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Hey You (Pink Floyd Song)
"Hey You" is a song by English rock band Pink Floyd, released on their 1979 double album ''The Wall''. The song, along with " The Show Must Go On", was edited out of the film for fear on the part of the filmmakers that the film was running too long; however, a rough version is available as an extra on the ''25th Anniversary Edition'' DVD. Composition The song starts off with an acoustic guitar, restrung in a fashion similar to Nashville tuning, but with the low E string replaced by a high E tuned two full octaves higher than normal. It plays arpeggios over E and D minor added ninth chords. The alternate stringing allows for adjacent pitches (such as the E, F♯, and G of the Em9 chord) to ring out separately on separate strings throughout the arpeggio. A fretless bass enters, also played by guitarist David Gilmour rather than usual bassist Roger Waters. Next to join in is the Fender Rhodes electric piano by Richard Wright, Gilmour's vocals, singing in the first person, as the ...
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Pink Floyd
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic groups, they were distinguished by their extended compositions, sonic experimentation, philosophical lyrics and elaborate live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals), and Richard Wright (keyboards, vocals). Under Barrett's leadership, they released two charting singles and the successful debut album '' The Piper at the Gates of Dawn'' (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concepts behind the band's peak success with the albums ''The Dark Side of the Moon'' (1973), ''W ...
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Nashville Tuning (high Strung)
Nashville or high-strung tuning refers to the practice of replacing the wound E, A, D and G strings on a six-string guitar with lighter gauge strings to allow tuning an octave higher than standard. This is usually achieved by using one string from each of the six courses of a twelve-string set, using the higher string for those courses tuned in octaves. The Pink Floyd song " Hey You" from the album ''The Wall'' and the Kansas song " Dust in the Wind" from their '' Point of Know Return'' album are notable for using this form of guitar tuning. In "Hey You", David Gilmour replaced the low E string with a second high E (not a 12-string set, low E's octave string) such that it was two octaves up. The Rolling Stones' "Wild Horses" features both a 12-string guitar played by Keith Richards and a guitar with Nashville tuning played by Mick Taylor. Jumpin' Jack Flash features two acoustic guitars, one Nashville strung, overdriven through a cassette recorder. James Williamson used Nash ...
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Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by pl ...
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Echoes (Pink Floyd Song)
"Echoes" is a song by the rock band Pink Floyd, and the sixth and last track on their 1971 album ''Meddle''. It is 23 and a half minutes long and takes up the entire second side of the original LP. The track evolved from a variety of different musical themes and ideas, including instrumental passages and studio effects, resulting in the side-long piece. The music was written by the group, while Roger Waters' lyrics addressed themes of human communication and empathy, which he returned to in later work. The song was performed live regularly by Pink Floyd from 1971 to 1975, including a performance in the film ''Live at Pompeii'' (1972). It was used for the opening shows on the 1987 A Momentary Lapse of Reason Tour but subsequently dropped. David Gilmour revived "Echoes" for his 2006 On an Island Tour, which featured Richard Wright, but retired the piece after Wright's death in 2008. The studio recording was used in the film '' Crystal Voyager'' (1973) while an edited version ...
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Sonar
Sonar (sound navigation and ranging or sonic navigation and ranging) is a technique that uses sound propagation (usually underwater, as in submarine navigation) to navigate, measure distances (ranging), communicate with or detect objects on or under the surface of the water, such as other vessels. "Sonar" can refer to one of two types of technology: ''passive'' sonar means listening for the sound made by vessels; ''active'' sonar means emitting pulses of sounds and listening for echoes. Sonar may be used as a means of acoustic location and of measurement of the echo characteristics of "targets" in the water. Acoustic location in air was used before the introduction of radar. Sonar may also be used for robot navigation, and SODAR (an upward-looking in-air sonar) is used for atmospheric investigations. The term ''sonar'' is also used for the equipment used to generate and receive the sound. The acoustic frequencies used in sonar systems vary from very low (infrasonic) to extr ...
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ARP Quadra
The ARP Quadra was a 61-key analog synthesizer produced by ARP Instruments, Inc. from 1978 to 1981. The machine combined pre-existing products: the Omni, Odyssey, a Solina-esque string synthesizer unit, a phaser and a divide-down organ with ADSR envelope, and a 4075 24 db low pass filter into one box. It has four sections. Bass is on the bottom two octaves, has two unison bass circuits (electric and string), with AR and a single pole low pass filter and a related AD envelope for cutoff. A string section is similar to the ARP Omni. Poly Synth, and a two voice Lead Synth similar to the Odyssey and a five way mixer with four unit outputs, a stereo pair, a line mono and an XLR out. There are 16 memory locations, but these do not provide storage of slider settings. The synthesizer's 8048-based microcontroller uses battery-backed CMOS SRAM storage to store and recall 16 sets of on/off decisions about which waveforms and modulations are turned on in each of the four sections, ...
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Minor Chord
In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on C, called a C minor triad, has pitches C–E–G: In harmonic analysis and on lead sheets, a C minor chord can be notated as Cm, C−, Cmin, or simply the lowercase "c". A minor triad is represented by the integer notation . A minor triad can also be described by its intervals: the interval between the bottom and middle notes is a minor third, and the interval between the middle and top notes is a major third. By contrast, a major triad has a major third on the bottom and minor third on top. They both contain fifths, because a minor third (three semitones) plus a major third (four semitones) equals a perfect fifth (seven semitones). Chords that are constructed of consecutive (or "stacked") thirds are called '' tertian.'' In Western classical music from 1600 t ...
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Bring The Boys Back Home
"Bring the Boys Back Home" is a song from the Pink Floyd album, ''The Wall''. The song was released as a B-side on the single, " When the Tigers Broke Free". Composition As the final notes of the previous song " Vera" decay, the listener hears several snare drums articulating a march beat in time, fading in like approaching soldiers. The song proves to be polyrhythmic, as this beat continues unchanged while the orchestra, choir, and lead vocals begin in . Roger Waters sings the simple and direct lyric in his upper register, stridently, supported by a choir. A IV-V-I chord progression in G major repeats, providing a sense of satisfaction. This is followed by a reversal, from G to D major with F-sharp in the bass, to C major, which features a tritone movement in the bassline, going from F♯ to C, introducing a sense of instability. This progression is a recurring Pink Floyd theme, appearing throughout the album in "Hey You", "Vera", and others, as well as several songs on Wate ...
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Another Brick In The Wall
"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 rock opera '' The Wall,'' written by bassist Roger Waters. "Part 2", a protest song against corporal punishment, and rigid and abusive schooling, features a children's choir. At the suggestion of producer Bob Ezrin, Pink Floyd added elements of disco. "Part 2" was released as a single, Pink Floyd's first in the UK since " Point Me at the Sky" (1968). It sold over four million copies worldwide and topped singles charts in fourteen countries, including in the UK and United States. It was nominated for a Grammy Award and was ranked number 384 on ''Rolling Stone''s list of " The 500 Greatest Songs of All Time". Concept The three parts of "Another Brick in the Wall" appear on Pink Floyd's 1979 rock opera album '' The Wall''. They are essentially one verse each, although Part 2 sees its own verse sung twice: once by Floyd members, and the second time by the guest choir. During "Part 1", the protago ...
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Leitmotif
A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglicization of the German '' Leitmotiv'' (), literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "the smallest structural unit possessing thematic identity." In particular, such a motif should be "clearly identified so as to retain its identity if modified on subsequent appearances" whether such modification be in terms of rhythm, harmony, orchestration or accompaniment. It may also be "combined with other leitmotifs to suggest a new dramatic condition" or development. The technique i ...
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Richard Wright (musician)
Richard William Wright (28 July 1943 – 15 September 2008) was an English musician who was a co-founder of the progressive rock band Pink Floyd. He played keyboards and sang, appearing on almost every Pink Floyd album and performing on all their tours. He was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Pink Floyd. Wright grew up in Hatch End, Middlesex and met future Pink Floyd bandmates Roger Waters and Nick Mason while studying architecture at the Regent Street Polytechnic, London. After being joined by frontman and songwriter Syd Barrett, the group found commercial success in 1967. Barrett was replaced by David Gilmour in 1968, who, along with Waters and Wright, took over songwriting. Initially contributing more as a singer/songwriter, Wright later acted mainly as an arranger on compositions by Waters and Gilmour. He began to contribute less towards the end of the 1970s and left the band after touring '' The Wall'' in 1981. He rejoined as a ...
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Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digit ...
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