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Hellenistic Portraiture
Hellenistic portraiture was one of the most innovative features of Hellenistic art. Spurred on by an increased interest in realism, Hellenistic sculptors sought to produce true-to-life portraits defined by the individualism of their subjects. Emergent at this time is a focus on a range of states of mind such as inebriation and concentration, as well as physical characteristics like senescence and anatomical abnormality - in great contrast with the idealised forms of the Classical period Lysippos Development of physiognomy Official portraiture Gallery Image:Demostenes.jpg, Portrait of Demosthenes Image:Seneca.JPG, Pseudo-Seneca at Naples Notes Bibliography * Ranuccio Bianchi Bandinelli, ''Il problema del ritratto'', in ''L'arte classica'', Editori Riuniti, Rome 1984. *{{in lang, it Pierluigi De Vecchi and Elda Cerchiari, ''I tempi dell'arte'', volume 1, Bompiani, Milano 1999. Portraiture A portrait is a painting, photograph, sculpture, or other artistic representat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiochos III
Antiochus III the Great (; grc-gre, Ἀντίoχoς Μέγας ; c. 2413 July 187 BC) was a Greek Hellenistic king and the 6th ruler of the Seleucid Empire, reigning from 222 to 187 BC. He ruled over the region of Syria and large parts of the rest of western Asia towards the end of the 3rd century BC. Rising to the throne at the age of eighteen in 222 BC, his early campaigns against the Ptolemaic Kingdom were unsuccessful, but in the following years Antiochus gained several military victories and substantially expanded the empire's territory. His traditional designation, ''the Great'', reflects an epithet he assumed. He also assumed the title ''Basileus Megas'' (Greek for " Great King"), the traditional title of the Persian kings. A militarily active ruler, Antiochus restored much of the territory of the Seleucid Empire, before suffering a serious setback, towards the end of his reign, in his war against Rome. Declaring himself the "champion of Greek freedom against Roman domina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranuccio Bianchi Bandinelli
Ranuccio Bianchi Bandinelli (19 February 1900 – 17 January 1975) was an Italian archaeologist and art historian. Biography Bianchi Bandinelli was born in Siena to Mario Bianchi Bandinelli (1859–1930) and Margherita Ottilie "Lily" von Korn (Bianchi Bandinelli, 1878–1905), who were descended from ancient aristocracy in Siena. His early research focused on the Etruscan centers close to his family lands, Clusium (1925) and Suana (1929). Disgusted with Italian fascism, despite being the man who showed Hitler around Rome under Mussolini, he converted to communism after World War II and became a Marxist. He founded a magazine, '' Società'', together with Cesare Luporini and Romano Bilenchi in 1945. As an anti-fascist, he was appointed to a number of important art-historical positions immediately after the war. For example, he was director of the new government's fine arts and antiquities ministry (Antichità e Belle Arti, 1945–48). His memoir of fascism in Italy was publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Editori Riuniti
Editori Riuniti is an Italian publishing house based in Rome that publishes books and magazines on the history of socialism, socialist thought, physics and mathematics theory, and the history of Central and Eastern Europe and the Balkans. History Editori Riuniti was founded in 1953 by the merger of the Italian Communist Party's two existing publishing houses, 's Edizioni Rinascita and 's Edizioni di Cultura Sociale. Bonchio became head of the new publishing house and initiated, in its first decade, a period of expansion. Editori Riuniti began publishing its flagship magazines, which were initially edited by Bonchio and Gerratana until Bruno Munari contributed to their graphic design. The publishing house also began important partnerships with European intellectuals like Maurice Dobb, Louis Althusser, Eric Hobsbawm, and Roberto Longhi. In the 1970s, Editori Riuniti published the ''Opere complete di Marx e Engels'' and the 11-volume encyclopedia ''Ulisse'', under the direction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portraits Of Ancient Greece And Rome
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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