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Hichiriki
The is a double reed Japanese used as one of two main melodic instruments in Japanese music. It is one of the "sacred" instruments and is often heard at Shinto weddings in Japan. Its sound is often described as haunting. According to scholars, the emerged after the 12th century when the popularity of the Chinese melodies in Japan called waned. Description Although a double reed instrument like the oboe, the has a cylindrical bore and thus its sound is similar to that of a clarinet. It is difficult to play due in part to the double reed configuration. It is made of a piece of bamboo that measures with a flat double reed inserted which makes a loud sound. Pitch and ornamentation (most notably bending tones) are controlled largely with the embouchure. The instrument is particularly noted for the ("salted plum seasoning"), a kind of pitch-gliding technique. The is the most widely used of all instruments in and it is used in all forms of music aside from poetry recitat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Piercy
Thomas Piercy is an American clarinetist, and hichiriki player based in New York City, USA and Tokyo, Japan. Although he studied in the United States, his playing style is heavily influenced by the English school of clarinet playing by his extensive studies with English clarinet virtuoso Gervase de Peyer. He has been cited by the New York Times for his performances of classical music by Brahms and Beethoven as well as contemporary pieces written specifically for him. He has performed and premiered many contemporary pieces written for him, including Grammy Award winning and Pulitzer Prize winning American composer Ned Rorem's only piece for clarinet and piano. He premiered this piece - "Four Colors" - at an 80th birthday concert celebration for Rorem at Carnegie Hall in 2003. In addition to being a performer of classical and contemporary music, as a teacher he has contributed to books on clarinet studies and clarinet fingerings. He performs on rare large bore, rosewood clarin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from 13. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from 13. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duduk
The duduk ( ; hy, դուդուկ ) or tsiranapogh ( hy, ծիրանափող, meaning “apricot-made wind instrument”), is an ancient Armenian double reed woodwind instrument made of apricot wood. It is indigenous to Armenia. Variations of the Armenian duduk appear throughout the Caucasus and the Middle East, including Azerbaijan, Georgia, Russia, Turkey, and Iran. Duduk, Balaban, and Mey are almost identical, except for historical and geographical differences. It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called ''dum'', and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intangib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Musical Instruments
Traditional Japanese musical instruments, known as in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments. Percussion instruments *; also spelled – clapper made from wooden slats connected by a rope or cord * – wooden or bamboo clappers * – pellet drum, used as a children's toy * – small, ornately decorated hourglass-shaped drum * – hand-held bell tree with three tiers of pellet bells * – small drum used in * – small flat gong * – a pair of sticks which are beaten together slowly and rhythmically * (also called ) – clapper made from a pair of flat wooden sticks * – woodblock carved in the shape of a fish, struck with a wooden stick; often used in Buddhist chanting * – hand drum * or () – singing bowls used by Buddhist monks in religious practice or rituals * – hourglass-shaped double-headed drum; struck only on one side * – clapper made from wooden slats conne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku Nihon gagakukai Today, it is performed by the in the . Gagaku consists of three primary repertoires: #Native [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hideki Togi
is a Japanese composer, gagaku musician, and actor. His current label is Universal Music (transferred from Toshiba-EMI , formerly , was one of Japan's leading music companies. It became a wholly owned subsidiary of British music company EMI Group Ltd. on June 30, 2007, after Toshiba sold off its previous 45% stake. Its CEO and president was Kazuhiko Koike. When ... in 2007). Tōgi joined the Imperial Music Division in 1986 but had to quit in 2000 because of the hostile reaction to his popular compositions from fellow gagaku musicians. Bibliography Co-authored Discography CD albums CD singles Representative songs Unpublished songs Music in charge Filmography Documentaries Language programmes Dramas Films Advertisements References External links * * * * {{DEFAULTSORT:Togi, Hideki Japanese male composers Japanese male actors Taisho University faculty Musicians from Tokyo 1959 births Living people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guan (instrument)
The ''guan'' () is a Chinese double reed wind instrument. The northern Chinese version is called ''guanzi'' ( 管子) or ''bili'' (traditional: 篳篥; simplified: 筚篥) and the Cantonese version is called ''houguan'' ( 喉管). It is classified as a bamboo instrument in the Ba Yin (ancient Chinese instrument classification) system. Unlike other instruments in the double-reed family of woodwinds which mostly have conical bores, such as the Chinese ''suona'' or the Western oboe, the ''guan'' has a cylindrical bore, giving its distinctive mellow, yet piercing buzz-like timbre. History The earliest use of the word ''guan'' can be traced back to Zhou Dynasty records, where it refers to end-blown bamboo flutes such as the '' xiao'' or ''paixiao''. The earliest double-reed instrument appears in the late Zhou Dynasty and is referred as ''hujia'' ( 胡笳; literally "reed pipe of Hu people") because it had been introduced from the northwestern region of China. During that tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guan (instrument)
The ''guan'' () is a Chinese double reed wind instrument. The northern Chinese version is called ''guanzi'' ( 管子) or ''bili'' (traditional: 篳篥; simplified: 筚篥) and the Cantonese version is called ''houguan'' ( 喉管). It is classified as a bamboo instrument in the Ba Yin (ancient Chinese instrument classification) system. Unlike other instruments in the double-reed family of woodwinds which mostly have conical bores, such as the Chinese ''suona'' or the Western oboe, the ''guan'' has a cylindrical bore, giving its distinctive mellow, yet piercing buzz-like timbre. History The earliest use of the word ''guan'' can be traced back to Zhou Dynasty records, where it refers to end-blown bamboo flutes such as the '' xiao'' or ''paixiao''. The earliest double-reed instrument appears in the late Zhou Dynasty and is referred as ''hujia'' ( 胡笳; literally "reed pipe of Hu people") because it had been introduced from the northwestern region of China. During that tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku Nihon gagakukai Today, it is performed by the in the . Gagaku consists of three primary repertoires: #Native [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Japan Times
''The Japan Times'' is Japan's largest and oldest English-language daily newspaper. It is published by , a subsidiary of News2u Holdings, Inc.. It is headquartered in the in Kioicho, Chiyoda, Tokyo. History ''The Japan Times'' was launched by Motosada Zumoto on 22 March 1897, with the goal of giving Japanese people an opportunity to read and discuss news and current events in English to help Japan to participate in the international community. The newspaper was independent of government control, but from 1931 onward, the paper's editors experienced mounting pressure from the Japanese government to submit to its policies. In 1933, the Japanese Ministry of Foreign Affairs appointed Hitoshi Ashida, former ministry official, as chief editor. During World War II, the newspaper served as an outlet for Imperial Japanese government communication and editorial opinion. It was successively renamed ''The Japan Times and Mail'' (1918–1940) following its merger with ''The Japan Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Teitelbaum
Richard Lowe Teitelbaum (May 19, 1939 – April 9, 2020) was an American composer, keyboardist, and improvisor. A student of Allen Forte, Mel Powell, and Luigi Nono, he was known for his live electronic music and synthesizer performances. He was a pioneer of brain-wave music. He was also involved with world music and used Japanese, Indian, and western classical instruments and notation in both composition and improvisational settings. Biography Born in New York City, Teitelbaum remembered listening to his father (a successful lawyer) play piano while he was a child. A 1960 graduate of Haverford College, Teitelbaum continued keyboard studies at Mannes School of Music, then pursued his Masters in Music at Yale. He won a Fulbright grant to study in Italy in 1964 with Goffredo Petrassi, then in 1965 with Luigi Nono. While at Haverford, Teitelbaum met the composer Henry Cowell, and, following Cowell's death, became an executor of the Cowell estate. While in Italy, he became a fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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