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Hieronymus Albrecht Hass
Hieronymus Albrecht Hass (variants Haas, Hasse, Hase, Hasch) (1 December 1689 – 19 June 1752) (dates of baptism and burial) was a German harpsichord and clavichord maker. He was the father of Johann Adolph Hass, who also made harpsichords and clavichords. Life He received Hamburg citizenship on 2 October 1711, and was born and died there. In 1713 he was described as ''Instrumentenmacher'' and ''Clavirmacher'' on his son's birth certificate. The latest known instruments by him are two unfretted clavichords, dated 1744; a ''Clavicimbel'' for Duke Friedrich Carl von Plön was delivered the same year. The first recorded reference to his family was in 1758, when Adlung described 'Hasse in Hamburg' as the maker of a ''cembal d'amour''. Later, in 1773, English music historian Charles Burney noted 'Hasse, father and son, both dead' as German organ builders, and that 'their Flügel and Claviere are much sought after'. Instruments Of the Hass family instruments, Frank Hubbard wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trevor Pinnock
Trevor David Pinnock (born 16 December 1946 in Canterbury, England) is a British harpsichordist and conductor. He is best known for his association with the period-performance orchestra The English Concert, which he helped found and directed from the keyboard for over 30 years in baroque and classical music. He is a former artistic director of Canada's National Arts Centre Orchestra and founded The Classical Band in New York. Since his resignation from The English Concert in 2003, Pinnock has continued his career as a conductor, appearing with major orchestras and opera companies around the world. He has also performed and recorded as a harpsichordist in solo and chamber music and conducted and otherwise trained student groups at conservatoires. Trevor Pinnock won a Gramophone Award for his recording of Bach's ''Brandenburg Concertos'' with the European Brandenburg Ensemble, an occasional orchestra formed to mark his 60th birthday. Biography and career Early life Trevor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Hamburg
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord Makers
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Musical Instrument Makers
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Russell (organologist)
Raymond Anthony Russell, , (27 May 192217 March 1964) was a British organologist and antiquarian. He was an expert on early keyboard instruments, and assembled an important collection which now forms the Raymond Russell Collection of Early Keyboard Instruments of the University of Edinburgh. Life Russell was born in London on 27 May 1922, the son of Gilbert Russell and his wife Maud, ''née'' Nelke. His father was from an aristocratic family related to the Dukes of Bedford, his mother a noted patron of the arts. The family was rich; from 1934 they lived at Mottisfont Abbey in Hampshire. In the Second World War Russell initially applied for registration as a conscientious objector, and was formally exempted from combatant service, but changed his mind. He enlisted in the Royal Fusiliers, where he reached the rank of captain. He had already begun collecting keyboard instruments in 1939, before hostilities began. Over the next twenty years he assembled a considerable c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Champêtre
''Concert champêtre'' (, ''Pastoral Concerto''), FP 49, is a harpsichord concerto by Francis Poulenc, which also exists in a version for piano solo with very slight changes in the solo part. It was written in 1927–28 for the harpsichordist Wanda Landowska who said she "adored" playing it as it made her "insouciant and gay!" Landowska was responsible for the composition of several other new pieces of music for the instrument, notably Manuel de Falla's harpsichord concerto and his ''El retablo de Maese Pedro'' (at the premiere of which, at the salon of Winnaretta Singer, Poulenc and Landowska met for the first time). After a private performance in which Poulenc played the orchestral parts on the piano, the piece's public premiere was on May 3, 1929 at the Salle Pleyel in Paris, with Landowska playing the solo part and the Orchestre Symphonique de Paris conducted by Pierre Monteux. The work is scored for an orchestra of two flutes, piccolo, two oboes, cor anglais, two clar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite ''Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (Poulenc), Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the ''Gloria (Poulenc), Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Goble
Robert Goble (1903–1991) was an English harpsichord builder. The son of Harriet and John Goble, a wheelwright, he grew up in Thursley, Surrey. He first encountered pioneering early-instrument-maker Arnold Dolmetsch and his family in the autumn of 1917, when they took refuge from London air raids by renting a small house in Thursley before settling in nearby Jesses, Haslemere. He was later taken on by Dolmetsch as an assistant. In 1928, a music scholarship from Dolmetsch went to Elizabeth Brown, of Liverpool, who was to become Goble's wife in 1930; he survived her by 10 years. She was primarily a keyboard player; she later became a player of the bass viol. In the late 1930s he set up independently, making recorders and furniture. He also made a harpsichord for his wife, using a plucking mechanism that he had invented and was to patent; though it was not practical in the long run and he did not take it further. He had two sons: Andrea, born in 1931, followed his father into the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavichord
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard. Etymology The name is derived from the Latin word ''clavis'', meaning "key" (associated with more common ''clavus'', meaning "nail, rod, etc.") and ''chorda'' (from Greek χορδή) meaning "string, especially of a musical instrument". An analogous name is used in other European languages (It. ''clavicordio'', ''clavicordo''; Fr. ''clavicorde''; Germ. ''Klavichord''; Lat. ''clavicordium''; Port. ''clavicórdio''; Sp. ''clavicordio''). Many languages also have another name derived from Latin ''manus'', meaning "hand" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafael Puyana
Rafael Antonio Lázaro Puyana Michelsen (14 October 19311 March 2013) was a Colombian harpsichordist. Puyana was born in Bogotá in 1931, and began piano lessons at age 6 with his aunt and at age 13 made his debut at the Teatro Colón in Bogotá. When he was 16, he went to Boston to continue his piano studies at the New England Conservatory. He subsequently studied harpsichord with Wanda Landowska and musical composition with Nadia Boulanger in Paris. Puyana made his harpsichord début in New York in 1957. In 1961, he débuted in Boston in the Peabody Mason Concert series. One reviewer was so impressed by his performance, the sub-headline read: "Without any doubt, Rafael Puyana's recital at Jordan Hall last night was by far the greatest program of harpsichord music I have ever heard". He made his London debut in 1966. Puyana performed with Yehudi Menuhin, Leopold Stokowski and Andrés Segovia. Composers Federico Mompou and Xavier Montsalvatge dedicated compositions to him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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