Here Come The Girls Tour
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Here Come The Girls Tour
Here Come the Girls was a co-headlining concert tour by American recording artists Anastacia and Chaka Khan and Scottish recording artist Lulu. The tour, primarily reaching Europe, began in November 2009. Described as a music extravaganza that mixes high octane, high camp, get up and dance songs, against a backdrop of glamour and fun, the trek became a hit, selling out all 20 dates in 2009. Due to demand, the tour continued into 2010, with English singer Heather Small replacing Chaka Khan. The tour became praised by both critics and spectators alike. At the time, concert promoters speculated about a 2011 extension of the tour into Continental Europe and North America. The show consisted mostly of covering songs because (collectively) the girls wanted to sing the music that inspired them versus singing only original material. The singers did solo selections but sang a majority of the songs as a trio. Singer Anastacia described the show as,''" ..an amazing, fun party like atmosph ...
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Anastacia
Anastacia Lyn Newkirk ( ; born September 17, 1968) is an American singer, songwriter and former dancer. Her first two albums '' Not That Kind'' (2000) and '' Freak of Nature'' (2001) were released in quick succession to major success. Spurred on by the multi-platinum, global smash "I'm Outta Love", Anastacia was awarded as the 'World's Best-Selling New Female Pop Artist' in 2001. Her commercial success continued with international hits such as "Paid My Dues", " One Day In Your Life" and the official song of the 2002 FIFA World Cup, "Boom". After recovering from cancer, she returned with 2004's '' Anastacia'' which deviated from previous albums into pop-rock. Peaking at number one in 11 countries, it became Europe's second-biggest-selling album of the year. Its lead single "Left Outside Alone" remained at number one on the European ''Billboard'' chart for 15 weeks and helped Anastacia launch the most successful European tour by a solo artist that same year.
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Relight My Fire
"Relight My Fire" is a popular disco song written and released by American musician, singer, songwriter, and record producer Dan Hartman as the title track from his 1979 album of the same name. It was also performed by Costa Anadiotis' band Café Society in 1984 and British boy band Take That (with Lulu in a featured role) in 1993, five months before Hartman died. Dan Hartman original version Originally released in 1979 as the follow-up to "Instant Replay", "Relight My Fire" topped the United States dance charts for six weeks from December 12, 1979, to February 16, 1980; it was less successful in the UK, however, where it failed to chart. Loleatta Holloway is credited as a featured vocalist on some versions of the record, singing the "strong enough to walk on through the night" refrain. The song's strings and horns were played by MFSB and conducted by longtime MFSB member Don Renaldo. The 12" version includes a 4½-minute intro called "Vertigo", often used in discos as a floor-f ...
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Mercy (Duffy Song)
"Mercy" is a song performed by Welsh singer Duffy (singer), Duffy, released as the second single from her debut studio album, ''Rockferry'' (2008). Co-written by Duffy and Steve Booker (producer), Steve Booker and produced by Booker, it was released worldwide in 2008 to critical acclaim and unprecedented chart success. As Duffy's first international release, the song is credited with firmly establishing her career and is now considered her signature song. "Mercy" received comparisons to Duffy's previous single, "Rockferry (song), Rockferry". Critical reviewers of "Mercy" noted similarities between the song to releases by Aretha Franklin, Dusty Springfield and the Supremes, as well as contemporaries such as singer Amy Winehouse. "Mercy" was nominated for several awards in 2008, including the Grammy Award for Best Female Pop Vocal Performance at the 51st Grammy Awards. Well received by the public, "Mercy" peaked at number one on the UK Singles Chart in February 2008, remaining ato ...
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Dancing In The Street
"Dancing in the Street" is a song written by Marvin Gaye, William "Mickey" Stevenson and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha Reeves & The Vandellas whose version reached No. 2 on the ''Billboard'' Hot 100 chart and peaked at No. 4 in the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song. In 1965 Cilla Black included this song on her first LP, recorded with help from The Beatles and produced by George Martin. A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the ''RPM'' chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra, and The Struts. M ...
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You Keep Me Hangin' On
"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown girl group the Supremes, reaching number one on the ''Billboard'' Hot 100. American rock band Vanilla Fudge released a cover version in June of the following year, which reached number six on the ''Billboard'' Hot 100. English singer Kim Wilde covered "You Keep Me Hangin' On" in 1986, reaching number one on the ''Billboard'' Hot 100 in June 1987. In the first 32 years of the ''Billboard'' Hot 100 rock era, "You Keep Me Hangin' On" became one of six songs to reach number one by two different musical acts. In 1996, American country singer Reba McEntire's version reached number two on the US ''Billboard'' Hot Dance Club Play chart. The BBC ranked the Supremes' original song at number 78 on ''The Top 100 Digital Motown Chart'', which ranks Motown releases by their all-time UK downloads and streams. The Supremes original version Background "You Keep ...
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Baby Love
"Baby Love" is a song by American music group the Supremes from their second studio album, ''Where Did Our Love Go''. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on September 17, 1964. "Baby Love" topped the ''Billboard'' pop singles chart in the United States from October 25, 1964, through November 21, 1964, and in the United Kingdom pop singles chart concurrently. Beginning with "Baby Love", the Supremes became the first Motown act to have more than one American number-one single, and by the end of the decade, would have more singles hitting the top slot than any other Motown act (or American pop music group) with 12, a record they continue to hold. It was nominated for the 1965 Grammy Award for Best Rhythm & Blues Recording, losing to Nancy Wilson's "How Glad I Am". It is considered one of the most popular songs of the late 20th century, "Baby Love" was ranked number 324 on the ''Rolling Stone'' list of The 500 ...
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Stop! In The Name Of Love
"Stop! In the Name of Love" is a 1965 song recorded by the Supremes for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "Stop! In the Name of Love" held the #1 position on the ''Billboard'' pop singles chart in the United States from March 27, 1965, through April 3, 1965, and reached the #2 position on the soul chart. ''Billboard'' named the song #38 on their list of 100 Greatest Girl Group Songs of All Time. The BBC ranked "Stop! In the Name of Love" at #56 on ''The Top 100 Digital Motown Chart'', which ranks Motown releases by their all time UK downloads and streams. In 2021, it was listed at No. 254 on Rolling Stone's "Top 500 Greatest Songs of All Time". History The song was written by Eddie Holland, Lamont Dozier, and Brian Holland. Dozier said that he got the idea after he got cheated on by his girlfriend. In the heat of the argument, he said, "Baby, please stop. In the name of love- before you break my heart." The ...
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Soul Man (song)
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone Magazine in 2010 and No. 458 in 2004. Song history and background Co-author Isaac Hayes found the inspiration for "Soul Man" in the turmoil of the Civil Rights Movement of the 1960s. In July 1967, watching a television newscast of the aftermath of the 12th Street riot in Detroit, Michigan, Hayes noted that black residents had marked buildings that had not been destroyed during the riots – mostly African-American owned and operated institutions – with the word "soul". Relating this occurrence to the biblical st ...
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I Can't Turn You Loose
"I Can't Turn You Loose" is a song written and first recorded by American soul singer Otis Redding. It was released as the B-side to his 1965 single "Just One More Day". The up-tempo song became a bigger hit on the US R&B chart than its A-side and was one of Redding's signature songs and often appeared in his live performances. Chart history Cover versions *In 1968, the Chambers Brothers The Chambers Brothers are an American psychedelic soul band, best known for their eleven-minute 1967 psychedelic soul hit " Time Has Come Today". The group was part of the wave of new music that integrated American blues and gospel traditions w ...' version of this song reached number 37 on the ''Billboard'' Hot 100 singles chart. References {{authority control Otis Redding songs The Chambers Brothers songs Songs written by Otis Redding 1965 songs 1965 singles 1968 singles Atco Records singles The Blues Brothers songs ...
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Signed, Sealed, Delivered I'm Yours
"Signed, Sealed, Delivered (I'm Yours)" is a soul song, by American musician Stevie Wonder, released in June 1970 as a single on Motown's Tamla label. It spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. In the same year, the song was also released on the album '' Signed, Sealed & Delivered''. The song was arranged by Paul Riser and features an electric sitar played by Eddie "Chank" Willis. In the lyrics, the singer has left his girlfriend but realizes it was a mistake. "I've done a lot of foolish things that I really didn't mean." Now he has returned, making the commitment that he's back, similar to a special delivery package from the post office, "signed, sealed, delivered, I'm yours." The song was a series of firsts for the 20-year-old Wonder: "Signed, Sealed, Delivered (I'm Yours)" was the first single Wonder produced on his own, and was also the first to feature his female backup singing group composed of Lynda Tuck ...
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Ain't Too Proud To Beg
"Ain't Too Proud to Beg" is a 1966 song and hit single by The Temptations for Motown Records' Gordy label, produced by Norman Whitfield and written by Whitfield and Edward Holland Jr. The song peaked at number 13 on the Billboard Pop Chart, and was a number-one hit on the Billboard R&B charts for eight non-consecutive weeks. The song's success, in the wake of the relative underperformance of the previous Temptations single, " Get Ready", resulted in Norman Whitfield replacing Smokey Robinson, producer of "Get Ready", as The Temptations' main producer. In 2004 it finished #94 in AFI's 100 Years...100 Songs poll thanks to its inclusion in '' The Big Chill'' soundtrack. Background Motown had a policy that the producer who had the biggest hits on a particular artist was assigned as the main producer for that artist, and was given preference when singles were selected for release by Motown's Quality Control department. By 1966, Motown artist, songwriter, and producer Smokey Rob ...
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The Beat Goes On (Sonny & Cher Song)
"The Beat Goes On" is a song written and composed by Sonny Bono and recorded by Sonny & Cher. It was issued as a single and appeared on their 1967 album '' In Case You're in Love.'' It entered the ''Billboard'' Hot 100 chart on January 14, 1967, peaking at number six. Song information The backing music for the song was recorded using the renowned group of Los Angeles session musicians who, in time, came to be known collectively as " The Wrecking Crew." The arrangement is credited to Harold Battiste, but Wrecking Crew bassist Carol Kaye asserts that at the session she devised the distinctive syncopated bass line that is featured on the released recording, replacing the original walking bass line in the prepared arrangement: :Songfacts: "What's an example of one of the songs that you guys really added to and made it into a hit?" :Carol Kaye: "Well, "The Beat Goes On" is a biggie. I mean, it was a nothing song, and then the bass line kind of made that. But you'd have to say all o ...
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