Hi Ho Silver Lining
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Hi Ho Silver Lining
"Hi Ho Silver Lining" is a rock song, written by American songwriters Scott English and Larry Weiss and first released as a single in March 1967 by English band The Attack, then a few days later by Jeff Beck. The Attack's version failed to chart, while Beck's recording reached the Top 20 of the singles chart in his native Britain in both 1967 and 1972, becoming his biggest solo hit. In the States, Beck's single failed to crack ''Billboard'''s Hot 100. Background Songwriters English and Weiss started writing a song together, with a chorus of "Hi ho silver lining", but no verses. When producer Mickie Most heard their early version, he suggested that it would be a hit and persuaded English to complete the lyrics. According to writer and musician Bob Stanley, English wanted to record a finished version of the song himself, so decided to deter Most by writing "the most unusable, stupid lyric he could think up, about flies in pea soup and beach umbrellas". To English's chagrin, ...
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The Attack (band)
The Attack were an English freakbeat/psychedelic rock band formed in 1966 around singer Richard Shirman (26 April 1949, London – 26 July 2017). The first line-up featured drummer Alan Whitehead from Marmalade, guitarist and trumpeter David O'List (later of The Nice) - later replaced by John Du Cann (later of Andromeda and Atomic Rooster), Richard Shirman on vocals, Bob Hodges on piano and organ and finally Gerry Henderson on bass. Their first single "Try It" had also been recorded by The Standells and Ohio Express. They also released a version of "Hi Ho Silver Lining", a few days earlier than Jeff Beck. Richard Shirman was invited to be singer with Andromeda but he declined. In 1979, Shirman reunited The Attack. Two years later he founded another band Hershey and the 12 Bars who released an album in 2000: ''Greatest Hits Volume II'' (A New Day Records, AND CD43). Discography Singles * "Try It" b/w "We Don't Know" (Decca) 1967 * "Hi Ho Silver Lining" b/w "Any More Than I ...
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Simon Phillips (drummer)
Simon Phillips (born 6 February 1957) is a US-based English jazz, fusion and rock drummer, songwriter, and record producer. He worked with rock bands during the 1970s and 1980s and was the drummer for the band Toto from 1992 to 2014. Phillips worked as a session drummer for Jeff Beck, Gary Moore, Michael Schenker, Bernie Marsden, Jon Lord, Nik Kershaw, Mike Oldfield, Judas Priest, Mike Rutherford, Tears for Fears, 10cc and The Who. He was the drummer for The Who during the band's American reunion tour in 1989. He became the drummer for the band Toto in 1992 after the death of Jeff Porcaro. Career Phillips began to play professionally at the age of twelve in a Dixieland band led by his father, Sid Phillips for four years. After his father's death, he started playing pop and rock and found work in a production of the musical ''Jesus Christ Superstar''. He worked as a session musician for cast members, and this led to other session work. Beginning in the 1970s, he worked with ...
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Bubbling Under Hot 100
Bubbling Under Hot 100 Singles (also known as Bubbling Under the Hot 100) is a chart published weekly by ''Billboard'' magazine in the United States. The chart lists the top songs that have not yet charted on the main ''Billboard'' Hot 100. Chart rankings are based on radio airplay, sales, and streams. In its initial years, the chart listed 15 positions, but expanded to as many as 36 during the 1960s, particularly during years when over 700 singles made the ''Billboard'' Hot 100 chart. From 1974 to 1985, the chart consisted of 10 positions; since 1992, the Bubbling Under Hot 100 Singles chart has listed 25 positions. Chart history The Bubbling Under Hot 100 Singles chart was first introduced in the June 1, 1959 issue of ''Billboard'', under the name "Bubbling Under the Hot 100". Containing a listing of 15 singles, the chart was described as "the new listing that predicts which new records will become chart climbers." Its first number-one single was "A Prayer and a Juke Box" by Litt ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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New Musical Express
''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations. As a 'rock inkie', ''NME'' was the first British newspaper to include a singles chart, adding that feature in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. The magazine's website NME.com was launched in 1996, and became the world's biggest standalone music site, with ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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Disc & Music Echo
''Disc'' was a weekly British popular music magazine, published between 1958 and 1975, when it was incorporated into ''Record Mirror''. It was also known for periods as ''Disc Weekly '' (1964–1966) and ''Disc and Music Echo '' (1966–1972). Background It first published on 8 February 1958, with the main competition being ''Record Mirror''. It gained a reputation for its emphasis on pop music as reflected in the music charts, in comparison with its more music-industry-focused rivals '' Melody Maker'' and '' New Musical Express''. Its pop music charts were based on its own sample of shops, initially no more than 25 in number, but expanding to about 100 by the mid-1960s. It also awarded silver discs (for UK sales of 250,000) and gold discs (for UK sales of 1,000,000) from 1959 until 1973. Awards were based on sales figures submitted by record companies. In 1973, ''Discs awards were superseded by the British Phonographic Industry (BPI) setting up an 'official' certification awar ...
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New Zealand Listener
The ''New Zealand Listener'' is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed ''The Listener'' in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets, which were rebranded as Are Media. History ''The Listener'' was first published in June 1939 as a weekly broadcasting guide for radio listeners, and the first issue was distributed free to 380,000 households. First edited by Oliver Duff then from June 1949 M. H. Holcroft, it originally had a monopoly on the publication of upcoming television and radio programmes. In the 1980s it lost that monopoly, but despite the increase in competition since that time, it was ...
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Go-Set
''Go-Set'' was the first Australian pop music newspaper, published weekly from 2 February 1966 to 24 August 1974, and was founded in Melbourne by Phillip Frazer, Peter Raphael and Tony Schauble. NOTE: This PDF is 282 pages. Widely described as a pop music "bible", it became an influential publication, introduced the first national pop record charts and featured many notable contributors including fashion designer Prue Acton, journalist Lily Brett, rock writer / band manager Vince Lovegrove, music commentator Ian Meldrum, rock writer / music historian Ed Nimmervoll and radio DJ Stan Rofe. It spawned the original Australian edition of ''Rolling Stone Australia, Rolling Stone'' magazine in late 1972. History Foundation: 1964–1967 In 1964, Monash University student newspaper ''Chaos co-editors, John Blakeley, Damien Broderick and Tony Schauble, renamed the paper ''Lot's Wife (student newspaper), Lot's Wife''. Phillip Frazer was a staffer and later became co-editor with future ...
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New Statesman
The ''New Statesman'' is a British political and cultural magazine published in London. Founded as a weekly review of politics and literature on 12 April 1913, it was at first connected with Sidney and Beatrice Webb and other leading members of the socialist Fabian Society, such as George Bernard Shaw, who was a founding director. Today, the magazine is a print–digital hybrid. According to its present self-description, it has a liberal and progressive political position. Jason Cowley, the magazine's editor, has described the ''New Statesman'' as a publication "of the left, for the left" but also as "a political and literary magazine" with "sceptical" politics. The magazine was founded by members of the Fabian Society as a weekly review of politics and literature. The longest-serving editor was Kingsley Martin (1930–1960), and the current editor is Jason Cowley, who assumed the post in 2008. The magazine has recognised and published new writers and critics, as well as e ...
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Eric Clapton
Eric Patrick Clapton (born 1945) is an English rock and blues guitarist, singer, and songwriter. He is often regarded as one of the most successful and influential guitarists in rock music. Clapton ranked second in ''Rolling Stone''s list of the " 100 Greatest Guitarists of All Time" and fourth in Gibsons "Top 50 Guitarists of All Time". He was also named number five in ''Time'' magazine's list of "The 10 Best Electric Guitar Players" in 2009. After playing in a number of different local bands, Clapton joined the Yardbirds in 1963, replacing founding guitarist Top Topham. Dissatisfied with the change of the Yardbirds sound from blues rock to a more radio-friendly pop rock sound, Clapton left in 1965 to play with John Mayall & the Bluesbreakers. On leaving Mayall in 1966, after one album, he formed the power trio Cream with drummer Ginger Baker and bassist Jack Bruce, in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop". After Cream br ...
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Royal Albert Hall
The Royal Albert Hall is a concert hall on the northern edge of South Kensington, London. One of the UK's most treasured and distinctive buildings, it is held in trust for the nation and managed by a registered charity which receives no government funding. It can seat 5,272. Since the hall's opening by Queen Victoria in 1871, the world's leading artists from many performance genres have appeared on its stage. It is the venue for the BBC Proms concerts, which have been held there every summer since 1941. It is host to more than 390 shows in the main auditorium annually, including classical, rock and pop concerts, ballet, opera, film screenings with live orchestral accompaniment, sports, awards ceremonies, school and community events, and charity performances and banquets. A further 400 events are held each year in the non-auditorium spaces. Over its 151 year history the hall has hosted people from various fields, including meetings by Suffragettes, speeches from Winston Churchi ...
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