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Henriette Adélaïde Villard De Beaumesnil
Henriette Adélaïde Villard or Henriette-Adélaïde de Villars, known under the stage name of Mlle Beaumesnil (30 August 1748 – 5 October 1813), was a French opera singer and composer. Biography Mlle Beaumesnil began working in minor comedy roles from the age of seven and debuted as a soloist at the Paris Opera in 1766,Sadie/Rhian substituting for the primadonna Sophie Arnould in the title role of Berton and Trial's ''Sylvie''.Cook. She later sang in many premieres and revivals, patiently hoping that she would finally replace Arnould after her retirement. When the latter left the company in 1778, however, Rosalie Levasseur was preferred and Beaumesnil protested publicly in a letter to the ''Journal de Paris'' on 27 December to the effect that she had suffered an act of injustice. She gave rise to a bitter quarrel, also managing to get some sort of compensation by being entrusted the female lead in Gluck's unsuccessful last opera ''Echo et Narcisse'' in September 1779, and di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henriette Beaumesnil
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Henriette may refer to: *Princess Henriette of France *Henriette of Cleves *Henriette Willemina Crommelin (1870-1957), Dutch labor leader and temperance reformer *Henriette Dibon (1902–1989), French poet and short story writer. *Henriette Hansen, Norwegian ballerina, singer and actor *Henriette Petit (1894-1983), Chilean painter *Henriette Yvonne Stahl *Henriette, Minnesota *Hurricane Henriette (other) * ''La fête à Henriette'', a 1952 French film often known simply as ''Henriette'' * ''Henriette Bimmelbahn'', an anthropomorphized steam locomotive-hauled train in the eponymous German picture book by James Krüss See also * * Henrietta (other) Henrietta may refer to: * Henrietta (given name), a feminine given name, derived from the male name Henry Places * Henrietta Island in the Arctic Ocean * Henrietta, Mauritius * Henrietta, Tasmania, a locality in Australia United States * Henr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Spirituel
The Concert Spirituel ( en, Spiritual Concert) was one of the first public concert series in existence. The concerts began in Paris in 1725 and ended in 1790. Later, concerts or series of concerts of the same name occurred in Paris, Vienna, London and elsewhere. The series was founded to provide entertainment during the Easter fortnight and on religious holidays when the other spectacles (the Paris Opera, Comédie-Française, and Comédie-Italienne) were closed. The programs featured a mixture of sacred choral works and virtuosic instrumental pieces, and for many years took place in a magnificently-decorated ''Salle des Cent Suisses'' (Hall of the Hundred Swiss Guards) in the Tuileries Palace. They started at six o’clock in the evening and were primarily attended by well-to-do bourgeois, the lower aristocracy, and foreign visitors. In 1784 the concerts were moved to the stage area of the ''Salle des Machines'' (an enormous former opera house in the Tuileries), and in 1790, when t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigénie En Aulide
''Iphigénie en Aulide'' (''Iphigeneia in Aulis'') is an opera in three acts by Christoph Willibald Gluck, the first work he wrote for the Paris stage. The libretto was written by François-Louis Gand Le Bland Du Roullet and was based on Jean Racine's tragedy ''Iphigénie'', itself based on the play ''Iphigenia in Aulis'' by Euripides. It was premiered on 19 April 1774 by the Paris Opéra in the second Salle du Palais-Royal and revived in a slightly revised version the following year. A German version was made in 1847 by Richard Wagner, with significant alterations. Performance history At first, ''Iphigénie'' was not popular, except for its overture which was applauded generously.Pitou, p. 288 After the premiere, it was billed for three days in April 1774, but its first run was interrupted by the theatre's six-week closure due to the dying of Louis XV. ''Iphigénie en Aulide'' returned to the theatre on 10 January 1775, and was revived annually from 1776 to 1824 with a few e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Colin De Blamont
François Colin de Blamont (22 November 1690 – 14 February 1760) was a French composer of the Baroque era. Born at Versailles as François Colin, he served as a royal musician and was eventually ennobled in 1750, his surname becoming ''Colin de Blamont''. He was the protégé of Michel Richard Delalande and succeeded the latter as Master of the Chapelle Royale on his death in 1726. Blamont wrote motets and cantatas as well as stage works, including the opera ''Les fêtes grecques et romaines'', intended to be the first in a new genre, the ''ballet héroïque'', which would challenge the supremacy of the ''opéra-ballet ''Opéra-ballet'' (; plural: ''opéras-ballets'') is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the '' ballets à entrées'' of the early seven ...''. SourcesLe magazine de l'opéra baroque by Jean-Claude-Brenac (in French) External links * French male c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Fuzelier
Louis Fuzelier (also ''Fuselier'', ''Fusellier'', ''Fusillier'', ''Fuzellier''; 1672 or 1674 ''Dictionnaire des journalistes (1600–1789)''] – 19 September 1752) was a French playwright. Fuzelier was born and died in Paris. He wrote more than 200 plays for the (theatres of the fair), alone or in collaboration with Alain-René Lesage, or |
Count Of Provence
The land of Provence has a history quite separate from that of any of the larger nations of Europe. Its independent existence has its origins in the frontier nature of the dukedom in Merovingian Gaul. In this position, influenced and affected by several different cultures on different sides, the Provençals maintained a unity which was reinforced when the region was made a separate kingdom during the Carolingian decline of the later ninth century. Provence was eventually joined to the other Burgundian kingdom, but it remained ruled by its own powerful, and largely independent, counts. In the eleventh century, Provence became disputed between the traditional line and the counts of Toulouse, who claimed the title of "Margrave of Provence". In the High Middle Ages, the title of Count of Provence belonged to local families of Frankish origin, to the House of Barcelona, to the House of Anjou and to a cadet branch of the House of Valois. After 1032, the county was part of the Holy Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brunoy
Brunoy () is a commune in the southeastern suburbs of Paris, Île-de-France, France. It is located from the center of Paris. The tenor Louis Nourrit (1780–1831) died in Brunoy. The city has a church Saint-Medard, richly decorated in the Louis XVI style. Organ Festival takes place each year in November. Brunoy is home to a branch of Yeshivas Tomchei Tmimim Lubavitch, which attracts hundreds of students from around the world, most notably from the United States of America and Israel. Population Inhabitants of Brunoy are known as ''Brunoyens'' in French. Transportation Brunoy is served by Brunoy station on Paris RER line D. Twin towns The town is twinned with the borough of Reigate and Banstead Reigate and Banstead is a local government district with borough status in east Surrey, England. It includes the towns of Reigate, Redhill, Horley and Banstead. The borough borders the Borough of Crawley (in West Sussex) to the south, the Boro .... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mlle Duval
Mlle Duval (short for Mademoiselle (title), Mademoiselle Duval) (1718 – after 1775) was an 18th-century French composer who wrote the second opera by a woman ever performed at the Paris Opera. Biography Mlle Duval, whose first name is unknown, was a French composer and dancer who was an accomplished harpsichordist. A letter to the ''Journal des nouvelles de Paris'' in 1736 reported she was known by the name ''La Légende'' because she was an illegitimate child, possibly indicating that Duval was a stage name. She may be the same person as an 18th-century French composer who is identified as Louise Duval (1704–69), though their birth and death dates do not appear to match up. Much of what is known about Mlle Duval's life comes from mentions in contemporary accounts; for instance, her birth date is deduced from a letter stating that she was 18 in 1736, the year she composed her best-known work, the Opéra-ballet, opera ballet ''Les Génies, ou Les caractères de l'Amour'' (Gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
