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Hess Old Style
Hess Old Style is an Antiqua (typeface class), old style serif font, designed by Sol Hess for Lanston Monotype based on designs of Nicolas Jenson from 1479. It was released in 1920 with a companion italic made available in 1923. It was intended by Monotype to compete with American Type Founders, ATF's popular ''Cloister (typeface), Cloister Old Style,'' but it is both neater and heavier, making it more suitable for hard-finish papers.MacGrew, Mac, ''American Metal Typefaces of the Twentieth Century,'' Oak Knoll Books, New Castle Delaware, 1993, pp 178 - 179, . Like most Jenson-inspired designs, it has a tilted cross-stroke on the 'e'. Copies As far as is known, this face was not copied by other foundries, nor was it emulated by any producer of Phototypesetting, cold type. A digital copy, including bold and extra-bold weights by Steve Jackaman, is part of the International TypeFounders "Red Rooster Collection". References Old style serif typefaces Letterpress typefaces Digi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiqua (typeface Class)
Antiqua () is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. Letters are designed to flow and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur-style typefaces where the individual strokes are broken apart. The two typefaces were used alongside each other in the germanophone world, with the Antiqua–Fraktur dispute often dividing along ideological or political lines. After the mid-20th century, Fraktur fell out of favor and Antiqua-based typefaces became the official standard. History Antiqua typefaces are typefaces designed between 1470 and 1600 AD, specifically those by Nicolas Jenson and the Aldine roman commissioned by Aldus Manutius and cut by Francesco Griffo. The letterforms were based on a synthesis of Roman inscriptional capitals and Carolingian writing. Florentine poet Petrarch was one of the few medieval authors to have touched on the handwriti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sol Hess
Sol Hess (born 1886, Philadelphia, PA – d. 1953) was an American typeface designer. After a three-year scholarship course at Pennsylvania Museum School of Industrial Design, he began at Lanston Monotype in 1902, rising to typographic manager in 1922. He was a close friend and collaborator with Monotype art director Frederic Goudy, succeeding him in that position in 1940. Hess was particularly adept at expanding type faces into whole families, allowing him to complete 85 faces for Monotype, making him America's fourth most prolific type designer. While he was with Monotype, Hess worked on commissions for many prominent users of type, including, Crowell-Collier, Sears Roebuck, Montgomery Ward, Yale University Press, World Publishing Company, and Curtis Publishing for whom he re-designed the typography of their Saturday Evening Post.MacGrew, p. 331. Typefaces designed by Sol Hess All faces cut by Lanston Monotype. * Hess Title + Italic (1910) ** ''Hess Title Italic'' (1911) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lanston Monotype
Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use with consumer electronics devices. Incorporated in Delaware and headquartered in Woburn, Massachusetts, the company has been responsible for many developments in printing technology—in particular the Monotype machine, which was a fully mechanical hotmetal typesetter, that produced texts automatically, all single type. Monotype was involved in the design and production of many typefaces in the 20th century. Monotype developed many of the most widely used typeface designs, including Times New Roman, Gill Sans, Arial, Bembo and Albertus. Via acquisitions including Linotype GmbH, International Typeface Corporation, Bitstream, FontShop, URW and Hoefler & Co., the company has gained the rights to major font families including Helvetica, ITC Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Janson
Nicholas Jenson (c. 1420 – 1480) was a French engraver, pioneer, printer and type designer who carried out most of his work in Venice, Italy. Jenson acted as Master of the French Royal Mint at Tours and is credited with being the creator of one of the finest early Roman typefaces. Nicholas Jenson has been something of an iconic figure among students of early printing since the nineteenth century when the artist William Morris praised the beauty and perfection of his roman font. Jenson is an important figure in the early history of printing and a pivotal force in the emergence of Venice as one of the first great centers of the printing press. History In October 1458, while acting as Master of the French Royal Mint, Jenson was sent to Mainz, by King Charles VII, to study the art of metal movable type. By the time Jenson arrived in Mainz, there were a number of established printers under which he could have been apprenticed. Jenson left Mainz in 1461. Some hypothesize that Jen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a "sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface "Bauer Bodoni" (sample shown here) includes fonts "Roman" (or "Regular"), " Bold" and ''" Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery mechanism of the typeface. In traditional typesetting, the font would be made from metal or wood type: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Jenson
Nicholas Jenson (c. 1420 – 1480) was a French engraver, pioneer, printer and type designer who carried out most of his work in Venice, Italy. Jenson acted as Master of the French Royal Mint at Tours and is credited with being the creator of one of the finest early Roman typefaces. Nicholas Jenson has been something of an iconic figure among students of early printing since the nineteenth century when the artist William Morris praised the beauty and perfection of his roman font. Jenson is an important figure in the early history of printing and a pivotal force in the emergence of Venice as one of the first great centers of the printing press. History In October 1458, while acting as Master of the French Royal Mint, Jenson was sent to Mainz, by King Charles VII, to study the art of metal movable type. By the time Jenson arrived in Mainz, there were a number of established printers under which he could have been apprenticed. Jenson left Mainz in 1461. Some hypothesize that Jens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Type Founders
American Type Founders (ATF) Co. was a business trust created in 1892 by the merger of 23 type foundries, representing about 85% of all type manufactured in the United States. De Vinne, Theodore Low, ''The Practice of Typography,'' Century Company, N.Y.C., 1922, p. 105. The new company, consisting of a consolidation of firms from throughout the United States, was incorporated in New Jersey. The American Type Founders Co. should not be confused with the American Type Founders’ Association—also called the Type Founders' Association of the United States. Both institutions are identified by the same acronym, ATF. The ATF Association was formed in 1864 and was responsible for establishing the American point system in 1886 based on 35 picas exactly equal to 35 cm. The ATF Co. was not formed until 1892. All but 6 of the 23 foundries in the company were members of the ATF Association. The American Type Founders Co. was the dominant American manufacturer of metal type from its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloister (typeface)
Cloister is a serif typeface that was designed by Morris Fuller Benton and published by American Type Founders from around 1913. It is loosely based on the printing of Nicolas Jenson in Venice in the 1470s, in what is now called the "old style" of serif fonts. American Type Founders presented it as an attractive but highly usable serif typeface, suitable both for body text and display use. Metal type release To ensure its versatility, Cloister was released in a wide selection of sizes and weights. This included an italic (ATF's design, as italics did not exist in Jenson's time) with swash capitals, an inline style and Cloister Initials, a set of initial capitals by Frederic Goudy to match. The practice of creating a wide range of variants of a successful face was a standard ATF practice in order to capitalise on a successful typeface's popularity and allow coherent layout and graphic design; its 1923 specimen book described its approach of creating families which could allow ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phototypesetting
Phototypesetting is a method of setting type. It uses photography to make columns of type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing (digital typesetting). The first phototypesetters quickly project light through a film negative of an individual character in a font, then through a lens that magnifies or reduces the size of the character onto photographic paper or film, which is collected on a spool in a light-proof canister. The paper or film is then fed into a processor, a machine that pulls the paper or film strip through two or three baths of chemicals, from which it emerges ready for paste-up or film make-up. Later phototypesetting machines used other methods, such as displaying a digitised character on a CRT screen. Phototypesetting offered numerous advantages over metal type, including the lack of need to keep heavy metal type and matrices in stock, the ability to use a much wider rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Jackaman
''yes'Steve is a masculine given name, usually a short form ( hypocorism) of Steven or Stephen Notable people with the name include: steve jops * Steve Abbott (other), several people * Steve Adams (other), several people * Steve Alaimo (born 1939), American singer, record & TV producer, label owner * Steve Albini (born 1961), American musician, record producer, audio engineer, and music journalist * Steve Allen (1921–2000), American television personality, musician, composer, comedian and writer * Steve Armitage (born 1944), British-born Canadian sports reporter * Steve Armstrong (born 1965), American professional wrestler * Steve Antin (born 1958), American actor * Steve Augarde (born 1950),arab author, artist, and eater * Steve Augeri (born 1959), American singer * Steve August (born 1954), American football player * Stone Cold Steve Austin (born 1964), American professional wrestler * Steve Aylett (born 1967), English author of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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