Hideya Suzuki (musician)
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Hideya Suzuki (musician)
is a Japanese musician. He plays drums in the band Mr. Children. Early life He was born in the ward of Suginami in Tokyo. A fan of Yui Asaka, he auditioned to be her exclusive drummer before joining a Japanese group called THE WALLS that would be renamed Mr. Children in 1989, but he failed at the document screening stage. Suzuki himself thinks he was dropped due to his looks. Career in Mr. Children He composed the song "Asia" on the album Atomic Heart released in 1994 and "#2601" on the album Discovery released in 1998 (co-written with Sakurai). He has also done vocals for the band and so in his early work, he is credited as "Drums & Vocal". The song "Ame nochi hare" on the album Atomic Heart was written by imagining that "Suzuki was an office worker", and Suzuki was originally scheduled to be in charge of vocals on that track. However, Sakurai performed the vocals during production. Suzuki no longer performed vocals after this track, and is credited as "Drums" on works ther ...
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Toy's Factory
is a Japanese record label founded in the late 1980s as a subsidiary of the entertainment company VAP, based in Japan. On May 30, 1990, it was established as an independent company. Toy's Factory, as of the first half of 2012, is the fourth-biggest Japanese record label. Sub-labels * Bellissima! * BMD Fox Records * Carnage * Deep Blue * Idyllic * Jūonbu Records * Kimi * Meme Tokyo * Noframes Recordings Notable artists *Armageddon *Babymetal – on Jūonbu Records and then BMD Fox Records *Brahman - on Noframes *Bump of Chicken *Daoko * Dempagumi.inc *meme tokyo. *Ego-Wrappin' *Eve *Livetune *Mr. Children * Reol *Salyu * Sekai no Owari *Shōnan no Kaze *Unison Square Garden *Yuzu *Toshiki Masuda is a Japanese voice actor and singer previously affiliated with Space Craft Group. He became a freelancer in August 2018. He joined the record label Toy's Factory in November 2018 as a voice actor and solo singer. Biography Masuda was born on Ma ... References External ...
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Crash Cymbals
A crash cymbal is a type of cymbal that produces a loud, sharp "crash" and is used mainly for occasional accents, as opposed to a ride cymbal. It can be mounted on a stand and played with a drum stick, or by hand in pairs. One or two crash cymbals are a standard part of a drum kit. Suspended crash cymbals are also used in bands and orchestras, either played with a drumstick or rolled with a pair of mallets to produce a slower, swelling crash. Sometimes a drummer may hit two different crash cymbals in a kit at the same time to produce a very loud accent, usually in rock music. Although crash cymbals range in thickness from paper-thin to very heavy, all crash cymbals have a fairly thin edge. They are typically in diameter, but sizes down to and up to are manufactured. Custom crash cymbals up to in diameter have been used by big bands. Different thicknesses are used for different kinds of music, and the alloy for each manufacturer's models varies. A thick cymbal is likely ...
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Ride Cymbals
The ride cymbal is a standard cymbal in most drum kits. Its function in the kit is to maintain a beat,Schroedl, Scott (2001). ''Play Drums Today!'', p.7. Hal Leonard. . "It's called the ride cymbal because you 'ride' on it--that is, you maintain a steady pattern." sometimes called a ride pattern, rather than the accent of a crash. It is normally placed on the extreme right (or dominant hand) of a drum set, above the floor tom.Peckman, Jonathan (2007). ''Picture Yourself Drumming'', p.195. . The ride can fulfill any function or rhythm the hi-hat does, with the exception of an open and closed sound. The ride is played with a drumstick. Terminology The term ''ride'' means ''to ride with the music'', describing the cymbal's sustain after it is struck. The term may depict either the function or characteristic of the instrument. Most cymbal makers manufacture specific cymbals for the purpose. Some drummers use a china cymbal, a sizzle cymbal or a specialized tone such as a swish o ...
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Hi-hat
A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium-sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands—also known as "low-boys"—and activated by pedals similar to those used in modern hi-hats. When extended upward roug ...
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Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ...
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Floor Toms
A floor tom or low tom is a double-headed tom-tom drum which usually stands on the floor on three legs. However, they can also be attached to a cymbal stand with a drum clamp, or supported by a rim mount. It is a cylindrical drum without snare wires, and tend to produce a booming, resonant sound which can vary in pitch. The floor toms are the lowest tuned drums played with sticks on a regular drum set. Common sizes are * 16x16, that is, in both depth and diameter. This was the original size and is still most common. * × 14 for jazz and fusion kits, and very occasionally with a 16x16 as well. * 18x16; that is, in diameter and 16 in depth, the most common size for a second floor tom, used with a 16x16. * 16x18, a rarer size sometimes used for a second floor tom, also with a 16 × 16. Floor toms can be mounted: * In the traditional manner, with three adjustable legs. * On three legs but connected to them by means of a rim mount on the lower rim, the original floor tom rim mount ...
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High Tom
A tom drum is a cylindrical drum with no snares, named from the Anglo-Indian and Sinhala language. It was added to the drum kit in the early part of the 20th century. Most toms range in size between in diameter, though floor toms can go as large as . It is not to be confused with a tam-tam, a gong. Design history The drum called "Thammattama", played by the Sinhala people of Sri Lanka, is used in a number of Buddhist rituals in that country. It is commonly heard in Buddhist temples paired along with the reed instrument called horanava. This may be etymologically derived from the Tamil term "Thappattam" or "Thappu", a frame drum associated with South Indian Tamil culture. However, the tom-tom drums on the Western drum set clearly resemble the Sri Lankan version more than the frame drum. The British colonists complained loudly about the noise generated by the "tom-toms" of the natives throughout South Asia. It is likely that the term tom-toms thus comes from their experiences ...
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Snare Drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce po ...
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Acid Rock
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars, lyrics with drug references, and long improvised jams. Much of the style overlaps with 1960s garage punk, proto-metal, and early heavy, blues-based hard rock. The term is sometimes used interchangeably with "psychedelic rock", but it also specifically refers to a more musically intense subgenre or sibling of the psychedelic rock style. Compared to other psychedelic rock, acid rock features a harder, louder, heavier, or rawer sound. It developed mainly from the American West Coast, where groups did not focus on the novelty recording effects or whimsy of British psychedelia, and instead emphasized the heavier qualities associated with both the positive and negative extremes of the psychedelic experience. As the movement p ...
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Takeshi Kobayashi
(born June 7, 1959), is a Japanese keyboardist, lyricist, composer, arranger, and record producer. History Kobayashi started his professional career in the late 1970s. After working in the backing bands for singers such as Yosui Inoue, Misato Watanabe, and Anri, he came into prominence as a musical collaborator for the Southern All Stars frontman Keisuke Kuwata's eponymous 1988 solo album. Although his own leader albums failed to receive public attention, Kobayashi garnered commercial success in collaboration as producer or songwriter with other artists. As an arranger of his own composition "Anata ni Aete Yokatta" co-written and performed by Kyōko Koizumi in 1991, Kobayashi won the 33rd Japan Record Awards for Best Arrangement category. In 1992, he undertook the production work with the Japanese pop-rock band Mr. Children on their debut album entitled ''Everything''. The producer and the band have gone on to record together to date, achieving mainstream success with cumulat ...
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