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Hermann Kretzschmar
August Ferdinand Hermann Kretzschmar (19 January 1848 – 10 May 1924) was a German musicologist and writer, and is considered a founder of hermeneutics in musical interpretation and study. Life and career Born in Olbernhau, Saxony, Kretzschmar was son of the organist and cantor Karl Dankegott Kretzschmar and Karoline Wilhelmine, née Leupold. He was from 1862 a student in the Kreuzschule in Dresden, where from 1867–1868 he was twice Prefect of the Dresdner Kreuzchor. In addition, from 1870 he studied Philology at Leipzig University as well as Music at the Leipzig Conservatory and was awarded his doctorate there. From 1871 he was actively teaching in Theory, Composition, Piano and Organ at the Leipzig Conservatory, and acted as director/conductor for various musical societies. In 1876 he spent a year as theatre orchestra conductor in Metz (described as an "adventurous episode"), and undertook research expeditions in England and Italy for the study of musical history; from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin University Of The Arts
The Universität der Künste Berlin (UdK; also known in English as the Berlin University of the Arts), situated in Berlin, Germany, is the largest art school in Europe. It is a public art and design school, and one of the four research universities in the city. The university is known for being one of the biggest and most diversified universities of the arts worldwide. It has four colleges specialising in fine arts, architecture, media and design, music and the performing arts with around 3,500 students. Thus the UdK is one of only three universities in Germany to unite the faculties of art and music in one institution. The teaching offered at the four colleges encompasses the full spectrum of the arts and related academic studies in more than 40 courses. Having the right to confer doctorates and post-doctoral qualifications, Berlin University of the Arts is also one of Germany's few art colleges with full university status. Outstanding professors and students at all its colleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schlachtensee
Schlachtensee () is a lake in the south west of Berlin, in the Steglitz-Zehlendorf borough (in the quarters of Schlachtensee), on the edge of the Grunewald forest. The lake lends its name to the surrounding area and to the nearby ''Studentendorf Schlachtensee'', a student residence. The area has been part of Berlin since 1920. Geography and Paul-Ernst Park Schlachtensee is the most southerly in the Grunewald chain of lakes, which belongs geologically to the Teltow plateau Teltow [] is both a geological plateau and also a historical region in the German states of Brandenburg and Berlin. As an historical region, the Teltow was one of the eight territories out of which the March of Brandenburg was formed in the 12th an ..., and was emerged some 15,000 years ago from the ice age as a glacial trough. With a surface area of around , a circumference of and a maximum depth of , it is one of the larger lakes in Berlin. The lake is popularly used for walking and for swimming, due to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin
Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constituent states, Berlin is surrounded by the State of Brandenburg and contiguous with Potsdam, Brandenburg's capital. Berlin's urban area, which has a population of around 4.5 million, is the second most populous urban area in Germany after the Ruhr. The Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Germany's third-largest metropolitan region after the Rhine-Ruhr and Rhine-Main regions. Berlin straddles the banks of the Spree, which flows into the Havel (a tributary of the Elbe) in the western borough of Spandau. Among the city's main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel and Dahme, the largest of which is Lake Müggelsee. Due to its l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Affect (psychology)
Affect, in psychology, refers to the underlying experience of feeling, emotion or mood. History The modern conception of affect developed in the 19th century with Wilhelm Wundt. The word comes from the German ''Gefühl'', meaning "feeling." A number of experiments have been conducted in the study of social and psychological affective preferences (i.e., what people like or dislike). Specific research has been done on preferences, attitudes, impression formation, and decision-making. This research contrasts findings with recognition memory (old-new judgments), allowing researchers to demonstrate reliable distinctions between the two. Affect-based judgments and cognitive processes have been examined with noted differences indicated, and some argue affect and cognition are under the control of separate and partially independent systems that can influence each other in a variety of ways (Zajonc, 1980). Both affect and cognition may constitute independent sources of effects within ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absolute Music
Absolute music (sometimes abstract music) is music that is not explicitly 'about' anything; in contrast to program music, it is non- representational.M. C. Horowitz (ed.), ''New Dictionary of the History of Ideas'', , vol.1, p. 5 The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony. The aesthetic ideas underlying absolute music derive from debates over the relative value of what was known in the early years of aesthetic theory as the fine arts. Kant, in his '' Critique of Judgment'', dismissed music as "more a matter of enjoyment than culture" and "less worth in the judgement of reason than any other of the fine arts" because of its lack of conceptual content, thus treating as a deficit the very feature of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Hanslick
Eduard Hanslick (11 September 18256 August 1904) was an Austrian music critic, aesthetician and historian. Among the leading critics of his time, he was the chief music critic of the ''Neue Freie Presse'' from 1864 until the end of his life. He was a conservative critic and championed absolute music over programmatic music for much of his career. As such, he sided with and promoted the faction of Robert Schumann and Johannes Brahms in the so-called "War of the Romantics", often deriding the works of composers such as Franz Liszt and Richard Wagner. His best known work, the 1854 treatise ''Vom Musikalisch-Schönen'' (''On the Musically Beautiful''), was a landmark in the aesthetics of music and outlines much of his artistic and philosophical beliefs on music. Biography Hanslick was born in Prague (then in the Austrian Empire), the son of Joseph Adolph Hanslik, a bibliographer and music teacher from a German-speaking family, and one of Hanslik's piano pupils, the daughter of a J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedhof Nikolassee - Grab Hermann Kretzschmar
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Friedhof is German for ''cemetery''. See: * List of cemeteries in Germany ** List of cemeteries in Berlin *** Städtischer Friedhof III *** Weißensee Cemetery *** Zentralfriedhof Friedrichsfelde * Friedhof Fluntern, Fluntern Cemetery, Zürich, Switzerland * Friedhof von Ziegelskoppel, Kopli cemetery, Kopli, Estonia See also * Hugo Friedhofer Hugo Wilhelm Friedhofer (May 3, 1901May 17, 1981) was an American composer and cellist best known for his motion picture scores. Biography Hugo Wilhelm Friedhofer was born in San Francisco, California, United States. His father, Paul, was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Niemann (composer)
Walter Rudolph Niemann (10 October 1876 – 17 June 1953) was a German composer, arranger, and music critic. Life Born in Hamburg, Niemann was the son of composer and virtuoso pianist Rudolph Niemann (1838–1898). His uncle, Gustav Adolph Niemann (1843–1881) was a violinist and important musical figure in Helsinki. Walter Niemann studied with Engelbert Humperdinck as a youth in Leipzig. He then entered the Leipzig Conservatory where he was a pupil of Carl Reinecke. He pursued doctoral studies in musicology at the University of Leipzig under Hugo Riemann and Hermann Kretzschmar, earning a doctorate in 1901. His dissertation was on early ligatures and mensural music. Niemann first worked as a teacher in Hamburg then served as the editor of the ''Neue Zeitschrift für Musik'' in Leipzig from 1904 to 1906. From 1907 through 1917 he was a writer and critic for the ''Neueste Nachrichten'' in Leipzig. He also taught during those years on the faculty of the Hamburg Conservatory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach. Life He was born in , near Hoya, and his father, also called Philipp Spitta, was a theologian and wrote the Protestant collection of hymns entitled ''Psalter und Harfe''. As a child, the younger Spitta learnt the piano, pipe organ, and musical composition. He studied theology and classical philology at the University of Göttingen from 1860, graduating in 1864 with a Ph.D. for a dissertation on Tacitus (''Der Satzbau bei Tacitus'', 1866). While at university, he composed, wrote a biography of Robert Schumann, and became friends with Johannes Brahms. He became a teacher of Ancient Greek and Latin language in, successively, Reval, Sondershausen, and Leipzig, while pursuing his interest in and lecturing on music history in general and Johann Sebastian Bach in particular. His Bach study began to be publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Embe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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