Henry Farren
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Henry Farren
Henry Farren (1826?–1860), was an English actor known mostly in comedy. Beginning his career in plays in the British provinces starring his actor father, William Farren, Henry played in London for several years before moving to America, where he died in St. Louis. His daughter Nellie Farren became a famous player in Victorian burlesque. Biography Farren was the son of William Farren, and his brother was another actor, William Farren Jr. In 1846, Farren played Mercutio in ''Romeo and Juliet'' at the Theatre Royal, Birmingham and at the Theatre Royal, Manchester. He also played Charles Plastic in ''Town and Country'', and Charles Surface to the Sir Peter Teazle of his father in ''The School for Scandal''. He is believed to have made his first appearance in London at the Haymarket Theatre about 1847, again playing Charles Surface to his father's Teazle. In October of that year, he played at the same theatre in a comedy entitle''My Wife! What Wife?''by Eaton S. Barrett. Farren was ...
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William Farren
William Farren (13 May 1786 – 24 September 1861) was an English actor, who was the son of an actor (born 1725) of the same name, who played leading roles from 1784 to 1795 at Theatre Royal, Covent Garden. Life Raised on Gower Street in London, he was raised in comparative affluence, supported not only by his father's wealth but also by a large gift from surgeon Percival Pott.Carlisle. He attended school in Soho and may have apprenticed as an attorney in Wolverhampton; by 1806, however, he had joined his brother Percy's troupe in Plymouth.Adams 493. His first appearance on the stage was at the Theatre Royal, Plymouth in Charles Macklin's ''Love à la mode''. From the beginning he specialized in comic old men and Irish parts. A decade of provincial apprenticeship followed in southern England and in Dublin (where he married); his first roles included Adam Contest in Elizabeth Inchbald's ''The Wedding Day'' and Lovegold in Henry Fielding's translation of Molière's ''The Miser ...
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Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ...
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19th-century English Male Actors
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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1860 Deaths
Year 186 ( CLXXXVI) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Glabrio (or, less frequently, year 939 ''Ab urbe condita''). The denomination 186 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Peasants in Gaul stage an anti-tax uprising under Maternus. * Roman governor Pertinax escapes an assassination attempt, by British usurpers. New Zealand * The Hatepe volcanic eruption extends Lake Taupō and makes skies red across the world. However, recent radiocarbon dating by R. Sparks has put the date at 233 AD ± 13 (95% confidence). Births * Ma Liang, Chinese official of the Shu Han state (d. 222) Deaths * April 21 – Apollonius the Apologist, Christian martyr * Bian Zhang, Chinese official and gener ...
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1826 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ...
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Gaiety Theatre, London
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy. Under the management of John Hollingshead until 1886, the theatre had early success with ''Robert the Devil'', by W. S. Gilbert, followed by many other burlesques of operas and literary works. Many of the productions starred Nellie Farren. Hollingshead's last production at the theatre was the burlesque ''Little Jack Sheppard'' (1885–86), produced together with his successor, George Edwardes. Edwardes's first show, ''Dorothy'', became a long-running hit. In the 1880s and 90s, the theatre had further success with a ...
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Laura Keene
Laura Keene (20 July 1826 – 4 November 1873) was a British stage actress and theatre manager. In her twenty-year career, she became known as the first powerful female manager in New York. She is most famous for being the lead actress in the play ''Our American Cousin'', which was attended by President Abraham Lincoln at Ford's Theater in Washington on the evening of his assassination. Early life Keene was born Mary Frances Moss in Winchester, England. She was the fourth and final child of Tomas and Jane Moss (''née'' King). Her aunt was British actress Elizabeth Yates. At the age of 18, she married British Army officer Henry Wellington Taylor (some sources identify Taylor as "John"). Taylor was reportedly the nephew and godson of Arthur Wellesley, 1st Duke of Wellington. The couple had two daughters, Emma (born 1846) and Clara Marie Stella (born 1849). After being discharged from the army, Taylor opened his own tavern. Around 1850, Taylor was arrested, though the natur ...
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The Lady Of Lyons
''The Lady of Lyons; or, Love and Pride'', commonly known as ''The Lady of Lyons'', is a five act romantic melodrama written in 1838 by Edward Bulwer-Lytton, 1st Baron Lytton. It was first produced in London at Covent Garden Theatre on 15 February 1838 and was revived many times over the rest of the 19th century. It was also adapted into two operas, and formed part of the plot of an operetta. Plot Pauline Deschapelles has jilted the Marquis Beauséant. Claude Melnotte, the son of Pauline's gardener, is in love with her. Beauséant persuades Melnotte to disguise himself as a foreign prince to trick Pauline into marrying him. When Melnotte takes Pauline to his widowed mother's home after the marriage, she discovers the ruse and gets the marriage annulled. Melnotte enlists in the army to assuage his remorse. Pauline's father is then threatened with bankruptcy, and Beauséant is willing to pay the debt if Pauline will marry him. Melnotte becomes a war hero, and Pauline realises ...
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Olympic Theatre
The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence. Along with three other Victorian era, Victorian theatres (Opera Comique, Globe Theatre (Newcastle Street), Globe and Gaiety Theatre, London, Gaiety), the Olympic was eventually demolished in 1904 to make way for the development of the Aldwych. Newcastle and Wych streets also vanished. 1806-1849: Early days and Madame Vestris The first Olympic theatre was built in 1806 on the site of Drury House (later Craven House), for the impresario Philip Astley, a retired cavalry officer. The original name of the house was the Olympic Pavilion. It was said to be built from the timbers of the French warship ''French ship Ville de Paris (1764), Ville de Paris''. It opened on 1 December 1806
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Nellie Farren
Ellen "Nellie" Farren (16 April 1848 – 29 April 1904) was an English actress and singer best known for her roles as the "principal boy" in musical burlesques at the Gaiety Theatre. Born into a theatrical family, Farren began acting as a child. She made her professional adult debut in 1864 and joined the company at London's Olympic Theatre, performing in Shakespeare, contemporary comedies, dramas and musical burlesques. From 1868 to 1892, she performed at the Gaiety Theatre, which specialised in musical burlesque, becoming famous in the male and principal boy roles, which permitted an actress in the Victorian era theatre to show her legs in tights. Farren gained a large following among the theatre's mostly male audience. Farren created the role of Mercury in Gilbert and Sullivan's first collaboration, ''Thespis'' and created or played roles in works by Dion Boucicault, Anthony Trollope, Charles Dickens, William Congreve and Henry James Byron, among many others. In the 1880 ...
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Royal Strand Theatre
The Royal Strand Theatre was located in the Strand in the City of Westminster. The theatre was built on the site of a panorama in 1832, and in 1882 was rebuilt by the prolific theatre architect Charles J. Phipps. It was demolished in 1905 to make way for Aldwych tube station. History From 1801, Thomas Edward Barker set up a rival panorama to his father's in Leicester Square, at 168/169 Strand. On the death of Robert Barker, in 1806, his younger brother, Henry Aston Barker took over management of the Leicester Square rotunda. In 1816, Henry bought the panorama in the Strand, which was then known as Reinagle and Barker's Panorama,Sherson, Erroll, ‘Lost London Playhouses’, ''The Stage'', 28 June 1923, p. 21. One of a series of articles later published in a book of same name in 1925. and the two panoramas were then run jointly until 1831. Their building was then used as a dissenting chapel and was purchased by Benjamin Lionel Rayner, a noted actor, in 1832.''From Stage to Platf ...
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Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ...
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