Helmut Kirchmeyer
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Helmut Kirchmeyer
Helmut Franz Maria Kirchmeyer (born 30 June 1930 in Düsseldorf, Germany) is a German musicologist, philologist, and historian. Career After grammar school he studied musicology, German literature and philosophy at the University of Cologne, where he presented what is probably the first thesis in Germany on a living composer, Igor Stravinsky, in 1954. He then studied legal affairs, concentrating on medieval law and legal history, criminology and sociology in Cologne and church history at the University of Bonn. Starting in 1947 he attended classes at the Robert-Schumann-Institut in Düsseldorf (whose director he became in 1972), Franzpeter Goebels (piano) and Jürg Baur (composition) were among his teachers, later Bernd Alois Zimmermann introduced him to instrumentation. In 1982 he qualified as a university lecturer on musicology and musicological media studies at the University of Düsseldorf, he taught musicological bibliography and history at the Institut für Fachbibliog ...
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Helmut Kirchmeyer (2005)
Helmut Franz Maria Kirchmeyer (born 30 June 1930 in Düsseldorf, Germany) is a German musicologist, philologist, and historian. Career After grammar school he studied musicology, German literature and philosophy at the University of Cologne, where he presented what is probably the first thesis in Germany on a living composer, Igor Stravinsky, in 1954. He then studied legal affairs, concentrating on medieval law and legal history, criminology and sociology in Cologne and church history at the University of Bonn. Starting in 1947 he attended classes at the Robert-Schumann-Institut in Düsseldorf (whose director he became in 1972), Franzpeter Goebels (piano) and Jürg Baur (composition) were among his teachers, later Bernd Alois Zimmermann introduced him to instrumentation. In 1982 he qualified as a university lecturer on musicology and musicological media studies at the University of Düsseldorf, he taught musicological bibliography and history at the Institut für Fachbibliog ...
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WERGO
WERGO is a German record label focusing on contemporary classical music. It was founded in 1962 by German art historian and music publisher (1903–1975) and the musicologist Helmut Kirchmeyer. Their first release, filed under "WER 60001", was Schoenberg's ''Pierrot lunaire'', conducted by Pierre Boulez. The record company is owned by Schott Music, both based in Mainz, Germany. A great number of contemporary composers have been recorded by the label. These include Louis Andriessen, George Antheil, Béla Bartók, Pierre Boulez, Earle Brown, John Cage, Elliott Carter, George Crumb, Morton Feldman, Mauricio Kagel, György Ligeti, Meredith Monk, Conlon Nancarrow, Luigi Nono, Harry Partch, Steve Reich, Wolfgang Rihm, Terry Riley, Kaija Saariaho, Giacinto Scelsi, Dieter Schnebel, Karlheinz Stockhausen, Pēteris Vasks, and Walter Zimmermann. Earle Brown was repertory director of an important series of new-music recordings on the Time-Mainstream label re-issued in 2008 on Wergo. Betw ...
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Bundesanzeiger
The ''Bundesanzeiger'' is an official publication of the Federal Republic of Germany Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated between ... published by the German department of Justice with a scope similar to that of the Federal Register in the United States. It is used for announcing laws, mandatory legal and judicial announcements, announcing changes in the Handelsregister and for legally mandated announcements by the private sector. It is being superseded by the elektronischer Bundesanzeiger (eBAnz) (electronic Bundesanzeiger) in recent years. Bundesanzeiger is published by Cologne-based M. DuMont Schauberg. External links * Government gazettes Government of Germany {{Germany-gov-stub ...
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Federal Cross Of Merit
The Order of Merit of the Federal Republic of Germany (german: Verdienstorden der Bundesrepublik Deutschland, or , BVO) is the only federal decoration of Germany. It is awarded for special achievements in political, economic, cultural, intellectual or honorary fields. It was created by the first President of the Federal Republic of Germany, Theodor Heuss, on 7 September 1951. Colloquially, the decorations of the different classes of the Order are also known as the Federal Cross of Merit (). It has been awarded to over 200,000 individuals in total, both Germans and foreigners. Since the 1990s, the number of annual awards has declined from over 4,000, first to around 2,300–2,500 per year, and now under 2,000, with a low of 1752 in 2011. Since 2013, women have made up a steady 30–35% of recipients. Most of the German federal states (''Länder'') have each their own order of merit as well, with the exception of the Free and Hanseatic Cities of Bremen and Hamburg, which rejec ...
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Schott Music
Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were founded by Bernhard Schott in Mainz in 1770. Schott Music is one of the world's leading music publishers. It represents many important composers of the 20th and 21st centuries, and its publishing catalogue contains some 31,000 titles on sale and over 10,000 titles on hire. The repertoire ranges from complete editions, stage and concert works to general educational literature, fine sheet music editions and multimedia products. In addition to the publishing houses of Panton, Ars-Viva, Ernst Eulenburg, Fürstner, Cranz, Atlantis Musikbuch and Hohner-Verlag, the Schott group also includes two recording labels, Wergo (for new music) and Intuition (for Jazz), as well as eight specialist magazines. The Schott Music group also includes the printing ...
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Neue Zeitschrift Für Musik
'Die'' (; en, " heNew Journal of Music") is a music magazine, co-founded in Leipzig by Robert Schumann, his teacher and future father-in law Friedrich Wieck, and his close friend Ludwig Schuncke. Its first issue appeared on 3 April 1834. History Although the first editor was Julius Knorr, most of the work on the early issues of the ''Neue Zeitschrift'' (NZM) was done by Schumann; in 1835, when a new publisher was found, Schumann's name appeared as editor. In his reviews, he praised those of the new generation of musicians who deserved acclaim, including Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leadin ... and Hector Berlioz. Schuncke wrote some articles under the byline "Jonathan" but died at the age of 23 in December 1834. In June 1843, Schumann's other commitm ...
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Helmut And Eva Kirchmeyer
Helmut is a German name. Variants include Hellmut, Helmuth, and Hellmuth. From old German, the first element deriving from either ''heil'' ("healthy") or ''hiltja'' ("battle"), and the second from ''muot'' ("spirit, mind, mood"). Helmut may refer to: People A–L *Helmut Angula (born 1945), Namibian politician *Helmut Ashley (1919–2021), Austrian director and cinematographer *Helmut Bakaitis (born 1944), Australian director and actor *Helmut Berger (born 1944), Austrian actor *Helmut Dantine (1917–1982), Austrian actor * Helmut Deutsch (born 1945), Austrian classical pianist *Helmut Ditsch (born 1962), Argentine painter * Hellmut Diwald (1924–1993), German historian * Helmut Donner (born 1941), Austrian high jumper *Helmut Fischer (1926–1997), German actor *Hellmut von Gerlach (1866–1935), German journalist * Helmut Goebbels (1935–1945), only son of Joseph Goebbels *Helmut Griem (1932–2004), German actor *Helmut Gröttrup (1916–1981), German rocket scientist *Helm ...
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Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ...
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Emil Schult
Emil Schult (born 10 October 1946) is a German painter, poet and audio-visual artist. Biography After studying Sinology in Münster, Schult joined the Academy of Art in Düsseldorf in 1969 to study Fine Arts in the printmaking class of Dieter Roth, and later in the painting classes of Joseph Beuys and Gerhard Richter. In 1973, he finished his studies with the title of 'Meisterschüler' of Gerhard Richter. Both Joseph Beuys and Dieter Roth, as well as Roth's partner Dorothy Iannone, remained important for Schult's artistic development. In 1969, Schult lived in Reykjavik at Roth's studio-home. Schult has developed a vast body of work beginning with prints, drawings and artist's books that encompass philosophical writings, poems, comics, collages and drawings. Early on he included film in his repertoire as well as painting – later on he only worked with reverse glass painting. From 1970 to 1974, Schult collaborated with the Free International University, founded by Joseph Be ...
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Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology was ...
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Herbert Eimert
Herbert Eimert (8 April 1897 – 15 December 1972) was a German music theorist, musicologist, journalist, music critic, editor, radio producer, and composer. Education Herbert Eimert was born in Bad Kreuznach. He studied music theory and composition from 1919 to 1924 at the Cologne Musikhochschule with Hermann Abendroth, , and August von Othegraven. In 1924, while still a student, he published an ''Atonale Musiklehre'' (Atonal Music Theory Text) which, together with a twelve-tone string quartet composed for the end-of-term examination concert, led to an altercation with Bölsche, who withdrew the quartet from the program and expelled Eimert from his composition class. In 1924, he began studies in musicology at the University of Cologne with Ernst Bücken, Willi Kahl, and Georg Kinsky, and read philosophy with Max Scheler (a pupil of Husserl) and Nicolai Hartmann. He attained his doctorate in 1931 with a dissertation titled ''Musikalische Formstrukturen im 17. und 18. Jahrhu ...
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Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ...
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