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Hi-Fly (Randy Weston Song)
"Hi-Fly" (also sometimes spelled "Hi Fly" or "High Fly") is one of the best known compositions by pianist Randy Weston, written in the 1950s and inspired by his experience of being 6 feet 8 inches tall, "and how the ground looks different to you than everybody else". Since first being recorded on 1958's '' New Faces at Newport'', "Hi-Fly" appears on several other albums by Weston, including '' Live at the Five Spot'' (1959), '' Niles Littlebig'' (1969), '' Tanjah'' (1973), ''Perspective'' (with Vishnu Wood, 1976), ''Rhythms and Sounds'' (1978), ''Earth Birth'' (1995), ''Zep Tepi'' (2005), and ''The Storyteller'' (2009). Jon Hendricks wrote lyrics to the song, recorded first in 1959 on the album ''The Hottest New Group in Jazz'' and also appearing on 1961's ''High Flying With Lambert, Hendricks & Ross''. Among others who have recorded vocal covers are Abbey Lincoln (on ''The World Is Falling Down'', 1991), Mel Tormé (on 1962's '' Comin' Home Baby!'' and other albums), Karin Krog on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Randy Weston
Randolph Edward "Randy" Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection. Weston's piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines."Randy Weston talks about his new solo double CD Sound" YouTube video, March 27, 2018. Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston. Described as "America's African Musical Ambassador", Weston once said: "What I do I do because it's about teaching and informing everyone about our most natural cultural phenomenon. It's really about Africa a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokin' (Eddie "Lockjaw" Davis Album)
''Smokin′'' is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1958 for the Prestige label.Payne, DShirley Scott discography accessed July 9, 2012. Reception The Allmusic review by Scott Yanow states: "Together the group swings hard on basic originals, blues and an occasional ballad, showing why this type of accessible band was so popular during the era."Yanow, SAllmusic review accessed July 9, 2012. Track listing ''All compositions by Eddie "Lockjaw" Davis and Shirley Scott except as indicated'' # "High Fry" - 5:28 # "Smoke This" - 5:01 # " Pennies from Heaven" ( Johnny Burke, Arthur Johnston) - 3:27 # "Pots and Pans" - 6:13 # "Jaws" - 3:38 # "It's a Blue World" ( George Forrest, Robert Wright) - 6:04 # "Blue Lou" (Irving Mills, Edgar Sampson) - 5:13 Personnel * Eddie "Lockjaw" Davis - tenor saxophone * Shirley Scott - organ * Jerome Richardson - baritone saxophone (track 1), flute (track 2), tenor saxophone (track 5) * Geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Coles
John Coles (July 3, 1926 – December 21, 1997) was an American jazz trumpeter. Early life Coles was born in Trenton, New Jersey on July 3, 1926. He grew up in Philadelphia and was self-taught on trumpet. Later life and career Coles spent his early career playing with R&B groups, including those of Eddie Vinson (1948–1951), Bull Moose Jackson (1952), and Earl Bostic (1955–1956). He was with James Moody (saxophonist), James Moody from 1956 to 1958, and played with Gil Evans's orchestra between 1958 and 1964, including for the album ''Out of the Cool''. After this he spent time with Charles Mingus in his sextet which also included Eric Dolphy, Clifford Jordan, Jaki Byard, and Dannie Richmond. Following this he played with Herbie Hancock (1968–1969), Ray Charles (1969–1971), Duke Ellington (1971–1974), Art Blakey (1976), Dameronia, Mingus Dynasty, and the Count Basie Orchestra under the direction of Thad Jones (1985–1986). In 1985 Coles settled in the San Francisco Bay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big City Sounds
''Big City Sounds'' is an album by The Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson, featuring performances recorded in 1960 and originally released on the Argo label.Art Farmer discography accessed June 15, 2012. Music "The Cool One" is a medium tempo piece by Golson that was intended to be a commercial success, as "Killer Joe" had been on the Jazztet's previous album, ''''.Blumenthal, Bob (2004) In ''The Complete Argo/Mercury Art Farmer/Benny Golson/Jazztet Sessions'' |
Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jazztet
The Jazztet was a jazz sextet, co-founded in 1959 by trumpeter Art Farmer and tenor saxophonist Benny Golson, always featuring the founders along with a trombonist and a piano-bass-drums rhythm section. In its first phase, the Jazztet lasted until 1962, and helped to launch the careers of pianist McCoy Tyner and trombonist Grachan Moncur III. Farmer and Golson revived the group in 1982 and it again toured extensively. Each generation of the group recorded six albums, which were released on a variety of labels. The Jazztet was "famous for nicely structured, precise yet soulful pieces and a swinging style".Wynn, Ro"The Jazztet: Biography" AllMusic. Retrieved December 21, 2013. It benefitted from having a set of strong compositions by Golson, including " I Remember Clifford", " Whisper Not", "Blues March", "Killer Joe" and "Five Spot After Dark". While Golson also provided many of the arrangements, Farmer took the largest share of the soloing responsibilities.Morgan, Alun. In McCarthy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sister Salvation
''Sister Salvation'' is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1960. accessed September 16, 2015 Reception gave the album 3½ stars.Allmusic listingaccessed September 16, 2015 Track listing ''All compositions by Slide Hampton except as indicated'' # "Sister Salvation" - 6:13 # "[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide Hampton
Locksley Wellington Hampton (April 21, 1932 – November 18, 2021) was an American jazz trombonist, composer and arranger. As his nickname implies, Hampton's main instrument was slide trombone, but he also occasionally played tuba and flugelhorn. Biography Early life and career Locksley Wellington Hampton was born on April 21, 1932, in Jeannette, Pennsylvania. Laura and Clarke "Deacon" Hampton raised 12 children, taught them how to play musical instruments and set out with them as a family band. The family first came to Indianapolis in 1938. The Hamptons were a very musical family in which mother, father, eight brothers, and four sisters, all played instruments. His sisters included Dawn Hampton and Virtue Hampton Whitted. Slide Hampton is one of the few left-handed trombone players. As a child, Hampton was given the trombone set up to play left-handed, or backwards; and as no one ever dissuaded him, he continued to play this way. At the age of 12, Slide played in his family's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Adderley
Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition "Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it. Early life Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the army ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cannonball Adderley Quintet In San Francisco
''The Cannonball Adderley Quintet in San Francisco'' is a 1959 album by The Cannonball Adderley Quintet. The groundbreaking album launched "soul jazz", according to NPR, bridging "the gap between bebop and funk".Sidran, BenJazz Profiles from NPR: Nat Adderley (1931-2000)NPR. Accessed June 15, 2021. Originally released by Riverside Records, the album has been reissued on CD several times since 1991 by Riverside and OJC. Remastered versions of the album include extended cuts of several of the songs on the original, including the retitled "(A Few Words by Cannonball...And) This Here".. Background The album was recorded at The Jazz Workshop in San Francisco before an appreciative standing-room only crowd.Rickert, David. (June 13, 2007"The Cannonball Adderley Quintet in San Francisco" All About Jazz. Accessed December 13, 2007. The album broke new ground as a live recording taped in noisy club environments, creating a formula that not only the Cannonball Quintet but other jazz ense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannonball Adderley
Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records ''Milestones'' (1958) and '' Kind of Blue'' (1959), and then on his own 1958 album '' Somethin' Else''. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band. Early life and career Julian Edwin Adderley was born on September 15, 1928, in Tampa, Florida to high school guidance counselor and cornet player Julian Carlyle Adderley and elementary school teacher Jessie Johnson. Elementary school cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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