Henry G. Dearth
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Henry G. Dearth
Henry Golden Dearth (22 April 1864 – 27 March 1918) was a distinguished American painter who studied in Paris and continued to spend his summers in France painting in the Normandy region. He would return to New York in winter, and became known for his moody paintings of the Long Island area. Around 1912, Dearth changed his artistic style, and began to include portrait and still life pieces as well as his paintings of rock pools created mainly in Brittany. A winner of several career medals and the Webb prize in 1893, Dearth died suddenly in 1918 aged 53 and was survived by a wife and daughter. Early life Born on April 22, 1864 in Bristol, Rhode Island, Henry Golden Dearth was the youngest of five children of John Willis and Ruth Marshall Dearth. His father was connected with the whaling business and was an artillery officer during the civil war. He was also a talented musician and provided favorable influences to the development of Henry's talent. His grandfather was a commande ...
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Bristol, Rhode Island
Bristol is a town in Bristol County, Rhode Island, US as well as the historic county seat. The town is built on the traditional territories of the Pokanoket Wampanoag. It is a deep water seaport named after Bristol, England. The population of Bristol was 22,493 at the 2020 census. Major industries include boat building and related marine industries, manufacturing, and tourism. The town's school system is united with that of the neighboring town of Warren. Prominent communities include Portuguese-Americans, mostly Azoreans, and Italian-Americans. History Early colonization Before the Pilgrims arrived in 1620, the Pokanokets occupied much of Southern New England, including Plymouth. They had previously suffered from a series of plagues which killed off large segments of their population, and their leader, the Massasoit Osamequin, befriended the early settlers. King Philip's War was a conflict between the Plymouth settlers and the Pokanokets and allied tribes, and it began ...
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English Channel
The English Channel, "The Sleeve"; nrf, la Maunche, "The Sleeve" (Cotentinais) or ( Jèrriais), (Guernésiais), "The Channel"; br, Mor Breizh, "Sea of Brittany"; cy, Môr Udd, "Lord's Sea"; kw, Mor Bretannek, "British Sea"; nl, Het Kanaal, "The Channel"; german: Ärmelkanal, "Sleeve Channel" ( French: ''la Manche;'' also called the British Channel or simply the Channel) is an arm of the Atlantic Ocean that separates Southern England from northern France. It links to the southern part of the North Sea by the Strait of Dover at its northeastern end. It is the busiest shipping area in the world. It is about long and varies in width from at its widest to at its narrowest in the Strait of Dover."English Channel". ''The Columbia Encyclopedia'', 2004. It is the smallest of the shallow seas around the continental shelf of Europe, covering an area of some . The Channel was a key factor in Britain becoming a naval superpower and has been utilised by Britain as a natural def ...
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Henry Golden Dearth (died 1918), The Imperial Dragon, Undated
Henry Golden Dearth (22 April 1864 – 27 March 1918) was a distinguished American painter who studied in Paris and continued to spend his summers in France painting in the Normandy region. He would return to New York in winter, and became known for his moody paintings of the Long Island area. Around 1912, Dearth changed his artistic style, and began to include portrait and still life pieces as well as his paintings of rock pools created mainly in Brittany. A winner of several career medals and the Webb prize in 1893, Dearth died suddenly in 1918 aged 53 and was survived by a wife and daughter. Early life Born on April 22, 1864 in Bristol, Rhode Island, Henry Golden Dearth was the youngest of five children of John Willis and Ruth Marshall Dearth. His father was connected with the whaling business and was an artillery officer during the civil war. He was also a talented musician and provided favorable influences to the development of Henry's talent. His grandfather was a comman ...
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Eastern World
The Eastern world, also known as the East or historically the Orient, is an umbrella term for various cultures or social structures, nations and philosophical systems, which vary depending on the context. It most often includes at least part of Asia or, geographically, the countries and cultures east of Europe, the Mediterranean region and the Arab world, specifically in historical ( pre-modern) contexts, and in modern times in the context of Orientalism. It is often seen as a counterpart to the Western world, and correlates strongly to the southern half of the North–South divide. The various regions included in the term are varied, hard to generalize, and do not have a single shared common heritage. Although the various parts of the Eastern world share many common threads, most notably being in the "Global South", they have never historically defined themselves collectively. The term originally had a literal geographic meaning, referring to the eastern part of the Old ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monumental ...
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Adolphe Monticelli
Adolphe Joseph Thomas Monticelli (October 14, 1824 – June 29, 1886) was a French painter of the generation preceding the Impressionists. Biography Monticelli was born in Marseille in humble circumstances. He attended the École Municipale de Dessin in Marseille from 1842 to 1846, and continued his artistic training in Paris, where he studied under Paul Delaroche at the École des Beaux-Arts. In Paris he made copies after the Old Masters in the Louvre, and admired the oil sketches of Eugène Delacroix.Turner 2000, p. 314. In 1855 he met Narcisse Diaz, a member of the Barbizon school, and the two often painted together in the Fontainebleau Forest. Monticelli frequently adopted Diaz's practice of introducing nudes or elegantly costumed figures into his landscapes. He developed a highly individual Romantic style of painting, in which richly colored, dappled, textured and glazed surfaces produce a scintillating effect. He painted courtly subjects inspired by Antoine Watteau; he al ...
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Figurative Art
Figurative art, sometimes written as figurativism, describes artwork (particularly paintings and sculptures) that is clearly derived from real object sources and so is, by definition, representational. The term is often in contrast to abstract art: Since the arrival of abstract art the term figurative has been used to refer to any form of modern art that retains strong references to the real world. Painting and sculpture can therefore be divided into the categories of figurative, representational and abstract, although, strictly speaking, abstract art is derived (or abstracted) from a figurative or other natural source. However, "abstract" is sometimes used as a synonym for non-representational art and non-objective art, i.e. art which has no derivation from figures or objects. Figurative art is not synonymous with figure painting (art that represents the human figure), although human and animal figures are frequent subjects. Formal elements The formal elements, those aestheti ...
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Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ...
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Low Key
Low key as a term used in describing paintings or photographs is related to but not the same as low-key lighting in cinema or photography. A photographic image, painting or movie can be defined as "low-key" if its dominant values are black, dark brown or dark blue. Some authors describe the term "low key" as the so-called Rembrandian light while others describe how to obtain such photographs or paintings. See also *High key A high-key image consists primarily of light tones, without dark shadows. A photograph or painting so composed features a diminished tonal range of primarily whites and light grays. High key as a term used in describing paintings or photographs is ... References Lighting Photography by genre {{Photography-stub ...
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Boulogne-sur-Mer
Boulogne-sur-Mer (; pcd, Boulonne-su-Mér; nl, Bonen; la, Gesoriacum or ''Bononia''), often called just Boulogne (, ), is a coastal city in Northern France. It is a sub-prefecture of the department of Pas-de-Calais. Boulogne lies on the Côte d'Opale, a touristic stretch of French coast on the English Channel between Calais and Normandy, and the most visited location in the region after the Lille conurbation. Boulogne is its department's second-largest city after Calais, and the 183rd-largest in France.Téléchargement du fichier d'ensemble des populations légales en 2017

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Tonalism
Tonalism was an artistic style that emerged in the 1880s when American artists began to paint landscape forms with an overall tone of colored atmosphere or mist. Between 1880 and 1915, dark, neutral hues such as gray, brown or blue, often dominated compositions by artists associated with the style. During the late 1890s, American art critics began to use the term "tonal" to describe these works, as well as the lesser-known synonyms Quietism and Intimism. Two of the leading associated painters were George Inness and James McNeill Whistler. Tonalism is sometimes used to describe American landscapes derived from the French Barbizon style, which emphasized mood and shadow. Tonalism was eventually eclipsed by Impressionism and European modernism. Australian Tonalism emerged as an art movement in Melbourne during the 1910s. Associated artists * Willis Seaver Adams * Joseph Allworthy * Edward Mitchell Bannister * Clarice Beckett * Ralph Albert Blakelock * Emanuele Cavalli ...
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