Her Husband's Wife
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Her Husband's Wife
''Her Husband's Wife'' (german: Der Mann seiner Frau) is a 1926 German silent film directed by Felix Basch and starring Nils Asther, Lucy Doraine, and Erich Kaiser-Titz. Cast * Nils Asther * Lucy Doraine * Erich Kaiser-Titz * Rudolf Klein-Rogge *Olga Belajeff * Olga Limburg * Sophie Pagay *Albert Paulig *Luigi Serventi Luigi Serventi (31 July 1885 – 18 August 1976) was an Italian film actor. Partial filmography * ''Il prezzo del perdono'' (1913) * ''Bianco contro negro'' (1913) * ''La lega dei diamanti'' (1913) * ''La parola che uccide'' (1914) * ''La dote d ... References External links * Films of the Weimar Republic German silent feature films Films directed by Felix Basch German black-and-white films {{Germany-silent-film-stub ...
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Felix Basch
Felix Basch (1885–1944) was an American- Austrian actor, screenwriter and film director. He first acted in Vienna, and he was a producer and director for the German film production company U. F. A. Following the Nazi takeover of power in Germany in 1933, the Jewish Basch was forced out of films and went into exile, moving to the United States where he appeared in a large number of films acting in character roles. He was married to the actress and singer Grete Freund and was the father of Peter Basch. Richard Tauber was a second cousin of his . According to U.S. immigration entry records, he gained his American citizenship through his father. Basch died May 18, 1944, at Cedars of Lebanon Hospital in Hollywood, California, after several major operations. Selected filmography Actor Director * '' The Rose of Stamboul'' (1919) * '' Patience'' (1920) * '' Mascotte'' (1920) * '' Roswolsky's Mistress'' (1921) * '' Hannerl and Her Lovers'' (1921) * '' Miss Julie'' (1922) * ' ...
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Rudolf Klein-Rogge
Friedrich Rudolf Klein (24 November 1885 – 29 May 1955), better known as Rudolf Klein-Rogge, was a German film actor, best known for playing sinister figures in films in the 1920s and 1930s as well as being a mainstay in director Fritz Lang's Weimar-era films. He is probably best known in popular culture, particularly to English-speaking audiences, for playing the archetypal mad scientist role of C. A. Rotwang in Lang's ''Metropolis'' and as the criminal genius Doctor Mabuse. Klein-Rogge also appeared in several important French films in the late 1920s and early 1930s. Biography Friedrich Rudolf Klein was born in Cologne, Germany on 24 November 1885. His father, Hermann Rudolf Klein, was a military lawyer who served as (the equivalent of Judge Advocate General) for the 15th Division of the Prussian Army, garrisoned at Cologne. His mother, Maria Bertha Emma Rose, was the daughter of a prominent landowner () in Lichteinen, East Prussia. The elder Klein hoped his son would fol ...
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German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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Luigi Serventi
Luigi Serventi (31 July 1885 – 18 August 1976) was an Italian film actor. Partial filmography * ''Il prezzo del perdono'' (1913) * ''Bianco contro negro'' (1913) * ''La lega dei diamanti'' (1913) * ''La parola che uccide'' (1914) * ''La dote del burattinaio'' (1914) * ''Dopo il veglione'' (1914) * ''Vizio atavico'' (1914) * ''La conquista dei diamanti'' (1914) * ''La fuga degli amanti'' (1914) * ''Mezzanotte'' (1915) * ''Passa la guerra'' (1915) * ''Il figlio della guerra'' (1916) * ''La piccola ombra'' (1916) * '' The Courier of Moncenisio'' (1916) * ''Cavalleria rusticana'' (1916) * ''Il malefico anello'' (1916) * ''Mimì e gli straccioni'' (1916) * ''La crociata degli innocenti'' (1917) * ''Il re, le Torri e gli Alfieri'' (1917) - Rolando, re di Fantasia * ''La Bohème'' (1917) * ''Le mogli e le arance'' (1917) - Marquis Marcello * ''Napoleoncina'' (1918) * ''Il giardino incantato'' (1918) * ''The Railway Owner'' (1919) - Duca di Bligny * ''Noris'' (1919) * ''A Woman's Story' ...
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Albert Paulig
Albert Paulig (14 January 1873 – 19 March 1933) was a German film actor who was popular during the silent era. Paulig made his first film in 1914. The following year he appeared in one of Ernst Lubitsch's first directorial attempts, '' A Trip on the Ice'' (1915). Paulig was in a number of Harry Piel, thrillers including '' The Man Without Nerves'' (1924).Grange p. 184 Selected filmography * '' The Firm Gets Married'' (1914) * '' The Platonic Marriage'' (1919) * '' The Maharaja's Favourite Wife'' (1921) * '' Love at the Wheel'' (1921) * ''The Adventuress of Monte Carlo'' (1921) * ''The Bull of Olivera'' (1921) * '' Peter Voss, Thief of Millions'' (1921) *''The Lost House'' (1922) * ''The Flight into Marriage'' (1922) * ''Only One Night'' (1922) * ''Miss Rockefeller Is Filming'' (1922) * ''Rivals'' (1923) * ''The Weather Station'' (1923) * '' Man Against Man'' (1924) * '' The Man Without Nerves'' (1924) * '' The Brigantine of New York'' (1924) * '' The Creature'' (1924) * ''Zigano ...
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Sophie Pagay
Sophie Berg Pagay (22 April 1860 – 23 January 1937) was an Austrian stage and film actress, born in Brünn, Austria-Hungary. She began acting as a child, and went to Berlin to perform on stage in 1887. She married actor Hans Pagay. Selected filmography * ''The Picture of Dorian Gray'' (1917) * '' Carmen'' (1918) * ''Intoxication'' (1919) * ''A Drive into the Blue'' (1919) * '' Mascotte'' (1920) * ''Anna Boleyn'' (1920) * ''The Forbidden Way'' (1920) * '' Nobody Knows'' (1920) * ''Lotte Lore'' (1921) * '' Love at the Wheel'' (1921) * '' The Eternal Struggle'' (1921) * '' The House on the Moon'' (1921) * ''The Blood'' (1922) * ''Shame'' (1922) * ''The Girl with the Mask'' (1922) * ''His Excellency from Madagascar'' (1922) * ''Tania, the Woman in Chains'' (1922) * '' The Curse of Silence'' (1922) * '' Louise de Lavallière'' (1922) * ''Man by the Wayside'' (1923) * ''By Order of Pompadour'' (1924) * ''Darling of the King'' (1924) * ''Cock of the Roost'' (1925) * ''The Adventures o ...
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Olga Limburg
Olga Limburg (5 April 1881 – 7 March 1970) was a German theater and film actress. She began her artistic career in 1901 with a commitment at the Municipal Theatre of Poznan. Since 1902, she played at several of Berlin's leading theaters including the Tribune, the Metropol Theatre, Berlin , the comedy and the Theater am . During the early part of her theater career, Limburg usually played supporting roles. Later she worked in the "comical oldies" plays. Career Limburg's film acting career started in 1907 with a minor role in the silent film ' and followed by ' (1910). She also starred in major productions including ' (1919), ''Kean'' (1921) and Rudolf Meinert-directed ''Marie Antoinette, the Love of a King'' (1922). These films achieved her much acclaim as a supporting actress. She continued her acting career through the next decade and starred in talkies like '' Between Night and Dawn'' (1931), ', '' The Black Forest Girl'' (both 1933), '' The Girl Irene'' (1936) ''Madame Bovary ...
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Berghahn Books
Berghahn Books is a New York and Oxford-based publisher Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newsp ... of scholarly books and academic journals in the humanities and social sciences, with a special focus on Social anthropology, social & cultural anthropology, European history, politics, and Film studies, film & media studies. It was founded in 1994 by Marion Berghahn. Books division Berghahn Books publishes ca 140 new titles and some 80 paperback editions each year and has a backlist of nearly 2,500 titles in print. New titles are published in both print and online, with the select digitization of the backlist currently being undertaken as part of the Berghahn Books Online platform. Many Berghahn titles have been reviewed on ''Choice: Current Reviews for Academic Libraries, C ...
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Alfred Halm
Alfred Halm (born Alfred Hahn; 9 December 1861 – 5 February 1951) was an Austrian screenwriter and film director. He was the father of the actor Harry Halm. Selected filmography Screenwriter * ''A Drive into the Blue'' (1919) * ''By Order of Pompadour'' (1924) * ''Love's Finale'' (1925) * ''Her Husband's Wife'' (1926) * '' The Schimeck Family'' (1926) * ''When I Came Back'' (1926) * ''Vienna, How it Cries and Laughs'' (1926) * '' The Bohemian Dancer'' (1926) * ''The White Horse Inn'' (1926) * ''How Do I Marry the Boss?'' (1927) * ''The Most Beautiful Woman in Paris'' (1928) * ''Villa Falconieri'' (1928) * ''Dolly Gets Ahead'' (1930) * '' Cruiser Emden'' (1932) * '' The Emperor's Waltz'' (1933) * '' Happy'' (1933) Director * '' The Ring of Giuditta Foscari'' (1917) * ''The Serenyi'' (1918) * ''The Nun and the Harlequin'' (1918) * ''Rose Bernd'' (1919) * ''Pogrom'' (1919) * '' The Peruvian'' (1919) * ''The Gallant King'' (1920) * ''The Golden Crown'' (1920) * ''The Last Kolczaks'' ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ...
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