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Henry Thomas Pringuer
Dr. Henry Thomas Pringuer DMus(Oxon), BMus(Oxon), FCO (23 February 1852 – 26 October 1930) was an English composer, organist, and one of the first examiners for Trinity College, London. Pringuer became Organist and Master of the Choir at St. Dunstan's, Canterbury in 1866 at the age of 14. He then served at St. Matthew's Parish Church Redhill and then for 40 years at St. Mary's Parish Church Stoke Newington until his retirement due to ill-health in 1919. He subsequently went on to become organist at All Saints Lindfield. Early life (1852–1869) Henry Thomas Pringuer was born on 23 February 1852 at St. Peter's Place, Canterbury. His parents were Samuel Freemoult Pringuer (1828–1907), a cabinet maker of Canterbury, Kent; and Eliza Hayward (1825–1902) of Blean, Kent. It is likely that the Pringuer family were Walloon refugees, many of whom settled in the Canterbury area. A good portion of the Pringuer family also worshipped in Bethnal Green and Spitalfields, both ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DMus
A diesel multiple unit or DMU is a multiple-unit train powered by on-board diesel engines. A DMU requires no separate locomotive, as the engines are incorporated into one or more of the carriages. Diesel-powered single-unit railcars are also generally classed as DMUs. Diesel-powered units may be further classified by their transmission type: diesel–mechanical DMMU, diesel–hydraulic DHMU, or diesel–electric DEMU. Design The diesel engine may be located above the frame in an engine bay or under the floor. Driving controls can be at both ends, on one end, or in a separate car. Types by transmission DMUs are usually classified by the method of transmitting motive power to their wheels. Diesel–mechanical In a diesel–mechanical multiple unit (DMMU), the rotating energy of the engine is transmitted via a gearbox and driveshaft directly to the wheels of the train, like a car. The transmissions can be shifted manually by the driver, as in the great majority of first-gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canterbury Cathedral
Canterbury Cathedral in Canterbury, Kent, is one of the oldest and most famous Christian structures in England. It forms part of a World Heritage Site. It is the cathedral of the Archbishop of Canterbury, currently Justin Welby, leader of the Church of England and symbolic leader of the worldwide Anglican Communion. Its formal title is the Cathedral and Metropolitical Church of Christ at Canterbury. Founded in 597, the cathedral was completely rebuilt between 1070 and 1077. The east end was greatly enlarged at the beginning of the 12th century and largely rebuilt in the Gothic style following a fire in 1174, with significant eastward extensions to accommodate the flow of pilgrims visiting the shrine of Thomas Becket, the archbishop who was murdered in the cathedral in 1170. The Norman nave and transepts survived until the late 14th century when they were demolished to make way for the present structures. Before the English Reformation the cathedral was part of a Benedictine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal College Of Organists
The Royal College of Organists (RCO) is a charity and membership organisation based in the United Kingdom, with members worldwide. Its role is to promote and advance organ playing and choral music, and it offers music education, training and development, and professional support for organists and choral directors. The college also provides accreditation in organ playing, choral directing and organ teaching; it runs an extensive education and outreach programme across the UK; and it maintains an internationally important library containing more than 60,000 titles concerning the organ, organ and choral music and organ playing. History The RCO was founded as the ''College of Organists'' in 1864 by Richard Limpus, the organist of St Michael, Cornhill in the City of London, and received its Royal Charter in 1893. In 1903 it was offered a 99-year lease at peppercorn rent on a building designed by the architect H. H. Cole in Kensington Gore, west London. When it became clear in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Saviour, Pimlico
St Saviour's is an Anglo-Catholic church in Pimlico, City of Westminster, London, England, located at the north end of St George's Square. It was constructed in the 1860s as part of Thomas Cubitt's development of the area on behalf of the Marquess of Westminster. The church was designed by Thomas Cundy, who had previously built St Gabriel's Pimlico a short distance away. As with St Gabriel's, St Saviour's was designed in the Gothic style and built in ragstone to emphasise the contrast with the classical stucco of its secular neighbours. The church is Grade II listed. History Building The foundation stone was laid on 16 June 1863 and the church was consecrated on 16 July 1864. At 170 feet (51.8m) high, the spire was at the time one of the tallest in London. At that time, the church interior looked rather bare. There were two long galleries extending from the chancel to the west end and there was no screen or pulpit, just a small brass lectern. In 1871, the present organ by Hil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judas Maccabaeus (Handel)
''Judas Maccabaeus'' ( HWV 63) is an oratorio in three acts composed in 1746 by George Frideric Handel based on a libretto written by Thomas Morell. The oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland upon his return from the Battle of Culloden (16 April 1746). Other catalogues of Handel's music have referred to the work as HG xxii; and HHA 1/24. Synopsis Morell's libretto is based on the deuterocanonical (or apocryphal) book 1 Maccabees (2–8), with motives added from the ''Antiquitates Judaicae'' by Flavius Josephus. The events depicted in the oratorio are from the period 170–160 BC when Judea was ruled by the Seleucid Empire which undertook to destroy the Jewish religion. Being ordered to worship Zeus, many Jews obeyed under the threat of persecution; however, some did not. One who defied was the elderly priest Mattathias who killed a fellow Jew who was about to offer a pagan sacrifice. After tearing down a pagan altar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Masses By Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (1756–1791) composed several Mass (music), masses and separate mass movements (such as Kyrie).Cliff Eisen, Simon P. Keefe (eds.) ''The Cambridge Mozart Encyclopedia''. Cambridge University Press, 2005. . . . . pp. 271–280 Mozart composed most of his masses as a church musician in Salzburg: * Masses for regular Sundays or smaller feasts belonged to the type. In the context of Mozart's masses brevis (short) applies primarily to the duration, i.e. the whole mass ceremony took no longer than three quarters of an hour. Instrumentation for such a would usually be limited to violins, continuo (which included the organ), and trombones doubling the choral parts of alto, tenor and bass. * The generic name for longer masses was , for more solemn and festive occasions. Additional instruments include oboes, trumpets, timpani, and for some of them also French horns. Instead of treating each part of the mass liturgy in a continuous rendition of the text, there are re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Paul (Mendelssohn)
''St. Paul'' (in German ''Paulus''), Op. 36, is an oratorio by Felix Mendelssohn. The composer oversaw versions and performances in both German and English within months of completing the music in early 1836. Background The libretto "after words of holy scripture" was begun in 1832. The composer with pastor Julius Schubring, a childhood friend, compiled passages from the New Testament, chiefly the Acts of the Apostles, and the Old, as well as the texts of chorales and hymns, in a polyglot manner after Bach's model. Composition of the music started in 1834 and was complete in early 1836. Performances The work was premiered on 22 May 1836 (having been completed in April of that year) at the Lower Rhenish Music Festival in Düsseldorf. The English premiere was in Liverpool on 3 October 1836 in a translation by Mendelssohn's friend, Karl Klingermann. Contralto Mary Shaw was one of the soloists at the English premiere. The first performance in the United States was in Boston on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elijah (Mendelssohn)
''Elijah'' (german: Elias), Op. 70, MWV A 25, is an oratorio by Felix Mendelssohn depicting events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Testament. It premiered on 26 August 1846. Music and its style This piece was composed in the spirit of Mendelssohn's Baroque predecessors Bach and Handel, whose music he greatly admired. In 1829 Mendelssohn had organized the first performance of Bach's '' St Matthew Passion'' since the composer's death and was instrumental in bringing this and other Bach works to widespread popularity. By contrast, Handel's oratorios never went out of fashion in England. Mendelssohn prepared a scholarly edition of some of Handel's oratorios for publication in London. ''Elijah'' is modelled on the oratorios of these two Baroque masters; however, in its lyricism and use of orchestral and choral colour the style clearly reflects Mendelssohn's own genius as an early Romantic composer. The work is scored for eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Creation (Haydn)
''The Creation'' (german: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn ( Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Inspiration Haydn was inspired to write a large oratorio during his visits to England in 1791–1792 and 1794–1795 when, alongside his close friend English music historian Charles Burney, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St John's, Redhill
St John's is a hamlet on the fringes of Redhill, Surrey. The small elevated residential community occupies a conservation area circled by Earlswood and wooded Redhill Common which is connected along two low to mid rise streets with typically woodland-style gardens to Reigate. St John's is in its wider definition one of the three ecclesiastical parishes that make up Redhill. The area around St John's School and Church had very small beginnings but at one time grew so rapidly it was thought that it was the nucleus of a new town. St John's School The history of St John's School began on 21 August 1840 when a decision was taken at a parish vestry meeting to claim compensation from the London, Brighton and South Coast Railway Company for the loss of grazing and other rights when it built the railway across common land in the Manor. Four years later the churchwardens were holding a meeting to decide what to do with £535.7s thus obtained. The decision was to spend one third of it on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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