|
Herbert Reynolds (lyricist)
Michael Elder Rourke (14 July 186726 August 1933), who assumed the pen name Herbert Reynolds in 1913, was an Irish-American lyricist. Reynolds wrote the lyrics to Jerome Kern's first big hit, "They Didn't Believe Me", interpolated into the 1914 American version of '' The Girl from Utah'', produced by Charles Frohman. The show had a successful run of 140 performances at the Knickerbocker Theatre, opening on August 14, 1914. Frohman had hired the young Kern to write five new songs for the score together with Reynolds to strengthen what he felt was a weak first act. Julia Sanderson and Donald Brian starred in the production. He shared the lyric writing with P. G. Wodehouse in ''Miss Springtime'' (1916), with additional music by Kern. Reynolds went on to collaborate with Kern and several other lyricists on the Broadway musical ''Very Good Eddie'' with a book by Guy Bolton and Philip Bartholomae, and again in ''Rock-a-Bye Baby "Rock-a-bye baby in the tree top" (sometimes "Hus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Didn't Believe Me Cover
In Modern English, ''they'' is a third-person pronoun relating to a grammatical subject. Morphology In Standard Modern English, ''they'' has five distinct word forms: * ''they'': the nominative (subjective) form * ''them'': the accusative (objective, called the 'oblique'.) and a non-standard determinative form. * ''their:'' the dependent genitive (possessive) form * ''theirs'': independent genitive form * ''themselves'': prototypical reflexive form *''themself'': derivative reflexive form (nonstandard; now chiefly used instead of "himself or herself" as a reflexive epicenity for ''they'' in pronominal reference to a singular referent) History Old English had a single third-person pronoun '' hē'', which had both singular and plural forms, and ''they'' wasn't among them. In or about the start of the 13th century, ''they'' was imported from a Scandinavian source (Old Norse ''þeir'', Old Danish, Old Swedish ''þer'', ''þair''), where it was a masculine plural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Springtime
Miss (pronounced ) is an English language honorific typically used for a girl, for an unmarried woman (when not using another title such as "Doctor" or " Dame"), or for a married woman retaining her maiden name. Originating in the 17th century, it is a contraction of ''mistress''. Its counterparts are Mrs., used for a married women who has taken her husband's name, and Ms., which can be used for married or unmarried women. The plural ''Misses'' may be used, such as in ''The Misses Doe''. The traditional French "Mademoiselle" (abbreviation "Mlle") may also be used as the plural in English language conversation or correspondence. In Australian, British, and Irish schools the term 'miss' is often used by pupils in addressing any female teacher. Use alone as a form of address ''Miss'' is an honorific for addressing a woman who is not married, and is known by her maiden name. It is a shortened form of ''mistress'', and departed from ''misses/missus'' which became used to signify mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Musical Theatre Lyricists
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock-a-Bye Baby (musical)
"Rock-a-bye baby in the tree top" (sometimes "Hush-a-bye baby in the tree top") is a nursery rhyme and lullaby. It has a Roud Folk Song Index number of 2768. Words First publication The rhyme is believed to have first appeared in print in ''Mother Goose's Melody'' (London c. 1765), possibly published by John Newbery, and which was reprinted in Boston in 1785. No copies of the first edition are extant, but a 1791 edition has the following words: A reproduction of ''Mother Goose's Melody : Or, Sonnets for the Cradle'', published by Francis Power (grandson to the late Mr J Newbery), London, 65 St Paul's Chuchyard, 1791. The rhyme is followed by a note: "This may serve as a warning to the proud and ambitious, who climb so high that they generally fall at last." Modern versions Modern versions often alter the opening words to "Rock-a-bye", a phrase that was first recorded in Benjamin Tabart's ''Songs for the Nursery'' (London, 1805). A 2021 National Literacy Trust example h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Bolton
Guy Reginald Bolton (23 November 1884 – 4 September 1979) was an Anglo-American playwright and writer of musical comedies. Born in England and educated in France and the US, he trained as an architect but turned to writing. Bolton preferred working in collaboration with others, principally the English writers P. G. Wodehouse and Fred Thompson, with whom he wrote 21 and 14 shows respectively, and the American playwright George Middleton, with whom he wrote ten shows. Among his other collaborators in Britain were George Grossmith Jr., Ian Hay and Weston and Lee. In the US, he worked with George and Ira Gershwin, Kalmar and Ruby and Oscar Hammerstein II. Bolton is best known for his early work on the Princess Theatre musicals during the First World War with Wodehouse and the composer Jerome Kern. These shows moved the American musical away from the traditions of European operetta to small scale, intimate productions with what the ''Oxford Encyclopedia of Popular Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Very Good Eddie
''Very Good Eddie'' is a musical with a book by Guy Bolton and Philip Bartholomae, music by Jerome Kern, and lyrics by Schuyler Greene, with additional lyrics by Elsie Janis, Herbert Reynolds, Harry B. Smith, John E. Hazzard, Ring Lardner and Jerome Kern, and additional music by Henry Kailimai. The story was based on the farce ''Over Night'' by Bartholomae. The farcical plot concerns three couples and a sex-crazed voice teacher who board a Hudson River Day Line boat in Poughkeepsie, New York. Chaos ensues when two of the couples cross paths and accidentally trade partners. The vaudeville-style adventure continues at a hotel, where guests pop in and out of rooms while an inebriated desk clerk tries to sort through the madness. The show was the second of the series of "Princess Theatre musicals" and was a hit for Bolton and Kern, running for 341 performances and leading to revivals and further successful collaborations. Background Early in the 20th century, American musical theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadway Theatre
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (namely the Broadwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Brian
Donald Brian (February 17, 1877 – December 22, 1948) was an actor, dancer and singer born in St. John's, Newfoundland (now Newfoundland and Labrador, Canada). In 1907, he starred in the hit operetta ''The Merry Widow''. Life and career Brian, a tenor, was employed in a Boston machine shop and, at the age of 16, began performing with a vocal quartet. When he joined a theatrical troupe in New York City, he was soon in demand as a leading man. He had leading roles in more than 20 Broadway musicals. In 1915 Brian signed with film producer Jesse L. Lasky to do two films, ''The Voice in the Fog'' (1915) and '' The Smugglers'' (1916). After the latter he made no more film appearances until the sound era. His first sound film was an excerpt of his role in ''Peggy O'Hooligan'' (1925), made in the DeForest Phonofilm sound-on-film process. Brian was president of the Catholic Actors Guild of America. He was married twice—to Florence Meagher Gleason Pope in 1910, and second t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyricist
A lyricist is a songwriter who writes lyrics (the spoken words), as opposed to a composer, who writes the song's music which may include but not limited to the melody, harmony, arrangement and accompaniment. Royalties A lyricist's income derives from royalties received from original songs. Royalties may range from 50 per cent of the song if it was written primarily with the composer, or less if they wrote the song in collaboration. Songs are automatically copyrighted as soon as they are in tangible forms, such as a recording or sheet music. However, before a song is published or made public, its author or publisher should register it with the Copyright Office at the US Library of Congress to better protect against copyright infringement. Collaborations Collaboration takes different forms. Some composers and lyricists work closely together on a song, with each having an input into both words and tune. Usually a lyricist fills in the words to a tune already fully written ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Sanderson
Julia Sanderson (born Julia Ellen Sackett; August 27, 1887 – January 27, 1975) was a Broadway actress and singer. In 1887, she was born in Springfield, Massachusetts to parents Albert H. Sackett (also a Broadway actor) and Jeanette Elvira Sanderson. She used her mother's maiden name as her stage name. She appeared in the Forepaugh Circus (based in Philadelphia) as a child. She then moved to Broadway, where she appeared in Jerome Kern musicals. She was a hit in England, but returned to the United States. Stage career She was first managed within the family circle as a child and teenaged actor, with assistance from her Broadway-experienced father and her mother. At the age of 18 she was in a show called "Brewster's Millions". She then played in the chorus of "Winsome Winnie" and as understudy to actress Miss Paula Edwardes. She was also considered for a part in a show called "The Motor Girl", considered appropriate because of her interest and ownership of the early automobile. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knickerbocker Theatre (Broadway)
The Knickerbocker Theatre, previously known as Abbey's Theatre and Henry Abbey's Theatre, was a Broadway theatre located at 1396 Broadway (West 38th Street) in New York City. It operated from 1893 to 1930. In 1906, the theatre introduced the first moving electrical sign on Broadway to advertise its productions. History The 1500-seat theatre was designed by the architectural firm of J. B. McElfatrick & Co. It opened as Abbey's Theatre, named after Broadway theatre manager and producer Henry Eugene Abbey, on November 8, 1893 with a production of the melodrama ''The Countess Valeska''. In the mid-1890s, Lillian Russell starred at the theatre, including in '' The Queen of Brilliants'', a flop. Following Abbey's death in 1896, Al Hayman and the Theatrical Syndicate group took control of the theatre and rechristened it the Knickerbocker. In its early years, the theatre hosted productions of Shakespeare's plays and Edwardian musical comedy. Several of Victor Herbert's operettas prem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
