Helga Görlin
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Helga Görlin
Helga Görlin ( September 26, 1900 – January 31, 1993) was a Swedish soprano and voice teacher. She performed as a resident leading soprano at the Royal Swedish Opera from 1926 to 1951, and later returned as a guest artist at that theatre for her final stage performance in 1954 as Cio-Cio San in Puccini's ''Madama Butterfly''. A frequent romantic stage partner of tenor Jussi Björling during the 1930s and 1940s, she notably portrayed the role of Minnie in the Swedish premiere of Puccini's ''La fanciulla del West'' in 1934 with Björling as Dick Johnson. She also created roles in the world premieres of operas by Kurt Atterberg, Natanael Berg, and Hilding Rosenberg during her career. In addition to opera, Görlin also performed works from the soprano concert repertoire and was particularly known for her performances of the soprano solos in Handel's ''Messiah''; a work she sang annually for many years at the Royal Theatre, Stockholm. She also was active as a recitalist and was an a ...
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Royal College Of Music, Stockholm
The Royal College of Music, Stockholm ( sv, Kungliga Musikhögskolan i Stockholm) is the oldest institution of higher education in music in Sweden, founded in 1771 as the conservatory of the Royal Swedish Academy of Music. The institution was made independent of the Academy in 1971, and is now a public authority directly under the Ministry of Education and Research. Vice-Chancellor from June 2019 is Helena Wessman, former general manager of Berwaldhallen. Notable alumni Composers *Hugo Alfvén * Anton Jörgen Andersen *Natanael Berg *Viking Dahl (also a notable painter and author) *Gunnar de Frumerie (also a notable pianist) *Harald Fryklöf *Ludwig Göransson *Anders Hillborg *Jacob Adolf Hägg * Hannah Holgersson *Lars-Erik Larsson *Ruben Liljefors (also a notable conductor) * Nils Lindberg (also a notable pianist) *Pär Lindgren * Edward McGuire (studied with composer Ingvar Lidholm 1971) *Erland von Koch *Otto Olsson *Karin Rehnqvist *Amanda Röntgen-Maier *Ákos Rózmann * ...
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Louise (opera)
''Louise'' is a “musical novel,” or “,” in four acts and five scenes by Gustave Charpentier. It can be considered an opera. The composer himself penned the French libretto with contributions from Saint-Pol-Roux, a symbolist poet and inspiration of the surrealists. It is an atmospheric story of working-class life in Paris, with the city itself invoked along the way: young Louise, a seamstress living with her parents, loves Julien, an artist; she desires freedom, associated in her mind with him and the city. (Charpentier would later write a sequel, the opera ''Julien'', describing the artist's aspirations.) Musically the work is ''verismo'', it marks the beginning of naturalism in French opera. Performance history ''Louise'' was premiered on 2 February 1900 at the Salle Favart by the Opéra-Comique conducted by André Messager in a production by Albert Carré. It was successful, reaching its 100th performance just over a year later; the 500th performance at the Opéra-Comiqu ...
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Gustave Charpentier
Gustave Charpentier (; 25 June 1860 – 18 February 1956) was a French composer, best known for his opera ''Louise''.Langham Smith R., "Gustave Charpentier", ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life and career Charpentier was born in Dieuze, Moselle, the son of a baker, and with the assistance of a rich benefactor he studied violin at the conservatoire in Lille before entering the Paris Conservatoire in 1881. There he took lessons in composition under Jules Massenet (from 1885) and had a reputation of wanting to shock his professors. In 1887 he won the Prix de Rome for his cantata ''Didon''. During the time in Rome that the prize gave him, he wrote the orchestral suite ''Impressions d'Italie'' and began work on the libretto and music for what would become his best-known work, the opera ''Louise''. Charpentier returned to Paris, settling in Montmartre, and continued to compose, including songs on texts by Charles Baudelaire and Voltaire. He ...
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Arabella
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera."Best Opera"
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ...
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Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ...
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Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ...
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Stockholm University Of The Arts
The Stockholm University of the Arts ( sv, Stockholms konstnärliga högskola) is a public university college created 1 January 2014 by merging the School of Dance and Circus, the University College of Opera, and the Stockholm Academy of Dramatic Arts. This is the result of the ministerial committee directive issued in 2012. The three institutions remained autonomous with regards to undergraduate studies, but the amalgamation intended to achieve critical mass and high quality environments for research and doctoral studies. The university has not used the names of its three predecessor institutions since 1 January 2020. Vice-chancellor is Paula Crabtree,Swedish Ministry of Education and Research, 24 October 2013
and chairman of the board is

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University College Of Opera
The University College of Opera ( sv, Operahögskolan i Stockholm) was until 2014 a Swedish institution in Stockholm offering higher education in the field of Opera, opera music and related arts. Since 1 January 2014, it has been fully integrated as part of the Stockholm University of the Arts, and the previous name is no longer in use. It was tasked with educating singers, répétiteurs, and opera directors and had an enrollment of approximately 40 students, including 36 singers. References

Stockholm University of the Arts Higher education in Stockholm Opera organizations Music schools in Sweden {{Sweden-university-stub ...
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