site inventory, site planning, land planning, planting design, grading, storm water management, sustainable design, construction specification, and ensuring that all plans meet the current building codes and local and federal ordinances. The practice of landscape architecture dates to some of the earliest of human cultures and just as much as the practice of medicine has been inimical to the species and ubiquitous worldwide for several millennia. However, this article examines the modern profession and educational discipline of those practicing the design of landscape architecture. In the 1700s, Humphry Repton described his occupation as "landscape gardener" on business cards he had prepared to represent him in work that now would be described as that of a landscape architect. The title, "landscape architect", was first used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gertrude Käsebier
Gertrude Käsebier (née Stanton; May 18, 1852 – October 12, 1934) was an American photographer. She was known for her images of motherhood, her portraits of Native Americans, and her promotion of photography as a career for women. Biography Early life (1852–1873) Käsebier was born Gertrude Stanton on May 18, 1852 in Fort Des Moines (now Des Moines, Iowa). Her mother was Muncy Boone Stanton. and her father was John W. Stanton. He transported a saw mill to Golden, Colorado at the start of the Pike's Peak Gold Rush of 1859, and he prospered from the building boom that followed. In 1860, eight-year-old Stanton traveled with her mother and younger brother to join her father in Colorado. That same year, her father was elected the first mayor of Golden, which was then the capital of the Colorado Territory. Her father died suddenly in 1864 and afterward the family moved to Brooklyn, New York, where her mother, Muncy Boone Stanton, opened a boarding house to support the family. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine-Louis Barye
Antoine-Louis Barye (24 September 179525 June 1875) was a Romantic French sculptor most famous for his work as an ''animalier'', a sculptor of animals. His son and student was the known sculptor Alfred Barye. Biography Born in Paris, France, Barye began his career as a goldsmith, like many sculptors of the Romantic Period. He first worked under his father Pierre, and around 1810 worked under the sculptor Martin-Guillaume Biennais, who was a goldsmith to Napoleon. After studying under sculptor Francois-Joseph Bosio in 1816, and painter Baron Antoine-Jean Gros, he was in 1818 admitted to the École des Beaux-Arts. But it was not until 1823, while working for the goldsmith Emile Fauconnier that he discovered his true predilection from watching the animals in the Jardin des Plantes, making vigorous studies of them in pencil drawings comparable to those of Delacroix, then modeling them in sculpture on a large or small scale. In 1819 while he was studying at the École des Beaux- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitagawa Utamaro
Kitagawa Utamaro ( ja, 喜多川 歌麿; – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his ''bijin ōkubi-e'' "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects. Little is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few ukiyo-e artists to achieve fame throughout Japan in his lifetime. In 1804 he was arrested and manacled for fifty days for making illegal prints depicting the 16th-century military ruler Toyotomi Hideyoshi, and died two years later. Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series ''The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series ''One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsushika Hokusai
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock print series '' Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Awa_Naruto_no_fuukei.jpg "Click for more on -> Utagawa Hiroshige")
