|
Henriette Grabau-Bünau
Eleonore ''Henriette'' Magdalena Grabau-Bünau, also Henriette Grabau or Henriette Bünau, (29 March 1805 – 28 November 1852) was a German operatic alto and mezzo-soprano. For twelve years she was the main singer at the Leipzig Gewandhaus and from 1843 to 1849 she was the first teacher at the University of Music and Theatre Leipzig, Leipzig Conservatory. Life Childhood and education in Bremen and Dresden Born in Bremen, Grabau was the daughter of the teacher and organist of the Church of Our Lady, Bremen and St. Remberti (Bremen), St. Remberti in Bremen and of Margarethe Anna Adelheid Arensberg. His father founded the ''Grabau'schen Singverein'' in 1811. Grabau grew up with five siblings and received her first voice and piano lessons from her father and from the Bremen music director Wilhelm Friedrich Riem. her brother Georg Christian (1806-1854) was organist in Verden an der Aller, Verden, her brother Andreas Grabau, Andreas (1808-1885) a famous cellist in Leipzig and fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise And The Peri
''Paradise and the Peri'', in German ''Das Paradies und die Peri'', is a secular oratorio for soloists, choir, and orchestra by Robert Schumann. Completed in 1843, the work was published as Schumann's Op. 50. The work is based on a German translation (by Schumann and his friend Emil Flechsig) of a tale from ''Lalla-Rookh'' by Irish poet and lyricist Thomas Moore. The peri, a creature from Persian mythology, is the focus of the story, having been expelled from Paradise and trying to regain entrance by giving the gift that is most dear to heaven. Eventually the peri is admitted after bringing a tear from the cheek of a repentant old sinner who has seen a child praying. Peter Ostwald in his biography ''Schumann: The Inner Voices of a Musical Genius'' records that Schumann "confided to a friend that 'while writing ''Paradise and the Peri'' a voice occasionally whispered to me "what you are doing is not done completely in vain,"'" and that even Richard Wagner praised this work. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick William IV Of Prussia
Frederick William IV (german: Friedrich Wilhelm IV.; 15 October 17952 January 1861), the eldest son and successor of Frederick William III of Prussia, reigned as King of Prussia from 7 June 1840 to his death on 2 January 1861. Also referred to as the "romanticist on the throne", he is best remembered for the many buildings he had constructed in Berlin and Potsdam as well as for the completion of the Gothic Cologne Cathedral. In politics, he was a conservative, who initially pursued a moderate policy of easing press censorship and reconciling with the Catholic population of the kingdom. During the German revolutions of 1848–1849, he at first accommodated the revolutionaries but rejected the title of Emperor of the Germans offered by the Frankfurt Parliament in 1849, believing that Parliament did not have the right to make such an offer. He used military force to crush the revolutionaries throughout the German Confederation. From 1849 onward he converted Prussia into a constit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naumburg
Naumburg () is a town in (and the administrative capital of) the district Burgenlandkreis, in the state of Saxony-Anhalt, Central Germany (cultural area), Central Germany. It has a population of around 33,000. The Naumburg Cathedral became a UNESCO World Heritage Site in 2018. This UNESCO designation recognizes the processes that shaped the European continent during the High Middle Ages between 1000 and 1300: Christianization, the so-called "Landesausbau" and the dynamics of cultural exchange and transfer characteristic for this very period. History The first written record of Naumburg dates from 1012, when it was mentioned as the ''new castle'' of the Ekkehardinger, the Margrave of Meissen. It was founded at the crossing of two trade-routes, Via Regia and the Regensburg Road. The successful foundation not long beforehand of a ''Propstei'' Church on the site of the later Naumburg Cathedral was mentioned in the Merseburg Bishops' Chronicles in 1021. In 1028 Pope John XIX gave hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Ferdinand Becker
Karl Ferdinand Becker (17 July 1804 Leipzig – 26 October 1877 Plagwitz section of Leipzig), was a German writer on music, composer and an organist. Biography Becker was the son of physician and writer Gottfried Wilhelm Becker. He attended the Thomasschule in Leipzig in his early years, where his teachers Johann Gottfried Schicht and Friedrich Schneider trained him in music.Vgl. Annegret Rosenmüller: ''Carl Ferdinand Becker (1804–1877). Studien zu Leben und Werk'' (= ''Musikstadt Leipzig'', Band 4), Hamburg 2000, S. 11 f. He made his debut as a pianist at 14. From 1820 to 1833, he was a violinist in the Leipzig Gewandhaus Orchestra. In 1825, he became an organist in the Peterskirche and then in 1837 at the St. Nicholas Church. In 1846, he became an instructor of organ and music history at the University of Music and Theatre at Leipzig. He was one of the founders of the Leipzig Bach Gesellschaft in 1850. Works His works on the history of music place him in the same rank wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moritz Hauptmann
Moritz Hauptmann (13 October 1792, Dresden – 3 January 1868, Leipzig), was a German music theorist, teacher and composer. His principal theoretical work is the 1853 ''Die Natur der Harmonie und der Metrik'' explores numerous topics, particular the philosophy of music. Biography Hauptmann was born in Dresden, and studied violin under Scholz, piano under Franz Lanska, composition under Grosse and Francesco Morlacchi (the rival of Carl Maria von Weber). He completed his education as a violinist and composer under Louis Spohr, and until 1821 held various appointments in private families. In addition, he studied mathematics and acoustics. Hauptmann was initially employed as an architect before finding success as a musician. Notable in his early musical output is a grand tragic opera, ''Mathilde.'' He joined the orchestra of Kassel in 1822 under Spohr's direction. There, he first taught composition and music theory. His pupils included Ferdinand David, Friedrich Burgmüller, Friedri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Grenzboten
''Die Grenzboten'' was a German language, national liberal magazine published from 1841 to 1922, sometimes weekly and sometimes fortnightly. History The journal was founded in 1841 by Ignaz Kuranda in Brussels, who was its editor until 1848. From 1842, ''Die Grenzboten'' was published by the publishing house of F. W. Grunow in Leipzig, later in Berlin. In 1848, Gustav Freytag and Julian Schmidt Julian Schmidt may refer to: * Heinrich Julian Schmidt Heinrich Julian Schmidt (March 7, 1818 – March 27, 1886) was a German journalist and historian of literature. Biography He was born in Marienwerder (today Kwidzyn) in West Prussia. After ... took over as editors. Freytag held this post until 1861 and again from 1867 to 1870; Schmidt until 1861. They made the magazine, not least through many of their own contributions, the most influential mouthpiece of the national-liberal bourgeoisie up to the founding of the German Reich in 1871. In 1870, Grunow became the sole owner and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Hildebrandt
Eduard Hildebrandt (9 September 1818 in Danzig25 October 1868 in Berlin) was a German landscape painter. Biography He served as apprentice to his father, a house-painter at Danzig. He was not twenty when he moved to Berlin, where he was taken in hand by Wilhelm Krause, a painter of sea pieces. Several early pieces exhibited after his death—a breakwater, dated 1838, ships in a breeze off Swinemünde (1840), and other canvases of this and the following year—show Hildebrandt to have been a careful student of nature, with inborn talents kept down by the conventionalisms of the formal school to which Krause belonged. Accident made him acquainted with masterpieces of French art displayed at the Berlin Academy, and these awakened his curiosity and envy. He went to Paris, where, about 1842, he entered the ''atelier'' of Isabey and became the companion of Lepoittevin. In a short time he sent home pictures which might have been taken for copies from these artists. Gradually he mast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davidsbündler
The ''Davidsbündler'' (League of David) was a music society created by Robert Schumann in his writings. It was inspired by literary societies, real and imagined ones, such as the ''Serapionsbrüder'' ( The Serapion Brethren) of ETA Hoffmann.Daverio, John. ''Robert Schumann: Herald of a "New Poetic Age"''. Oxford University Press, 1997. The group was created to defend the cause of contemporary music against its detractors. Its two main members were supposed to be named Florestan and Eusebius, respectively symbolising the extroverted and introspective sides of his personality.Schonberg, Harold C. ''The Lives of the Great Composers'', p. 177. W.W. Norton, 1997. The name "Davidsbündler" already appears in Schumann's first musical essay, "The Davidsbündler" which was published in Karl Herloßsohn’s newspaper "Der Komet" (The Comet) in December 1833. Its narrator finds a paper shred thrown out of a window by a "Swedish head with a crooked nose" bearing the following message on its b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Frederick William IV Of Prussia")
