|
Hello, Dolly! (Ella Fitzgerald Album)
''Hello, Dolly!'' is a 1964 (see 1964 in music) studio album by the American jazz singer Ella Fitzgerald. " Hello, Dolly!," "People," "Can't Buy Me Love," and "The Sweetest Sounds" were recorded in London, England, on April 7. The other eight tracks were recorded in New York City on March 3 and March 4. Three songs recorded at the latter sessions remain unreleased: "There! I've Said It Again," "I'll See You in My Dreams," and "There Are Such Things." It is unknown whether the recordings exist in the Verve Records vaults today. Her version of the Beatles song "Can't Buy Me Love" was a minor hit single in 1964, peaking at #34 in the UK singles chart. Track listing For the 1964 Verve LP release; Verve V6-4064; Re-issued in 2005 on CD, Verve B0004675-02 Personnel Recorded March 3-March 4, 1964, New York City: Tracks 5-12 * Ella Fitzgerald - Vocals * Frank DeVol - Arranger, Conductor * Zoot Sims - Tenor saxophone * Hank Jones - Piano on track 8 * Others unknown Recorded Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People (1964 Song)
"People" is a song composed by Jule Styne with lyrics by Bob Merrill for the 1964 Broadway musical '' Funny Girl'' starring Barbra Streisand, who introduced the song. The song was released as a single in 1964 with " I Am Woman", a solo version of "You Are Woman, I Am Man", also from '' Funny Girl''. Andy Williams released a version of the song on his 1964 album, ''The Great Songs from "My Fair Lady" and Other Broadway Hits''. Ella Fitzgerald recorded the song live on her CBS release ''Ella Fitzgerald at the Newport Jazz Festival: Live at Carnegie Hall''. The Tymes had a top 40 hit with the song in 1968. Vic Damone recorded a version on his 1982 album ''Over the Rainbow''. It has been covered by Jennifer Lopez, Billy Eckstine, Dionne Warwick, Steve Lawrence, Jack Jones, Aretha Franklin, Nat King Cole, Wes Montgomery, Gabor Szabo, Perry Como, The Supremes and others, but is considered one of Streisand's signature songs. In 1998, Streisand's version was inducted in Grammy Hall of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy Hamilton
Nancy Hamilton (July 27, 1908 - February 18, 1985) was an American actress, playwright, lyricist, director and producer. Early life and education Nancy Hamilton was born in Sewickley, Pennsylvania on July 27, 1908, daughter of Charles Lee Hamilton and Margaret Miller Marshall. She was educated at Miss Dickinson's School in Sewickley, at the Sorbonne, and received a B.A. from Smith College in 1930. At Smith, Hamilton was active in the theater and was president of the school's Dramatic Association her senior year. She caused a bit of a scandal at the college with ''And So On'', a topical revue that she wrote and directed. Billy J. Harbin, Kim Marra and Robert A. Schanke, in their book ''The Gay & Lesbian Theatrical Legacy: A Biographical Dictionary of Major Figures in American Stage History in the Pre-Stonewall Era'', wrote "She amiltonhad received special permission from the president of this women's college to hire men to play in the show's orchestra. On opening night the audie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How High The Moon
"How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue '' Two for the Show'', where it was sung by Alfred Drake and Frances Comstock. In ''Two for the Show'', this was a rare serious moment in an otherwise humorous revue. Recordings The earliest recorded hit version was by Benny Goodman & His Orchestra, featuring vocalist Helen Forrest. It was recorded on February 7, 1940, and released by Columbia Records as catalog number 35391, with the flip side "Fable of the Rose". The Les Paul Trio recorded a version released as V-Disc 540B with a spoken introduction which was issued in November, 1945 by the U.S. War Department. In 1948, bandleader Stan Kenton enjoyed some success with his version of the tune. The recording, with a vocal by June Christy, was released by Capitol Records as catalog number 911 (with the flip side " Willow, Weep for Me") and 15117 (with the flip side "Interlude"). It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Willemetz
Albert Willemetz (14 February 1887 – 7 October 1964) was a French librettist. Career Albert Willemetz was a prolific lyricist. He invented a new type of musical, with a humorous and "sexy" style. He was the author of more than 3000 songs, including "Mon homme" (popularized in English as "My Man"), " Valentine," "Dans la vie faut pas s'en faire," "Les palétuviers," "Ramona," "Est-ce que je te demande," "Ah si vous connaissiez ma poule," "Amusez-vous," and " Félicie aussi"), more than 100 musicals (including '' Phi-Phi'', ''Ta Bouche'', ''Là-Haut'', '' Dédé'', ''3 jeunes filles nues'', ''Florestan 1er'', and ''Trois Valses''), more than 100 revues (including seven with Sacha Guitry), and work for films. He worked with some of the notable musicians of his day, including André Messager, Maurice Yvain, Arthur Honegger, Henri Christiné, José Padilla, Vincent Scotto, Reynaldo Hahn, Raoul Moretti, Moises Simons, Georges Van Parys, Henri Betti, Szulc, Borel-Clerc, Oberfeld, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Charles
Jacques Alexandre César Charles (November 12, 1746 – April 7, 1823) was a French inventor, scientist, mathematician, and balloonist. Charles wrote almost nothing about mathematics, and most of what has been credited to him was due to mistaking him with another Jacques Charles, also a member of the Paris Academy of Sciences, entering on May 12, 1785. He was sometimes called Charles the Geometer. Charles and the Robert brothers launched the world's first unmanned hydrogen-filled gas balloon in August 1783; then in December 1783, Charles and his co-pilot Nicolas-Louis Robert ascended to a height of about 1,800 feet (550 m) in a manned gas balloon. Their pioneering use of hydrogen for lift led to this type of balloon being named a ''Charlière'' (as opposed to a Montgolfière which used hot air). Charles's law, describing how gases tend to expand when heated, was formulated by Joseph Louis Gay-Lussac in 1802, but he credited it to unpublished work by Jacques Charles. Charl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mon Homme
"Mon Homme" (),also known by its English translation, "My Man", is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. History ''Mon Homme'' was copyrighted in France by Maurice Yvain, Albert Willemetz and Jacques-Charles (Jacques Mardochée Charles) in 1920 and was introduced to Parisian audiences in the revue "''Paris qui Jazz''" at the Casino de Paris. The song was performed by revue star Mistinguett and her stage partner American dancer Harry Pilcer. Although the song originated in France –where it was a hit for Mistinguett– it was popularized in the English speaking world in the 1920s with the 1921 recording by Ziegfeld Follies singer Fanny Brice. The song was a hit, and the record eventually earned a Grammy Hall of Fame Award for Brice in 1999. Brice also sang the song during one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, '' Kiss Me, Kat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Otis Regrets
"Miss Otis Regrets" is a song about the lynching of a society woman after she murders her unfaithful lover. It was composed by Cole Porter in 1934, and first performed by Douglas Byng in ''Hi Diddle Diddle'', a revue that opened on October 3, 1934, at London's Savoy Theatre. Background The song began during a party at the New York apartment of Porter's classmate from Yale, Leonard Hanna. Hearing a cowboy's lament on the radio, Porter sat down at the piano and improvised a parody of the song. He retained the referential song’s minor-keyed blues melody and added his wry take on lyrical subject matter common in country music: the regret of abandonment after being deceitfully coerced into sexual submission.Schwartz, Charles (1979). ''Cole Porter: A Biography'' Da Capo Press, Instead of a country girl, however, Miss Otis is a polite society lady. Friend and Yale classmate Monty Woolley jumped in to help Porter "sell it", pretending to be a butler who explains why Madam can't keep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including '' Pal Joey'', '' A Connecticut Yankee'', '' On Your Toes'' and '' Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as '' Oklahoma!'', '' Flower Drum Song'', '' Carousel'', ''South Pacific'', ''The King and I'', and '' The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for bringing the Broadway musical to a new maturity by telling stories that were focused on characters and drama ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sweetest Sounds (song)
"The Sweetest Sounds" is a popular song, with words and music written by Richard Rodgers for the 1962 musical ''No Strings''. The song opens and closes the show for characters Barbara Woodruff and David Jordan, performed by Diahann Carroll and Richard Kiley in the original Broadway theatre production and subsequent cast recording. Composition The melodic theme appears to have been inspired by an orchestral figure in the final movement of Johannes Brahms' Piano Concerto No. 2 (Brahms) (measures 64–80). In television and film *Judy Garland featured the song on The Judy Garland Show episode that aired November 10, 1963 in a medley performed with Count Basie and his orchestra. *Barbra Streisand featured the song in the 1973 broadcast '' Barbra Streisand...And Other Musical Instruments''. *The song is featured in the 1997 adaptation of Rodgers and Hammerstein's ''Cinderella'', performed as a duet by Brandy and Paolo Montalbán. Recordings In addition to the respective cast a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul McCartney
Sir James Paul McCartney (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre–rock and roll pop to classical and electronica. His songwriting partnership with Lennon remains the most successful in history. Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called "the cute Beatle", McCartney later involv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
