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Hi-NRG Songs
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s. As a music genre, typified by fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Its earliest association was with Italo disco. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute although typically it is around 127. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Electronic Music
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camp (style)
Camp is an aesthetic style and sensibility that regards something as appealing because of its bad taste and ironic value. Camp aesthetics disrupt many of modernism's notions of what art is and what can be classified as high art by inverting aesthetic attributes such as beauty, value, and taste through an invitation of a different kind of apprehension and consumption. Camp can also be a social practice and function as a style and performance identity for several types of entertainment including film, cabaret, and pantomime. Where high art necessarily incorporates beauty and value, camp necessarily needs to be lively, audacious and dynamic. The visual style is closely associated with gay culture. Camp art is related to and often confused with kitsch and things with camp appeal may be described as cheesy. In 1909, ''Oxford English Dictionary'' defined camp as "ostentatious, exaggerated, affected, theatrical; effeminate or homosexual" behavior, and by the middle of the 1970s, cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvester (singer)
Sylvester James Jr. (September 6, 1947December 16, 1988), known mononymously as Sylvester, was an American singer-songwriter. Primarily active in the genres of disco, rhythm and blues, and soul, he was known for his flamboyant and androgynous appearance, falsetto singing voice, and hit disco singles in the late 1970s and 1980s. Born in Watts, Los Angeles, to a middle-class African-American family, Sylvester developed a love of singing through the gospel choir of his Pentecostal church. Leaving the church after the congregation expressed disapproval of his homosexuality, he found friendship among a group of black cross-dressers and transgender women who called themselves the Disquotays. Moving to San Francisco in 1970 at the age of 22, Sylvester embraced the counterculture and joined the avant-garde drag troupe the Cockettes, producing solo segments of their shows which were heavily influenced by female blues and jazz singers such as Billie Holiday and Josephine Baker. During t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drag (clothing)
The term "drag" refers to the performance of exaggerated masculinity, femininity, or other forms of gender expression, usually for entertainment purposes. A drag queen is someone (usually male) who performs femininity and a drag king is someone (usually female) who performs masculinity. Performances often involve comedy, social satire, and at times political commentary. The term may be used as a noun as in the expression ''in drag'' or as an adjective as in '' drag show''. __TOC__ Etymology The use of "drag" in this sense appeared in print as early as 1870Oxford English Dictionary 2012 (Online version of 1989 2nd. Edition) Accessed 11 April 2012 but its origin is uncertain. One suggested etymological root is 19th-century theatre slang, from the sensation of long skirts trailing on the floor. It may have been based on the term "grand rag" which was historically used for a masquerade ball. In folk custom Men dressed as women have been featured in certain traditional customs f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torch Song
A torch song is a sentimental love song, typically one in which the singer laments an unrequited or lost love, either where one party is oblivious to the existence of the other, where one party has moved on, or where a romantic affair has affected the relationship.Allan Forte, M. R.: ''Listening to Classic American Popular Songs,'' p. 203. Yale University Press, 2001. The term comes from the saying, "Torch#Love, to carry a torch for someone", or to keep aflame the light of an unrequited love. It was first used by the cabaret singer Tommy Lyman in his praise of "My Melancholy Baby". The term is also explicitly cited in the song "Jim (song), Jim", popularized by versions by Dinah Shore, Billie Holiday, Sarah Vaughan and Ella Fitzgerald: Torch-singing is more of a niche than a genre and can stray from the traditional jazz-influenced style of singing; the American tradition of the torch song typically relies upon the melodic structure of the blues. An example of a collection is B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boys Town Gang
The Boys Town Gang were a post-disco and hi-NRG band from San Francisco, California. Their popularity peaked in the 1980s when the group reached No. 1 in the Netherlands, Belgium and Spain as well as No. 4 in the UK with their cover of "Can't Take My Eyes Off You". History In 1980, DJ Bill Motley saw an opportunity to form a disco group that catered to San Francisco's large gay clientele. In his search to form a group, he auditioned hundreds of vocalists, both male and female. Local cabaret singer Cynthia Manley captured the lead spot. The idea was originally for one 12" single with two tracks of high energy disco music. Motley, a Diana Ross fan, picked two Ashford & Simpson songs to form a medley for the A-side track. For the B-side track, he wrote a disco drama in four acts. A private record label was founded to release the two songs. When " Remember Me"/"Ain't No Mountain High Enough" was released, the song took off with Manley's vocals propelling the song to the top of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown
Motown Records is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on June 7, 1958, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played an important role in the racial integration of popular music as an African American-owned label that achieved crossover success. In the 1960s, Motown and its subsidiary labels (including Tamla Motown, the brand used outside the US) were the most of the Motown sound, a style of soul music with a mainstream pop appeal. Motown was the most successful soul music label, with a net worth of $61 million. During the 1960s, Motown achieved 79 records in the top-ten of the ''Billboard'' Hot 100 between 1960 and 1969. Following the events of the Detroit Riots of 1967, and the loss of key songwriting/production team Holland–Dozier– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Levine
Ian Geoffrey Levine (born 22 June 1953) is a British songwriter, producer, and DJ. A moderniser of Northern soul music in the UK, and a developer of the style of Hi-NRG, he has written and produced records with sales totalling over 40 million. Levine was once known as a fan of the long-running television show ''Doctor Who''. Early and personal life Levine was born into a Jewish family; his parents owned and ran the "Lemon Tree" complex in Blackpool, including its casino and nightclub. Levine is openly gay. He suffered a major stroke in July 2014, leaving him with severely limited movement on the left side of his body. Career Disc jockey Levine began collecting Motown records from the age of 13, building a collection from UK record shops and those his family visited on holidays to Miami and New Orleans. He later became an avid collector of soul, R&B, and Northern soul. After his parents emigrated to the Caribbean in 1979, Levine sold most of his records to fund a house purcha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Megatone Records
Megatone Records was an independent music label specializing in disco and created in San Francisco in 1981 by Patrick Cowley and Marty Blecman. The label name was derived from Cowley's 1981 high energy disco song, "Megatron Man". In 1983, musician Sylvester became a partner of Megatone Records. Some of the artists involved include: Patrick Cowley, Jeanie Tracy, Sylvester, Modern Rocketry, Sarah Dash, Patti LaBelle, and Paul Parker. History Megatone owned two sub-labels Megatone House Records and Mega-Tech Records. Megatone House Records, active from 1988 to 1991, specialized in House music. Mega-Tech Records, was active in 1992, specialized in house music with breakbeat. Megatone brought several high energy disco singles to the U.S. Dance Charts in the early 1980s. All cuts from Sylvester's "All I Need" LP peaked at number 2 on the club charts in 1982, Paul Parker made number 1 with his single "Right On Target" that same year, and Sarah Dash took her single "Lucky Tonight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, or classical music for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popular m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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