Hey-Hey-Hey-Hey!
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Hey-Hey-Hey-Hey!
The song "Hey-Hey-Hey-Hey", also known as "Hey-Hey-Hey-Hey! (Goin' Back to Birmingham)", was written by Little Richard and recorded on May 9, 1956 at J&M Studio, New Orleans, Louisiana, (supervised by Bumps Blackwell). Recording and releases In 1955, Little Richard recorded two different versions of "Kansas City" by Jerry Leiber and Mike Stoller: one on September 13 (supervised by Bumps Blackwell), and one on November 29 (with five vocalists, supervised by Art Rupe). The first version, which adheres closely to the original 1952 recording by Little Willie Littlefield for the first two verses, was not released until November 1970, on the compilation album ''Well Alright!'' The second version, which had been substantially re-worked by Little Richard (in particular, it featured a new refrain starting with words, "Hey, hey, hey, hey; Hey baby, hey child, hey now") was released in March 1959 on ''The Fabulous Little Richard'' and in April 1959 as single after the success of the Wilbert ...
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Kansas City (Leiber And Stoller Song)
"Kansas City" is a rhythm and blues song written by Jerry Leiber and Mike Stoller in 1952. First recorded by Little Willie Littlefield the same year, the song later became a chart-topping hit when it was recorded by Wilbert Harrison in 1959. "Kansas City" is one of Leiber and Stoller's "most recorded tunes, with more than three hundred versions", with several appearing in the R&B and pop record charts. Original song "Kansas City" was written by Jerry Leiber and Mike Stoller, two nineteen-year-old rhythm and blues fans from Los Angeles. Neither had been to Kansas City, but were inspired by Big Joe Turner records. Through a connection to producer Ralph Bass, they wrote "Kansas City" specifically for West Coast blues/R&B artist Little Willie Littlefield. There was an initial disagreement between the two writers over the song's melody: Leiber (who wrote the lyrics) preferred a traditional blues song, while Stoller wanted a more distinctive vocal line; Stoller ultimately prevaile ...
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Beatles For Sale
''Beatles for Sale'' is the fourth studio album by the English rock band the Beatles. It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. The album marked a departure from the upbeat tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964. ''Beatles for Sale'' was not widely available in the US until 1987, when the Beatles' catalogue was standardised for release on CD. Instead, eight of the album's fourteen tracks appeared on Capitol Records' concurrent release, ''Beatles '65'', issued in North America only. The sessions for ''Beatles for Sale'' also produced a non-album single, "I Feel Fine" backed by "She's a Woman". During the sessions, the band ventured into studio experimentation, such as employing a fade-in and incorporating guitar feedback, and supplemented the basic recordings with percussion instruments such as timpa ...
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Beatles VI
''Beatles VI'' is the seventh Capitol Records studio album by the English rock band the Beatles in the United States and Canada (including ''The Beatles' Story''). It was the ninth album released into that market in less than one and a half years (Vee-Jay Records and United Artists Records also released one album each during that period). The LP was released in both mono and stereo versions. ''Beatles VI'' reached number one on the '' Billboard'' for six weeks, beginning on 10 July 1965. This LP was also released in New Zealand in stereo in time for Christmas 1966. The pressing plates were obtained from EMI (UK) and are identical to their export-release. The title on the record label erroneously reads ''Beatles IV'', and the catalogue number is PCSM 6042. ''Beatles VI'' is available on CD as part of ''The Capitol Albums, Volume 2'' box set in both stereo and mono mixes (catalogue number CDP 0946 3 57499 2 2.) In 2014, ''Beatles VI'' was issued on CD again, individually and ...
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Little Richard (album)
''Little Richard'' (titled ''Volume 2'' in the UK) is the second album by American musician Little Richard, released in July 1958, ten months after Richard announced a retirement from rock and roll to pursue a life in the ministry. Like his first album, it largely contains previously released A-sides and B-sides including several which reached ''Billboards Rhythm & Blues and Hot 100 charts. Nine of its twelve tracks charted in the US including Richard's fourth million-seller " Lucille", the rock and roll standard "Good Golly, Miss Molly" and "The Girl Can't Help It", the title song from the motion picture of the same name. Among the previously unreleased tracks are two Tin Pan Alley songs recorded in Richard's frantic style. Critical reviews Reviewing ''Little Richard'' upon its release, ''Billboard'' praised the album as "a worthy successor to ''Here's Little Richard''", commenting "the cat is at his frantic best" ''Cash Box'' described the album as "in typical explosive Rich ...
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Good Golly, Miss Molly
"Good Golly, Miss Molly" is a hit rock 'n' roll song first recorded in 1956 by the American musician Little Richard and released in January 1958 as Specialty single 624 and next in July 1958 on ''Little Richard''. The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4. Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 94 on the ''Rolling Stone'' magazine's list of the 500 Greatest Songs of All Time. Song origin Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick. He modified the lyrics into the more su ...
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Backbeat Books
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as funk ...
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Live! At The Star-Club In Hamburg, Germany; 1962
Live may refer to: Arts, entertainment, and media Films * ''Live!'' (2007 film), 2007 American film * ''Live'' (2014 film), a 2014 Japanese film *'' ''Live'' (Apocalyptica DVD) Music *Live (band), American alternative rock band * List of albums titled ''Live'' Extended plays * ''Live EP'' (Anal Cunt album) * ''Live EP'' (Breaking Benjamin EP) * ''Live'' (Roxus EP) * ''Live'' (The Smithereens EP) *''CeCe Peniston (EP Live)'' *''Ozzy Osbourne Live E.P.'', 1980 *''Live EP (Live at Fashion Rocks)'', by David Bowie * ''Live EP'' (The Jam EP) Songs * "Live" (Russian song) * "Live" (Superfly song) * "Live" (The Merry-Go-Round song) Radio * BBC Radio 5 Live * CILV-FM, branded LiVE 88.5, a radio station in Ottawa, Canada Television * ''Live'' (South Korean TV series), a 2018 South Korean television series * ''Live'' (Danish TV series) *Live! (TV channel), Italy *'' Live! with Kelly'', US TV talk show Types of media *Live action (cinematography), a motion picture not produced using a ...
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Cavern Club
The Cavern Club is a nightclub on Mathew Street, Liverpool, England. The Cavern Club opened in 1957 as a jazz club, later becoming a centre of the rock and roll scene in Liverpool in the late 50s and early 1960s. The club became closely associated with Merseybeat and regularly played host to the Beatles in their early years.. The Cavern Club closed and opened on a new site in 1973 and was filled in during construction work on the Merseyrail underground rail loop. It reopened in 1984. History of the Cavern Club Early history Alan Sytner, having been inspired by the jazz district in Paris where there were a number of clubs in cellars, returned to Liverpool and strove to open a club similar to the Le Caveau de la Huchette jazz club. He eventually found a fruit warehouse where people were leasing the cellar, which had been used as an air raid shelter in World War II. Tropical fruit used to be stored there and during warm months the scent from the ripening fruit was absorbed int ...
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The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ...
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Ace Records (United Kingdom)
Ace Records Ltd. is a British record label founded in 1978. Initially the company only gained permission from the similarly named label based in Mississippi to use the name in the UK, but eventually also acquired the rights to publish their recordings.
When ' pop side was licensed to EMI in , Ace switched to more licensing and reissuing work. In the 1980s it also gained the licensing for , and its follow-up ...
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Earl Palmer
Earl Cyril Palmer (October 25, 1924 – September 19, 2008) was an American drummer. Considered one of the inventors of rock and roll, he is a member of the Rock and Roll Hall of Fame. Palmer was one of the most prolific studio musicians of all time and played on thousands of recordings, including nearly all of Little Richard's hits, all of Fats Domino's hits, "You've Lost That Lovin' Feelin'" by the Righteous Brothers, and a long list of classic TV and film soundtracks. According to one obituary, "his list of credits read like a Who's Who of American popular music of the last 60 years". Biography Born into a show-business family in New Orleans and raised in the Tremé district, Palmer started his career at five as a tap dancer, joining his mother and aunt on the black vaudeville circuit in its twilight and touring the country extensively with Ida Cox's Darktown Scandals Review. His father is thought to have been the local pianist and bandleader Walter "Fats" Pichon. Palmer ...
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Frank Fields
Frank Nomer Fields (May 2, 1914 – September 18, 2005) was an American double bass player who was involved in many R&B, rock and roll and jazz recordings made in New Orleans. He was born in Plaquemine, Louisiana. In the 1930s, he played with local jazz groups and with bandleader Claiborne Williams. After serving in the US Navy during World War II, he joined Dave Bartholomew's band as bass player, and became one of the key session musicians at Cosimo Matassa's J&M Studios in New Orleans, along with guitarist Ernest McLean, drummer Earl Palmer, pianist Salvador Doucette, and saxophonists Lee Allen and Red Tyler. Fields played on many of the seminal rhythm and blues and early rock and roll records made in New Orleans, including Fats Domino's " The Fat Man" (recorded in 1949), and many of Domino's later hits; Little Richard's "Tutti Frutti" (1955) and his later records on Specialty; and recordings by Professor Longhair, Smiley Lewis, Shirley & Lee, Lloyd Price, Huey "Piano ...
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