Here Comes The Night
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Here Comes The Night
"Here Comes the Night" is a 1964 song, written by Bert Berns. It became a hit for Northern Irish band Them, fronted by Van Morrison, in March 1965, charting at No. 2 in the UK and No. 24 in the US. Them's single is listed at either No. 33 or No. 36 in the Top 100 best-selling UK singles during the calendar year 1965, depending on source. The song was originally released as a single in both the UK and the US. by another Decca Records' artiste, Lulu, in November 1964. Lulu's recording charted at No. 50 in the UK,Rogan, ''No Surrender'', p. 102 and failed to chart at all in the US. Recording and history Them's version of the song was the second Them track produced by Bert Berns and the first occasion that Them recorded one of his compositions. It was recorded in a session at Decca Studios in West Hampstead, London in October 1964 along with "Baby, Please Don't Go" and "All For Myself". Jimmy Page played guitar on this arrangement. Andy White and Tommy Scott performed backing voc ...
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Them (band)
Them were a rock group formed in Belfast, Northern Ireland, in April 1964, most prominently known for the rock standard "Gloria (Them song), Gloria" and launching singer Van Morrison's musical career. The original five-member band consisted of Morrison, Alan Henderson, Ronnie Milling, Billy Harrison and Eric Wrixon. Them scored two UK hits in 1965 with "Baby, Please Don't Go" (UK No. 10) and "Here Comes the Night" (UK No. 2; Ireland No. 2). The latter song and "Mystic Eyes" were top 40 hits in the US. Morrison quit the band in 1966 and went on to a successful career as a solo artist. Despite their relatively few hit singles, the Belfast group had considerable influence on other bands, such as the Doors. The band's 1964 recording of "Gloria (Them song), Gloria" was inducted into the Grammy Hall of Fame in 1999. It was rated at No.69 on Dave Marsh's 1989 book, ''The Heart of Rock and Soul, The 1001 Greatest Singles Ever'' and "Mystic Eyes" was rated at No.458. "Gloria" was liste ...
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Gloria (Them Song)
"Gloria" is a rock song written by Northern Irish singer-songwriter Van Morrison, and originally recorded by Morrison's band Them in 1964. It was released as the B-side of "Baby, Please Don't Go". The song became a garage rock staple and a part of many rock bands' repertoires. Composition and recording According to Morrison, he wrote "Gloria" while performing with the Monarchs in Germany in the summer of 1963, at just about the time he turned 18 years old. He started to perform it at the Maritime Hotel when he returned to Belfast and joined up with the Gamblers to form the band Them. He would ad-lib lyrics as he performed, sometimes stretching the song to 15 or 20 minutes. After signing a contract with Dick Rowe and Decca, Them went to London for a recording session at Decca Three Studios in West Hampstead on 5 April 1964; "Gloria" was one of the seven songs recorded that day. Besides Morrison, present were Billy Harrison on guitar, Alan Henderson on bass guitar, Ronnie Millings ...
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It's Too Late To Stop Now
''It's Too Late to Stop Now'' is a 1974 live double album by Northern Irish singer-songwriter Van Morrison. It features performances that were recorded in concerts at the Troubadour in Los Angeles, California, the Santa Monica Civic Auditorium, and the Rainbow in London, during Morrison's three-month tour with his eleven-piece band, the Caledonia Soul Orchestra, from May to July 1973. Frequently named as one of the best live albums ever, ''It's Too Late to Stop Now'' was recorded during what has often been said to be the singer's greatest phase as a live performer. Volumes II, III and IV of the album were released as a box-set in 2016, also including a DVD. Tour and performances Noted for being a mercurial and temperamental live performer, during this short period of time in 1973, Morrison went on one of his most diligent tours in years. With his eleven-piece band, The Caledonia Soul Orchestra, which included a horn and string section, he has often been said to have been at hi ...
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Back-beat
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as funk ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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Cash Box
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Deram Records
Deram Records was a subsidiary record label of Decca Records established in the United Kingdom in 1966. At the time, U.K. Decca was a different company from the Decca label in the United States, which was owned by MCA Inc. Deram recordings were distributed in the U.S. through UK Decca's American branch known as London Records. Deram was active until 1979, then continued as a reissue label. 1966–1968 In the 1960s Decca recording engineers experimented with ways of improving stereo recordings. They created a technique they named "Decca Panoramic Sound." The term "Deramic" was created as abbreviation of this. The new concept "allowed for more space between instruments, rendering these sounds softer to the ear." Early stereo recordings of popular music usually were mixed with sounds to the hard left, centre, or hard right only. This was because of the technical limitations of the professional 4-track reel-to-reel recorders which were considered state of the art until 1967. ...
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Irish Singles Chart
The Irish Singles Chart is the Republic of Ireland's music industry standard singles popularity chart issued weekly by the Irish Recorded Music Association (IRMA) and compiled on their behalf by the Official Charts Company. Chart rankings are based on sales, which are compiled through over-the-counter retail data captured electronically each day from retailers' EPOS systems. All major record shops, digital retailers and streaming services contribute to the chart, accounting for over 95% of the market. A new chart is compiled and officially released to the public by the Irish Recorded Music Association on Friday at noon. Each chart is dated with the "week-ending" date of the previous Thursday (i.e., the day before issue). The singles chart was first published on 1 October 1962, and covered the top ten singles of the previous week by record label shipments. History The charts were first broadcast on RTÉ on 1 October 1962. Before this charts had been printed in the ''Evening Herald ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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Top Of The Pops
''Top of the Pops'' (''TOTP'') is a British Record chart, music chart television programme, made by the BBC and originally broadcast weekly between 1January 1964 and 30 July 2006. The programme was the world's longest-running weekly music show. For most of its history, it was broadcast on Thursday evenings on BBC One. Each show consisted of performances of some of the week's best-selling popular music records, usually excluding any tracks moving down the chart, including a rundown of that week's singles chart. This was originally the Top 20, though this varied throughout the show's history. The Top 30 was used from 1969, and the Top 40 from 1984. Dusty Springfield's "I Only Want to Be with You" was the first song featured on ''TOTP'', while the Rolling Stones were the first band to perform, with "I Wanna Be Your Man". Snow Patrol were the last act to play live on the weekly show when they performed their single "Chasing Cars". Special editions were broadcast on Christmas Day ...
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Ready Steady Go!
''Ready Steady Go!'' (or ''RSG!'') was a British rock/pop music television programme broadcast every Friday evening from 9 August 1963 until 23 December 1966. It was conceived by Elkan Allan, head of Rediffusion TV. Allan wanted a light entertainment programme different from the low-brow style of light entertainment transmitted by ATV. The programme was produced without scenery or costumes and with a minimum of choreography and make-up. Allan recruited a fellow journalist, Francis Hitching, as producer. Hitching became a major figure in light entertainment in the 1960s. Robert Fleming was the first director, followed by the documentary director Rollo Gamble, then Michael Lindsay-Hogg, Daphne Shadwell and Peter Croft. The programme was produced by Associated-Rediffusion, the weekday ITV contractor for London, called Rediffusion-London after 1964. The live show was eventually networked nationally. The show gained its highest ratings on 20 March 1964 when it featured the Beatle ...
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